Latest Events in Tokyo(February Updated)

With the explosive growth of artificial intelligence (AI) and the integration of virtual and real worlds, the latest cutting-edge technologies have quickly penetrated our daily lives. This tendency has become especially apparent since the COVID-19 pandemic, when many human activities shifted towards virtual space. Looking back, the progress of art and technology has run parallel to each other throughout the course of history, a phenomenon that is especially evident in the field of computer art and video art. While recent innovations in video game engines and AI offer unprecedented possibilities for artists, the advent of generative AI also has raised significant concerns. Such developments are now attracting considerable attention in various fields and industries, including the contemporary art world.

Tokyo Metropolitan Government has created a new tourist resource for nighttime viewing by using the exterior wall of the Tokyo Metropolitan Government Building No. 1 as a screen to express a variety of art with light and sound, and to perform projection mapping all year round in order to activate and revitalize nighttime tourism. This time, as the 45th anniversary is approaching next year, the Tokyo Metropolitan Government will begin showing works using the world-famous "Pac-Man". The game board appears on the outer wall of the Tokyo Metropolitan Government Building, and Pac-Man, who is making a futuristic scene, eats up everything vividly. The music of the game of Pac-Man, which has a futuristic feel, and the music of the highly friendly soundtrack maker Mr. Haraguchi Sasuke have produced. Please enjoy the collaborative work of Pac-Man and Tokyo that can only be seen in the Tokyo Metropolitan Government Building.

The early spring exhibition of Ginza Ggg Gallery, "The Way of Calligraphy: Lü Jingren's Journey of Book Design", will open on February 12 and will last until March 27. The exhibition will include a full-size copy of the Thousand Characters by Zhu Xi of the Song Dynasty, ten ten-meter-long scrolls of "Detailed Explanation of the Illustrated Five Hundred Arhats", and 27 books introducing Chinese art, culture and life, for which he made detailed illustrations.

The early spring exhibition of Ginza Ggg Gallery, "The Way of Calligraphy: Lü Jingren's Journey of Book Design", will open on February 12 and will last until March 27. The exhibition will include a full-size copy of the Thousand Characters by Zhu Xi of the Song Dynasty, ten ten-meter-long scrolls of "Detailed Explanation of the Illustrated Five Hundred Arhats", and 27 books introducing Chinese art, culture and life, for which he made detailed illustrations.

The early spring exhibition of Ginza Ggg Gallery, "The Way of Calligraphy: Lü Jingren's Journey of Book Design", will open on February 12 and will last until March 27. The exhibition will include a full-size copy of the Thousand Characters by Zhu Xi of the Song Dynasty, ten ten-meter-long scrolls of "Detailed Explanation of the Illustrated Five Hundred Arhats", and 27 books introducing Chinese art, culture and life, for which he made detailed illustrations.

Spring is a time when the warm sunlight begins to shine. It is an exciting season as flowers sprout. Of all the seasons, nothing lifts our spirits more than the blooming of cherry blossoms. Our museum will be holding an exhibition where we will bring together masterpieces of cherry blossoms, making you feel as if you are at a cherry blossom viewing party, even while staying in the museum.

Japan Meat Industry presents the ultimate technology and products that the producers, processors, distributors, retailers, and food-related personnel Japan Meat Industry presents the ultimate technology and products that the producers, processors, distributors, retailers, and food-related personnel who keep sticking to meat have refined in their respective fields, and disseminates information by disseminating information in the meat industry. Progress and contribute to the promotion of Japan's meat industry and the improvement of the people's diet. Information Source: Japan Food Journal Co., Ltd | expotobi

"Demon Slayer: Kimetsu no Yaiba", which has been loved by generations, is a manga created by Koyoharu Gotouge and animated by ufotable. It has been 5 years since the first episode was aired, and after the final episode of "Hiraru Training Arc" aired in May this year, the "Theatrical Version of "Demon Slayer: Kimetsu no Yaiba" Infinite Castle Arc" was announced, which has set off a new wave of topics. The focus of this exhibition is on the "Hiraru" swordsmen of the Demon Slayer Corps, who have inherited the love-hate relationship with Muzan Kibutsuji for thousands of years. The exhibition will allow the audience to have a deeper understanding of the personality and background of the nine pillars through exquisite displays and interactive experiences.

"Demon Slayer: Kimetsu no Yaiba", which has been loved by generations, is a manga created by Koyoharu Gotouge and animated by ufotable. It has been 5 years since the first episode was aired, and after the final episode of "Hiraru Training Arc" aired in May this year, the "Theatrical Version of "Demon Slayer: Kimetsu no Yaiba" Infinite Castle Arc" was announced, which has set off a new wave of topics. The focus of this exhibition is on the "Hiraru" swordsmen of the Demon Slayer Corps, who have inherited the love-hate relationship with Muzan Kibutsuji for thousands of years. The exhibition will allow the audience to have a deeper understanding of the personality and background of the nine pillars through exquisite displays and interactive experiences.

Ramses The Great and the Gold of the Pharaohs will feature 183 pieces of rare artefacts from ancient Egypt that focus on the almighty pharaoh, Ramses The Great and it will be the largest collection of artefacts on Ramses II to ever leave Egypt. This spectacular exhibition will also boast the FIRST ever virtual walkthrough of Ramses II’s famous temples as well as a full-length documentary ever produced on Ramses II’s tomb.

This spectacular light show is the brainchild of renowned Japanese lighting designer Motoko Ishii. The term Jewellumination stands for jewels and lights, and it is brought to life by seven jewel colors: diamond, ruby, amber, topaz, emerald, sapphire and amethyst. The park is lit up by four million LED lights and divided into five colorful and themed areas: "Amusement Park", "Water Park", "Beautiful Stream", "Kawaii Park" and "Forest", with dance performances synchronized with lights and music. If you purchase an unlimited ride pass, you can also see these lights and the amazing night view of Tokyo from the top of the roller coaster or Ferris wheel.

This event showcases products like racking Systems Grid-connected/Stand-alone Inverters Junction Boxes Plugs/Sockets/Connectors Solar Controllers Renewable energies are expected to play a more significant role in achieving carbon neutrality by 2050. Smart Energy Week gathers a full range of renewable energy technologies such as hydrogen and fuel cells, solar power, rechargeable batteries, smart grids, wind power, biomass, zero-emission thermal power generation, etc. Smart Energy Week is an exhibition where the latest technologies, information, and people gather to accelerate business in the energy industry. Information Source: Reed Exhibitions Japan Ltd. | expotobi

Beginning in the 1920s, architects including Le Corbusier and Mies van der Rohe explored new residential designs with function and comfort in mind. Their experimental visions and innovative ideas eventually intersected with everyday life, greatly reshaping people’s lifestyles. This exhibition focuses on seven dimensions of modern houses: hygiene, materials, windows, kitchen, furnishings, media, and landscape. Approximately 14 masterworks of residential architecture spanning the world will be presented in detail through photographs and drawings, sketches, models, furniture, textiles, tableware, magazines, graphics, and films. The modernity of this residential architecture in this exhibition continues to resonate today, offering an opportunity to reflect on our own living spaces and ways of living.

Beginning in the 1920s, architects including Le Corbusier and Mies van der Rohe explored new residential designs with function and comfort in mind. Their experimental visions and innovative ideas eventually intersected with everyday life, greatly reshaping people’s lifestyles. This exhibition focuses on seven dimensions of modern houses: hygiene, materials, windows, kitchen, furnishings, media, and landscape. Approximately 14 masterworks of residential architecture spanning the world will be presented in detail through photographs and drawings, sketches, models, furniture, textiles, tableware, magazines, graphics, and films. The modernity of this residential architecture in this exhibition continues to resonate today, offering an opportunity to reflect on our own living spaces and ways of living.

Beginning in the 1920s, architects including Le Corbusier and Mies van der Rohe explored new residential designs with function and comfort in mind. Their experimental visions and innovative ideas eventually intersected with everyday life, greatly reshaping people’s lifestyles. This exhibition focuses on seven dimensions of modern houses: hygiene, materials, windows, kitchen, furnishings, media, and landscape. Approximately 14 masterworks of residential architecture spanning the world will be presented in detail through photographs and drawings, sketches, models, furniture, textiles, tableware, magazines, graphics, and films. The modernity of this residential architecture in this exhibition continues to resonate today, offering an opportunity to reflect on our own living spaces and ways of living.

Yayoi Kusama has constantly faced the critical realities of life and death as pressing issues. Her experience of the Pacific War in a complex family environment, along with her overcoming of suicidal impulses triggered by trauma and neurosis through her creative practices, has influenced her perception of these issues. This exhibition unveils Kusama’s evolving outlook on life and death, alongside the corresponding shifts in her artistic presentation, through a series of diverse works—from her 1940s and 1950s paintings, which bear the imprint of war, to her very latest pieces. After relocating to the United States in 1957, Kusama gained a reputation for her net paintings and sculptures that embody ‘self-obliteration’: the feeling of losing the boundary between the self and the other through the obsessive repetition of motifs originating from her hallucinations. In her anti-war happenings in the late 1960s, she painted dots onto the human body using the same concept of ‘self-obliteration’ while also highlighting the beauty of life and the human body. During the 1970s and 80s, following the loss of her father and her lover, as well as her return to Japan due to health issues, Kusama produced numerous dark-toned collages and three-dimensional works centered on the theme of death, as well as poetry and novels imbued with a sense of mortality. As she continued creating fantastical works exploring death and the afterlife, her works from the late 1980s began to explore themes of transmigration and cyclical returns to eternity through ‘self-obliteration’. Kusama’s works, which increasingly incorporated more colors, reveal how her creative process evolved from a means of coping with death to becoming synonymous with her very existence. In her painting series from 2000 onwards, Kusama has been relentlessly depicting the beauty of life and the joy of living on canvases overflowing with vibrant colors, driven by the ever-looming presence of her own death.

From the late 1960s to the 1970s, the "underground," commonly known as "angura," took the Japanese art world by storm, mainly in the urban space of Tokyo. The underground, which replaced the "avant-garde" as the gathering point of cutting-edge art, was imported to Japan from the United States through experimental films and spread to fields such as fine art, music, manga, design, theater, and dance, becoming a trend recognized by the general public in just a few years. However, because it was established through its interaction with the anti-establishment movement of the time, it disappeared in the early 1970s as the movement declined. Although it was a short-lived phenomenon, underground culture had a great impact on postwar Japanese society, and it can be said that it remains as a style to this day. In addition, by its very nature, underground culture focused on temporary "events" rather than physical "works," and placed importance on the "places" that welcomed its bearers. For this reason, the underground is seen as the atmosphere of the times, and its actual nature has yet to be clarified. "MAM Research 011: Tokyo Underground 1960s-1970s - A turning point in postwar Japanese culture" will display many materials, mainly ephemera (printed material intended for temporary use), that are suited to conveying the rise and fall of underground culture in Tokyo. Furthermore, by examining these materials, we will attempt to look in detail at the history of "underground," its ideas and those who carried it, as well as its spread and limitations.