🏯 Early entry: As the first visitor, the beauty of power modesty and restraint was struck by a sense of order different from the Forbidden City when crossing the Zhuhong Mansion Gate on the shore of Baogong Lake. The palace door was locked without layers of stacking, and the central axis was opened. More than 50 temples surrounded the sides with "front and back beds" layout, and the view was wide as the Pingyuan composition of the Song painting "Qingming Shanghe Map". Compared with the 12-meter high platform that the Forbidden City Taihe Palace needs to look up, the Kaifeng Mansion Main Hall only raised the three-level stone steps, and the bluestone slab extended to the statue of the statue, as if inviting mortals to complain directly. This "arrival majesty" resembles the ideal projection of the Northern Song Dynasty literati politics: power should not hang high above the temple, but rather lean over the market. 🟨 Painting password: Song style in the blue and gray bricks has been elegantly painted by the main hall Liang Yu, and the age of color aesthetics is divided: the Forbidden City is paved with golden dragons and scorpions, and Jinhong is intertwined to show the emperor's power and destiny; The "Yufu" painted zircon blue dyeing bucket arch, zircon hook pattern, vine yellow point curling grass such as faded "Thousands of miles of rivers and mountains", in the blue tiles set off by the more subtle. Especially the white stone base and Dailan zircon in Jieshi Mingting Pavilion constitute a cold color ink. The tour guide explained lightly: "Song Taizu Dingdu time order the official department to use blue and white two colors, take the meaning of 'innocent as an official', this simple and elegant, is the gentle resistance of the scholar-doctor spirit to the imperial aesthetics." ⚖️ Space metaphor: the ritual system and practical symphony are on the seven-story Qingxin Building overlooking the panoramic view. The symbolism of the building community suddenly opens up: compared with the Forbidden City: the Forbidden City strengthens the centralization of power with "Tianzi in the middle", and the yellow tiles and red walls are like solidified ritual and music; Kaifengfu is like a rigorous fugue qufu hall symbol of justice (wood structure without color painting), the east line Qianlong Palace Zhaohuang power supervision (Huang glazed tile edge), the west line prison guard law is strict (black wall narrow window), three forces in the blue gray tone to achieve balance. The details of the world: Meihuatang "sit in the south" design subverts the tradition - Bao Zheng will be the public hall to listen to the people's complaints to face north, this "back sun to Yin" pragmatism, just the Song people breakthrough ceremony of proof, and the Forbidden City only southward to the rigidity of the dramatic contrast. 🌇 Twilight Revelation: Two aesthetics of space-time dialogue are separated from the Wencheng Wall at sunset, and the embers are plated with gold for the building: the dragon-printed glass of the Forbidden City is getting more and more glaze in the dusk, such as the imperial sunset; And the blue bricks and tiles of Kaifeng Mansion gradually melted into the smoke waves of Baogong Lake, like the unfinished sketch of "Creating French". At this moment, I suddenly realized: the Forbidden City sings to eternal power with color, and Kaifeng Mansion writes the history of flowing with faded aesthetics. When three copper foils glowed coldly under the spotlight, the cries of the people a hundred years ago seemed to penetrate time and space, reminding us: true civilization, not in the glory of the palace, And in the dry rain on the blue slabs of the mansion.