Latest Events in Enter(August Updated)

Deepening Student Musicianship through Diverse Repertoire Playing with songs, dances, and games from around the world, attendees will gain experience with new repertoire to engage elementary students, especially bilingual learners. By approaching this repertoire through a Kodály lens, Mari Scott and Brenda Bush will demonstrate how to incorporate this repertoire and relevant cultural context into your instructional sequence. Mari will focus on Spanish repertoire with music from Latin America and Spain. Brenda will be sharing musical gems from around the world. Get ready to play - ¡en español! Information Source: Kodály Chapter of Minnesota | eventbrite

What do dance legends Mercedes Ellington, Luana Haraguchi, George Faison, Ken Swift, Ranee Ramaswamy, and Virginia Johnson all have in common? They’ve participated in the Dance Oral History Project! This project by the Jerome Robbins Dance Division captures the vibrant stories of dancers and choreographers of all types of dance! Join us as we celebrate the 50th anniversary of the project, which has documented the voices and legacies of over 700 dance artists. The evening will feature inspiring excerpts from this unparalleled collection of dance storytelling that spans a wide variety of genres and generations. Photo Credit: Ephrat “Bounce” Asherie and Break Easy (Richard Santiago). Photo by Cassie Mey. SEATING POLICY | Programs are free and open to all, but registration is requested. Check-in line forms 45 minutes before the advertised start time. Registered guests are given priority check-in 15 to 30 minutes before start time. Five minutes before the advertised start time, all seats are released, regardless of registration, to our patrons in the stand-by line. If you arrive after the program starts, you will be seated at the discretion of our front-of-house staff. STANDBY LINE | If registration is sold out or has ended, do not fret! We welcome you to come to the Library regardless of registration status and wait in our standby line, which forms 45 minutes before the advertised start time. Five minutes before the program starts, all remaining seats are released. While this is not guaranteed, we will do our best to get you into any of our programs. ASSISTIVE LISTENING AND ASL | ASL interpretation and real-time (CART) captioning available upon request. Please submit your request at least two weeks in advance by emailing accessibility@nypl.org. BRUNO WALTER POLICY | Please note that any unoccupied seat will be released five minutes before the show begins and holding seats for anyone beyond that is prohibited. There is no food or drink allowed inside the venue. AUDIO/VIDEO RECORDING | Programs may be photographed and recorded by and at the discretion of the Library for the Performing Arts and will post signs indicating as such. If you would prefer your image not be captured, please let us know and we can seat you accordingly. Attending any program indicates your consent to being filmed/photographed and your consent to the use of your recorded image for any and all purposes of the New York Public Library. PRESS | Please send all press inquiries to Alex Teplitzky at alexteplitzky@nypl.org. Please note that all recording, including professional video recordings, are prohibited without expressed consent from the Library. Information Source: New York Public Library for the Performing Arts | eventbrite

Choreographer, educator, and curator Sekou McMiller, one of today’s most influential Afro Latin dance artists, takes a look at the Palladium Ballroom and its impact on the creation and proliferation of the Afro Latin dance the “Mambo” aka “Salsa on2.” Joined by elders from the Palladium Era, he revisits the famed ballroom which opened 1946–1966, known for its dancers as well as its music, fueled by weekly dance competitions and band battles. It was New York’s first integrated music and dance space in Midtown, and was the catalyst for a worldwide Afro Latin dance phenomenon. For more than 10 years, The Dance Historian Is In at the Library for the Performing Arts has highlighted a diverse range of dancers and choreographers across history. This series began when archivist and historian David Vaughan started volunteering at the Jerome Robbins Dance Division. Vaughan began a monthly program showing his favorite dance films from the Division's extensive collection, through which he unearthed many treasures, and helped acquire even more. Vaughan continued the series until the end of his life. Today, we honor his memory and work by inviting dance historians from all over the world each month to carry on the tradition of highlighting dance history through the Dance Division's moving image collection. Photo Credit: Ted Castle. Jerome Robbins Dance Division. This event will take place online via Zoom as well as in person at The Library for the Performing Arts. *A streaming link will be emailed to everyone on the morning of the event for those wishing to attend virtually. SEATING POLICY | Programs are free and open to all, but registration is requested. Check-in line forms 45 minutes before the advertised start time. Registered guests are given priority check-in 15 to 30 minutes before start time. Five minutes before the advertised start time, all seats are released, regardless of registration, to our patrons in the stand-by line. If you arrive after the program starts, you will be seated at the discretion of our front-of-house staff. STANDBY LINE | If registration is sold out or has ended, do not fret! We welcome you to come to the Library regardless of registration status and wait in our standby line, which forms 45 minutes before the advertised start time. Five minutes before the program starts, all remaining seats are released. While this is not guaranteed, we will do our best to get you into any of our programs. ASSISTIVE LISTENING AND ASL | ASL interpretation and real-time (CART) captioning available upon request. Please submit your request at least two weeks in advance by emailing accessibility@nypl.org. BRUNO WALTER POLICY | Please note that any unoccupied seat will be released five minutes before the show begins and holding seats for anyone beyond that is prohibited. There is no food or drink allowed inside the venue. AUDIO/VIDEO RECORDING | Programs may be photographed and recorded by and at the discretion of the Library for the Performing Arts and will post signs indicating as such. If you would prefer your image not be captured, please let us know and we can seat you accordingly. Attending any program indicates your consent to being filmed/photographed and your consent to the use of your recorded image for any and all purposes of the New York Public Library. PRESS | Please send all press inquiries to Alex Teplitzky at alexteplitzky@nypl.org. Please note that all recording, including professional video recordings, are prohibited without expressed consent from the Library. Information Source: New York Public Library for the Performing Arts | eventbrite

The long-running Off-Broadway musical, Mama, I Want To Sing! and the associated Mama Foundation has introduced many young performers to the New York stage. This panel discussion will look at the 40-year history of the company in New York. Photo Credit: Mama, I Want to Sing! cast on stage, photo by Carol Rosegg. Billy Rose Theatre Division. SEATING POLICY | Programs are free and open to all, but registration is requested. Check-in line forms 45 minutes before the advertised start time. Registered guests are given priority check-in 15 to 30 minutes before start time. Five minutes before the advertised start time, all seats are released, regardless of registration, to our patrons in the stand-by line. If you arrive after the program starts, you will be seated at the discretion of our front-of-house staff. STANDBY LINE | If registration is sold out or has ended, do not fret! We welcome you to come to the Library regardless of registration status and wait in our standby line, which forms 45 minutes before the advertised start time. Five minutes before the program starts, all remaining seats are released. While this is not guaranteed, we will do our best to get you into any of our programs. ASSISTIVE LISTENING AND ASL | ASL interpretation and real-time (CART) captioning available upon request. Please submit your request at least two weeks in advance by emailing accessibility@nypl.org. BRUNO WALTER POLICY | Please note that any unoccupied seat will be released five minutes before the show begins and holding seats for anyone beyond that is prohibited. There is no food or drink allowed inside the venue. AUDIO/VIDEO RECORDING | Programs may be photographed and recorded by and at the discretion of the Library for the Performing Arts and will post signs indicating as such. If you would prefer your image not be captured, please let us know and we can seat you accordingly. Attending any program indicates your consent to being filmed/photographed and your consent to the use of your recorded image for any and all purposes of the New York Public Library. PRESS | Please send all press inquiries to Alex Teplitzky at alexteplitzky@nypl.org. Please note that all recording, including professional video recordings, are prohibited without expressed consent from the Library. Information Source: New York Public Library for the Performing Arts | eventbrite

Dr. William Schimmel, a classically-trained accordionist, returns classic repertoire he learned in conservatory with an inflection of tango influence. He has performed with virtually every ensemble in New York, including the New York Philharmonic, the Metropolitan Opera, and Jazz at Lincoln Center. Master accordionist Dr. Schimmel returns to our stage, this time in a solo concert of classical favorites played as tangos. Dr. Schimmel’s accomplishments in the tango genre were made famous through his album Tango Project albums, the first of which reached #1 on the Billboard charts. Photo Credit: Dr. William Schimmel, photo by Paul Crisanti SEATING POLICY | Programs are free and open to all, but registration is requested. Check-in line forms 45 minutes before the advertised start time. Registered guests are given priority check-in 15 to 30 minutes before start time. Five minutes before the advertised start time, all seats are released, regardless of registration, to our patrons in the stand-by line. If you arrive after the program starts, you will be seated at the discretion of our front-of-house staff. STANDBY LINE | If registration is sold out or has ended, do not fret! We welcome you to come to the Library regardless of registration status and wait in our standby line, which forms 45 minutes before the advertised start time. Five minutes before the program starts, all remaining seats are released. While this is not guaranteed, we will do our best to get you into any of our programs. ASSISTIVE LISTENING AND ASL | ASL interpretation and real-time (CART) captioning available upon request. Please submit your request at least two weeks in advance by emailing accessibility@nypl.org. BRUNO WALTER POLICY | Please note that any unoccupied seat will be released five minutes before the show begins and holding seats for anyone beyond that is prohibited. There is no food or drink allowed inside the venue. AUDIO/VIDEO RECORDING | Programs may be photographed and recorded by and at the discretion of the Library for the Performing Arts and will post signs indicating as such. If you would prefer your image not be captured, please let us know and we can seat you accordingly. Attending any program indicates your consent to being filmed/photographed and your consent to the use of your recorded image for any and all purposes of the New York Public Library. PRESS | Please send all press inquiries to Alex Teplitzky at alexteplitzky@nypl.org. Please note that all recording, including professional video recordings, are prohibited without expressed consent from the Library. Information Source: New York Public Library for the Performing Arts | eventbrite

Join us at Civic Square Library to hear local author, Alexander Thorpe, in-conversation about his new novel, Death Holds the Key. Featuring the mendicant monk from Thorpe's previous novel, Death Leaves the Station, readers will be drawn into the world of small-town Western Australia in the late 1920s, delighting in the characters as they navigate the strained sensibilities and dark secrets of the past... Information Source: City of Melville | eventbrite

Clarinet and piano musical duo David Gresham and Momoko Gresham present a varied program of music, including sonatas by Gabriel Faure and Francis Poulenc. The program includes a Sonata for Clarinet and Piano from New York-based composer Amanda Harberg, as well as sheet music preserved in the Johanna Beyer archive at the Library for the Performing Arts. SEATING POLICY | Programs are free and open to all, but registration is requested. Check-in line forms 45 minutes before the advertised start time. Registered guests are given priority check-in 15 to 30 minutes before start time. Five minutes before the advertised start time, all seats are released, regardless of registration, to our patrons in the stand-by line. If you arrive after the program starts, you will be seated at the discretion of our front-of-house staff. STANDBY LINE | If registration is sold out or has ended, do not fret! We welcome you to come to the Library regardless of registration status and wait in our standby line, which forms 45 minutes before the advertised start time. Five minutes before the program starts, all remaining seats are released. While this is not guaranteed, we will do our best to get you into any of our programs. ASSISTIVE LISTENING AND ASL | ASL interpretation and real-time (CART) captioning available upon request. Please submit your request at least two weeks in advance by emailing accessibility@nypl.org. BRUNO WALTER POLICY | Please note that any unoccupied seat will be released five minutes before the show begins and holding seats for anyone beyond that is prohibited. There is no food or drink allowed inside the venue. AUDIO/VIDEO RECORDING | Programs may be photographed and recorded by and at the discretion of the Library for the Performing Arts and will post signs indicating as such. If you would prefer your image not be captured, please let us know and we can seat you accordingly. Attending any program indicates your consent to being filmed/photographed and your consent to the use of your recorded image for any and all purposes of the New York Public Library. PRESS | Please send all press inquiries to Alex Teplitzky at alexteplitzky@nypl.org. Please note that all recording, including professional video recordings, are prohibited without expressed consent from the Library. Information Source: New York Public Library for the Performing Arts | eventbrite

In this evening event, William Parker, composer, bassist, multi-instrumentalist, and bandleader, performs his compositions with his jazz group. Parker’s large ensemble project involves the collective creative forces of the Little Huey Creative Music Orchestra, which is featured in this program. In the words of Parker, “Huey's Pocket Watch was created for all those who wanted to be poets and were told they needed to get a real job. The H in Huey stands for Hope.  Huey's Pocket Watch is a wing of the Little.” William Parker is a composer, bassist and multi-instrumentalist, an author and educator who has recorded over 40 albums as a leader that feature a range of concepts, and ensembles from solo bass, quartets, sextets, in addition to hundreds of pieces of vocal music. All of Parker’s music incorporates his concept of Universal Tonality. They all include improvisational languages and possibilities. Parker was recently named the recipient of the Vision 2024 Lifetime Achievement Award. Photo Credit: Photo of William Parker holding double bass in front of merry-go-round by Eva Kapanadze SEATING POLICY | Programs are free and open to all, but registration is requested. Check-in line forms 45 minutes before the advertised start time. Registered guests are given priority check-in 15 to 30 minutes before start time. Five minutes before the advertised start time, all seats are released, regardless of registration, to our patrons in the stand-by line. If you arrive after the program starts, you will be seated at the discretion of our front-of-house staff. STANDBY LINE | If registration is sold out or has ended, do not fret! We welcome you to come to the Library regardless of registration status and wait in our standby line, which forms 45 minutes before the advertised start time. Five minutes before the program starts, all remaining seats are released. While this is not guaranteed, we will do our best to get you into any of our programs. ASSISTIVE LISTENING AND ASL | ASL interpretation and real-time (CART) captioning available upon request. Please submit your request at least two weeks in advance by emailing accessibility@nypl.org. BRUNO WALTER POLICY | Please note that any unoccupied seat will be released five minutes before the show begins and holding seats for anyone beyond that is prohibited. There is no food or drink allowed inside the venue. AUDIO/VIDEO RECORDING | Programs may be photographed and recorded by and at the discretion of the Library for the Performing Arts and will post signs indicating as such. If you would prefer your image not be captured, please let us know and we can seat you accordingly. Attending any program indicates your consent to being filmed/photographed and your consent to the use of your recorded image for any and all purposes of the New York Public Library. PRESS | Please send all press inquiries to Alex Teplitzky at alexteplitzky@nypl.org. Please note that all recording, including professional video recordings, are prohibited without expressed consent from the Library. Information Source: New York Public Library for the Performing Arts | eventbrite

Orchestra of St. Luke’s comes to perform for free at the Library for the Performing Arts, as part of their series of concerts in each of the five New York City boroughs. For this program, St. Luke's Chamber Ensemble performs music by Chen Yi, a celebrated Chinese-American composer whose work connects cultures and tells stories that resonate around the world. Born in China and thriving as an artist in the United States, Chen Yi combines the melodies of her heritage with a global perspective, creating music that is fresh, vibrant, and deeply moving. This concert features her dynamic compositions alongside the music that has influenced her journey, showcasing a joyful celebration of culture and sound. The selected pieces include Chen Yi's Sprout, Sound of the Five, and Zhou Long's Chinese Folk Songs. SEATING POLICY | Programs are free and open to all, but registration is requested. Check-in line forms 45 minutes before the advertised start time. Registered guests are given priority check-in 15 to 30 minutes before start time. Five minutes before the advertised start time, all seats are released, regardless of registration, to our patrons in the stand-by line. If you arrive after the program starts, you will be seated at the discretion of our front-of-house staff. STANDBY LINE | If registration is sold out or has ended, do not fret! We welcome you to come to the Library regardless of registration status and wait in our standby line, which forms 45 minutes before the advertised start time. Five minutes before the program starts, all remaining seats are released. While this is not guaranteed, we will do our best to get you into any of our programs. ASSISTIVE LISTENING AND ASL | ASL interpretation and real-time (CART) captioning available upon request. Please submit your request at least two weeks in advance by emailing accessibility@nypl.org. BRUNO WALTER POLICY | Please note that any unoccupied seat will be released five minutes before the show begins and holding seats for anyone beyond that is prohibited. There is no food or drink allowed inside the venue. AUDIO/VIDEO RECORDING | Programs may be photographed and recorded by and at the discretion of the Library for the Performing Arts and will post signs indicating as such. If you would prefer your image not be captured, please let us know and we can seat you accordingly. Attending any program indicates your consent to being filmed/photographed and your consent to the use of your recorded image for any and all purposes of the New York Public Library. PRESS | Please send all press inquiries to Alex Teplitzky at alexteplitzky@nypl.org. Please note that all recording, including professional video recordings, are prohibited without expressed consent from the Library. Information Source: New York Public Library for the Performing Arts | eventbrite

Mark Broomfield’s new book,Black Queer Dance, examines one of the most visible crucibles for masculinity—the male dancer—and illuminates the contradictory and conditional acceptance of Black gay men’s contributions to American modern dance. The book questions the politics of coming out and situates a new framework of doing out for understanding marginalized black LGBTQ people in the 20th and 21st century. Based on ethnographic fieldwork in New York City, Black Queer Dance features contributions by acclaimed dancer-choreographers Desmond Richardson and Dwight Rhoden Co-Artistic Directors of Complexions Contemporary Ballet and Ronald K. Brown, Artistic Director of Evidence, who offer an expansive vision of masculinity. Looking at imagery, video footage, live performance, and readings, this program features Broomfield in conversation with Duane Cyrus, Carlos Jones, and Aubrey Lynch, as they discuss nuanced perspectives of how Black masculinity functions in the lives of professional male dancers that expose the illusions of gender performance. Photo Credit: Elizabeth Roxas and Desmond Richardson in Donald McKayle’s Rainbow 'round My Shoulder. Collection of the Smithsonian National Museum of African American History and Culture and Alvin Ailey Dance Foundation, Inc., Photography by Jack Mitchell, © Alvin Ailey Dance Foundation, Inc. and Smithsonian Institution, All rights reserved. Jerome Robbins Dance Division. SEATING POLICY | Programs are free and open to all, but registration is requested. Check-in line forms 45 minutes before the advertised start time. Registered guests are given priority check-in 15 to 30 minutes before start time. Five minutes before the advertised start time, all seats are released, regardless of registration, to our patrons in the stand-by line. If you arrive after the program starts, you will be seated at the discretion of our front-of-house staff. STANDBY LINE | If registration is sold out or has ended, do not fret! We welcome you to come to the Library regardless of registration status and wait in our standby line, which forms 45 minutes before the advertised start time. Five minutes before the program starts, all remaining seats are released. While this is not guaranteed, we will do our best to get you into any of our programs. ASSISTIVE LISTENING AND ASL | ASL interpretation and real-time (CART) captioning available upon request. Please submit your request at least two weeks in advance by emailing accessibility@nypl.org. BRUNO WALTER POLICY | Please note that any unoccupied seat will be released five minutes before the show begins and holding seats for anyone beyond that is prohibited. There is no food or drink allowed inside the venue. AUDIO/VIDEO RECORDING | Programs may be photographed and recorded by and at the discretion of the Library for the Performing Arts and will post signs indicating as such. If you would prefer your image not be captured, please let us know and we can seat you accordingly. Attending any program indicates your consent to being filmed/photographed and your consent to the use of your recorded image for any and all purposes of the New York Public Library. PRESS | Please send all press inquiries to Alex Teplitzky at alexteplitzky@nypl.org. Please note that all recording, including professional video recordings, are prohibited without expressed consent from the Library. Information Source: New York Public Library for the Performing Arts | eventbrite

Learn about the first racially-integrated all-female band in the US and more for this year's Black History Month!In conjunction with the Music and Recorded Sound Division's exhibition Rhythm Is My Business: Women Who Shaped Jazz, the Reserve Film and Video Collection host an evening of film and discussion delving into the history of female jazzmusicians. Join us for a screening of the documentary films International Sweethearts of Rhythm, which tells the story of the first racially-integrated all-female band in the United States, and Tiny and Ruby: Hell Divin' Women, which profiles jazz trumpeter Tiny Davis and her partner, drummer-pianist Ruby Lucas. The screening is followed by a conversation with filmmaker Greta Schiller and author Linda Dahl (Stormy Weather: The Music and Lives of a Century of JazzWomen). Photo Credit: Still from International Sweethearts of Rhythm, Directed by Greta Schiller and Andrea Weiss SEATING POLICY | Programs are free and open to all, but registration is requested. Check-in line forms 45 minutes before the advertised start time. Registered guests are given priority check-in 15 to 30 minutes before start time. Five minutes before the advertised start time, all seats are released, regardless of registration, to our patrons in the stand-by line. If you arrive after the program starts, you will be seated at the discretion of our front-of-house staff. STANDBY LINE | If registration is sold out or has ended, do not fret! We welcome you to come to the Library regardless of registration status and wait in our standby line, which forms 45 minutes before the advertised start time. Five minutes before the program starts, all remaining seats are released. While this is not guaranteed, we will do our best to get you into any of our programs. ASSISTIVE LISTENING AND ASL | ASL interpretation and real-time (CART) captioning available upon request. Please submit your request at least two weeks in advance by emailing accessibility@nypl.org. BRUNO WALTER POLICY | Please note that any unoccupied seat will be released five minutes before the show begins and holding seats for anyone beyond that is prohibited. There is no food or drink allowed inside the venue. AUDIO/VIDEO RECORDING | Programs may be photographed and recorded by and at the discretion of the Library for the Performing Arts and will post signs indicating as such. If you would prefer your image not be captured, please let us know and we can seat you accordingly. Attending any program indicates your consent to being filmed/photographed and your consent to the use of your recorded image for any and all purposes of the New York Public Library. PRESS | Please send all press inquiries to Alex Teplitzky at alexteplitzky@nypl.org. Please note that all recording, including professional video recordings, are prohibited without expressed consent from the Library. Information Source: New York Public Library for the Performing Arts | eventbrite

Experience the vibrant energy of Latin Hustle as dancers bring this iconic style to life in a special culmination performance of the Latin Hustle dance residency, directed by Maria Torres. This event features new choreography developed during the residency, as well as a recreation of classic Hustle routines, paying homage to the dance’s rich history. Watch as talented young dancers perform, alongside senior dancers, a dynamic fusion of movement, culture, and collaboration, celebrating the legacy and evolution of the Latin Hustle. This program presents a thrilling and immersive performance that bridges the past and present of this dynamic dance style. Photo Credit Design by Maria Torres. SEATING POLICY | Programs are free and open to all, but registration is requested. Check-in line forms 45 minutes before the advertised start time. Registered guests are given priority check-in 15 to 30 minutes before start time. Five minutes before the advertised start time, all seats are released, regardless of registration, to our patrons in the stand-by line. If you arrive after the program starts, you will be seated at the discretion of our front-of-house staff. STANDBY LINE | If registration is sold out or has ended, do not fret! We welcome you to come to the Library regardless of registration status and wait in our standby line, which forms 45 minutes before the advertised start time. Five minutes before the program starts, all remaining seats are released. While this is not guaranteed, we will do our best to get you into any of our programs. ASSISTIVE LISTENING AND ASL | ASL interpretation and real-time (CART) captioning available upon request. Please submit your request at least two weeks in advance by emailing accessibility@nypl.org. BRUNO WALTER POLICY | Please note that any unoccupied seat will be released five minutes before the show begins and holding seats for anyone beyond that is prohibited. There is no food or drink allowed inside the venue. AUDIO/VIDEO RECORDING | Programs may be photographed and recorded by and at the discretion of the Library for the Performing Arts and will post signs indicating as such. If you would prefer your image not be captured, please let us know and we can seat you accordingly. Attending any program indicates your consent to being filmed/photographed and your consent to the use of your recorded image for any and all purposes of the New York Public Library. PRESS | Please send all press inquiries to Alex Teplitzky at alexteplitzky@nypl.org. Please note that all recording, including professional video recordings, are prohibited without expressed consent from the Library. Information Source: New York Public Library for the Performing Arts | eventbrite

Unleash your inner creativity at the Botanical Drawings workshop led by the acclaimed artist, Jan Pittman. Delve into the world of 3D shapes in a realistic manner, a skill set that can be applied across various subjects. Geared towards beginners, this session equips participants with the tools and techniques needed to master the art of drawing. While all necessary materials are provided, attendees are welcome to bring their preferred drawing supplies, such as sketch paper, pencils in varying grades, erasers, fine-nib pens, and charcoal. Jan Pittman, a distinguished member of multiple art societies, including the Watercolour Society of WA, showcases her expertise in botanical art through numerous award-winning pieces. Immerse yourself in Jan's passion for artistry, cultivated through extensive travels and international exhibitions. This enlightening workshop will be held at Civic Square Library in Booragoon on May 2, 2024, with tickets priced at $25. Secure your spot for an enriching experience in the world of botanical drawings.

Raj Bhimani continues his presentation of piano works by Germaine Tailleferre at the Library for the Performing Arts. This installment features a composition, dances from “Marin du Bolivar,” that is preserved by the Library that Tailleferre wrote while in New York. Previously unpublished works by the composer will surround this pair of dances from her comic opera. Works by Mozart and Brahms will also be performed during the second half of the program. Germaine Tailleferre was a French composer and the only female member of the group of composers known as Les Six. She lived a long life and was prolific as a composer,but much of her later music remains unknown, unpublished, rarely performed, and underappreciated. The French music publisher Editions de la Musique Fabrique has started issuing many previously unpublished Tailleferre scores. Photo Description: Raj Bhimani seated at the piano. Photo Credit: Jiyang Chen. SEATING POLICY | Programs are free and open to all, but registration is requested. Check-in line forms 45 minutes before the advertised start time. Registered guests are given priority check-in 15 to 30 minutes before start time. Five minutes before the advertised start time, all seats are released, regardless of registration, to our patrons in the stand-by line. If you arrive after the program starts, you will be seated at the discretion of our front-of-house staff. STANDBY LINE | If registration is sold out or has ended, do not fret! We welcome you to come to the Library regardless of registration status and wait in our standby line, which forms 45 minutes before the advertised start time. Five minutes before the program starts, all remaining seats are released. While this is not guaranteed, we will do our best to get you into any of our programs. ASSISTIVE LISTENING AND ASL | ASL interpretation and real-time (CART) captioning available upon request. Please submit your request at least two weeks in advance by emailing accessibility@nypl.org. BRUNO WALTER POLICY | Please note that any unoccupied seat will be released five minutes before the show begins and holding seats for anyone beyond that is prohibited. There is no food or drink allowed inside the venue. AUDIO/VIDEO RECORDING | Programs may be photographed and recorded by and at the discretion of the Library for the Performing Arts and will post signs indicating as such. If you would prefer your image not be captured, please let us know and we can seat you accordingly. Attending any program indicates your consent to being filmed/photographed and your consent to the use of your recorded image for any and all purposes of the New York Public Library. PRESS | Please send all press inquiries to Alex Teplitzky at alexteplitzky@nypl.org. Please note that all recording, including professional video recordings, are prohibited without expressed consent from the Library. Information Source: New York Public Library for the Performing Arts | eventbrite

Newly crowned 2econd Wrestling Champ David Ali will have his first defense. Former champ Missa Kate & current MSHC AJ Francis are back too! Newly crowned 2econd Wrestling Champ David Ali will have his first title defense. Former champ Missa Kate & current MSH Champion AJ Francis (former WWE Top Dolla) return to the ring. Plus already announced Shazza Mckenzie and the #1 Contender Storm Grayson. More talent announced on social media. Follow for more! Tickets are non-refundableTickets are non-transferrableCard Subject to change Information Source: eventbrite

Take a lunchbreak and come and explore our new community space. This free weekly mat pilates class is led by an experienced teacher. You’ll be guided through low impact exercises that create optimal strength through muscle balance and fine-tuning neuromuscular patterns, aligning your entire body’s overall structure and supports its joints. Suitable for all ages 18 years and over and levels of experience. Please bring a pilates mat and water bottle and wear comfortable clothes. Bookings are essential for these small group classes of up to 20 people. Bookings are available 2 weeks before each class. You must complete an online pre-exercise form prior to attending your first session. We aim to present inclusive and accessible events. If you have any particular access or communication needs please contact Raphael Hung, community spaces project coordinator on 02 9246 7810 or cityspacesprojects@cityofsydney.nsw.gov.au. Information Source: City of Sydney | eventbrite

The Fogarty Literary Award has been awarded biennially since 2019 to a Western Australian writer aged between 18 and 35. This award has been responsible for launching the careers of some talented emerging writers, including Rebecca Higgie, Michael Burrows, Mel Hall, Georgia Tree and Emma Young. Two writers shortlisted for the 2023 award – Karleah Olson and Josh Kemp – along with 2023 winner, Katherine Allum, will join us for a conversation with 2021 winner and subsequent Fogarty Literary Award judge, Brooke Dunnell. They will be discussing their different pathways to the award, their experiences preparing their manuscripts for submission, and the process of publishing their books – and they will be happy to give aspiring young writers advice on entering book-length manuscript awards. About the Authors: Brooke Dunnell Brooke Dunnell won the 2021 Fogarty Literary Award for the unpublished manuscript of The Glass House, published in 2022 by Fremantle Press. Her latest novel, Last Best Chance, was released in April 2024. An experienced judge of creative writing competitions, including the WA Premier's Book Awards and the Peter Carey Short Story Award, Brooke was part of the judging panel for the 2023 Fogarty Literary Award alongside editors from Fremantle Press. Katherine Allum Katherine Allum is an award-winning fiction author. Her debut novel, The Skeleton House, won the 2023 Fogarty Literary Award. American-born, she grew up in four different states, but has strongest ties to Portland, Oregon and regional southwest Nevada. After spending several years in the UK, where she completed an MA at City, University of London, she now lives in Perth with her husband. She does her best story plotting while swimming. Josh Kemp Josh Kemp is an author of Australian gothic and crime fiction. His debut novel, Banjawarn, won the 2021 Dorothy Hewett Award, the 2022 Ned Kelly Award for Best Debut Crime Fiction and the 2023 Western Australian Premier's Prize for Best Emerging Writer. Jasper Cliff is his second novel. He lives in the South West of Western Australia but finds himself drawn, over and over again, to the red dirt of the state's north. Karleah Olson Karleah Olson is a Perth-based writer and avid reader, and loves to collect books – more than she could possibly read in a lifetime. Karleah has spent the last few years as a PhD candidate at Edith Cowan University, where she is studying Australian Coastal Gothic Literature. Her debut novel, A Wreck of Seabirds, was shortlisted for the 2023 Fogarty Literary Award and is a work of YA fiction inspired by the gothic genre and the West Australian coastal landscape. Information Source: City of Melville | eventbrite

The Zodiac Trio celebrates the rich tapestry of human expression through two fundamental forms of music: songs and dances. At its heart, this program pays homage to the timeless allure of these two primal forms of musical expression by compiling works inspired by songs and dances. From George Gershwin's iconic Porgy and Bess to the spirited music of the late Peter Schickele, each piece is inspired by one of these basic expressions. Among the highlights of the program is Bela Bartok's legendary Contrasts, a masterpiece brimming with virtuosity and infused with the unmistakable rhythms of Hungarian folklore. Adding a twist to the classical repertoire, Songs and Dances features a special tribute to the king of swing, Benny Goodman. Through virtuosic arrangements of tunes popularized by the Goodman band, audiences are treated to a lively homage to one of the most influential figures in jazz history. With its diverse selection of works, Zodiac Trio invites listeners to experience music in its purest forms, celebrating the timeless connection between melody, rhythm, and the human spirit. Photo Credit: Marta Krakawka SEATING POLICY | Programs are free and open to all, but registration is requested. Check-in line forms 45 minutes before the advertised start time. Registered guests are given priority check-in 15 to 30 minutes before start time. Five minutes before the advertised start time, all seats are released, regardless of registration, to our patrons in the stand-by line. If you arrive after the program starts, you will be seated at the discretion of our front-of-house staff. STANDBY LINE | If registration is sold out or has ended, do not fret! We welcome you to come to the Library regardless of registration status and wait in our standby line, which forms 45 minutes before the advertised start time. Five minutes before the program starts, all remaining seats are released. While this is not guaranteed, we will do our best to get you into any of our programs. ASSISTIVE LISTENING AND ASL | ASL interpretation and real-time (CART) captioning available upon request. Please submit your request at least two weeks in advance by emailing accessibility@nypl.org. BRUNO WALTER POLICY | Please note that any unoccupied seat will be released five minutes before the show begins and holding seats for anyone beyond that is prohibited. There is no food or drink allowed inside the venue. AUDIO/VIDEO RECORDING | Programs may be photographed and recorded by and at the discretion of the Library for the Performing Arts and will post signs indicating as such. If you would prefer your image not be captured, please let us know and we can seat you accordingly. Attending any program indicates your consent to being filmed/photographed and your consent to the use of your recorded image for any and all purposes of the New York Public Library. PRESS | Please send all press inquiries to Alex Teplitzky at alexteplitzky@nypl.org. Please note that all recording, including professional video recordings, are prohibited without expressed consent from the Library. Information Source: New York Public Library for the Performing Arts | eventbrite

Jazzmobile Sessions presents a T.K.Blue new cd release concert of Planet Bluu on Wed. November 20th in The Chapel @ The Interchurch CenterT.K. Blue - Saxophone, Flute, and Kalimba, Alva Nelson - piano Dishan Harper - bass Orion Turre - drums Special Guest - Wallace Rooney, Jr. Trumpet On the heels of performing with the Herbie Hancock Institute at the 2024 International Jazz Day Concert in Tangier, Morocco and the 2024 NEA Jazz Master Award Ceremony as leader and musical director of the African Rhythms Alumni Ensemble, T.K.Blue, is thrilled to announce the release of PlanetBluu,one of his most compelling and significant works to date. Having performed and recorded closely with the likes of Dizzy Gillespie and NEA Jazz Masters Dr. Randy Weston, Abdullah Ibrahim and Jimmy Scott, leading saxophonist, flutist, composer, arranger, and educator T.K. Blue offers this latest release as his 14th album as band leader. The album will be released October 25 via JAJA Records. LISTEN (Sky Bluu Part 2) CLICK HERE TO VISIT THE WEBSITE Information Source: JAZZMOBILE | eventbrite

Pulitzer Prize winner Tony Kushner and award-winning dramaturg, playwright, and novelist James Magruder discuss The Play’s the Thing, Magruder’s new chronicle of the first 50 years of Yale Repertory Theatre. Each of the book’s four chapters is dedicated to one of the Yale Rep’s artistic directors to date: Robert Brustein, Lloyd Richards, Stan Wojewodski Jr., and James Bundy. This fascinating insider account, full of indelible descriptions of crucial moments in the Rep’s history, is based in part on interviews with some of America’s most respected actors about their experiences at the Rep, including Paul Giamatti, James Earl Jones, Frances McDormand, Meryl Streep, Courtney B. Vance, Dianne Wiest, and Henry Winkler—among many others. More than just a valentine to an important American theater, The Play’s the Thing is a story about institution-building and the force of personality; about the tug-of-war between vision and realpolitik; and about the continuous negotiation between educational needs and artistic demands. Books will be available for sale and signing after the discussion. Photo Credit: Christopher Lloyd and Meryl Streep in Andrzej Wajda's production of Dostoevsky's The Possessed, 1974, photo courtesy William Baker. SEATING POLICY | Programs are free and open to all, but registration is requested. Check-in line forms 45 minutes before the advertised start time. Registered guests are given priority check-in 15 to 30 minutes before start time. Five minutes before the advertised start time, all seats are released, regardless of registration, to our patrons in the stand-by line. If you arrive after the program starts, you will be seated at the discretion of our front-of-house staff. STANDBY LINE | If registration is sold out or has ended, do not fret! We welcome you to come to the Library regardless of registration status and wait in our standby line, which forms 45 minutes before the advertised start time. Five minutes before the program starts, all remaining seats are released. While this is not guaranteed, we will do our best to get you into any of our programs. ASSISTIVE LISTENING AND ASL | ASL interpretation and real-time (CART) captioning available upon request. Please submit your request at least two weeks in advance by emailing accessibility@nypl.org. BRUNO WALTER POLICY | Please note that any unoccupied seat will be released five minutes before the show begins and holding seats for anyone beyond that is prohibited. There is no food or drink allowed inside the venue. AUDIO/VIDEO RECORDING | Programs may be photographed and recorded by and at the discretion of the Library for the Performing Arts and will post signs indicating as such. If you would prefer your image not be captured, please let us know and we can seat you accordingly. Attending any program indicates your consent to being filmed/photographed and your consent to the use of your recorded image for any and all purposes of the New York Public Library. PRESS | Please send all press inquiries to Alex Teplitzky at alexteplitzky@nypl.org. Please note that all recording, including professional video recordings, are prohibited without expressed consent from the Library. Information Source: New York Public Library for the Performing Arts | eventbrite

Spanish dancer Carmen Dauset Carmencita arrived in New York in 1889 and quickly became a sensation in New York society. She was painted by both William Merritt Chase and John Singer Sargeant, and in 1894, she became the first woman and the first dancer to be filmed by Thomas Edison. By the early decades of the 20th century great Spanish and flamenco dancers were performing in the U.S., and some, such as the Cansinos and Aurora Arriaza, settled in the U.S. as teachers and performers. For this Dance Historian Is In, Carlota Santana and K. Meira Goldberg present images and video footage surveying the early years of Spanish dance through the present day. For more than 10 years, The Dance Historian Is In at the Library for the Performing Arts has highlighted a diverse range of dancers and choreographers across history. This series began when archivist and historian David Vaughan started volunteering at the Jerome Robbins Dance Division. Vaughan began a monthly program showing his favorite dance films from the Division's extensive collection, through which he unearthed many treasures, and helped acquire even more. Vaughan continued the series until the end of his life. Today, we honor his memory and work by inviting dance historians from all over the world each month to carry on the tradition of highlighting dance history through the Dance Division's moving image collection. Photo Credit: Carmencita by Aimé Dupont. Jerome Robbins Dance Division, The New York Public Library. This event will take place online via Zoom as well as in person at The Library for the Performing Arts. *A streaming link will be emailed to everyone on the morning of the event for those wishing to attend virtually. SEATING POLICY | Programs are free and open to all, but registration is requested. Check-in line forms 45 minutes before the advertised start time. Registered guests are given priority check-in 15 to 30 minutes before start time. Five minutes before the advertised start time, all seats are released, regardless of registration, to our patrons in the stand-by line. If you arrive after the program starts, you will be seated at the discretion of our front-of-house staff. STANDBY LINE | If registration is sold out or has ended, do not fret! We welcome you to come to the Library regardless of registration status and wait in our standby line, which forms 45 minutes before the advertised start time. Five minutes before the program starts, all remaining seats are released. While this is not guaranteed, we will do our best to get you into any of our programs. ASSISTIVE LISTENING AND ASL | ASL interpretation and real-time (CART) captioning available upon request. Please submit your request at least two weeks in advance by emailing accessibility@nypl.org. BRUNO WALTER POLICY | Please note that any unoccupied seat will be released five minutes before the show begins and holding seats for anyone beyond that is prohibited. There is no food or drink allowed inside the venue. AUDIO/VIDEO RECORDING | Programs may be photographed and recorded by and at the discretion of the Library for the Performing Arts and will post signs indicating as such. If you would prefer your image not be captured, please let us know and we can seat you accordingly. Attending any program indicates your consent to being filmed/photographed and your consent to the use of your recorded image for any and all purposes of the New York Public Library. PRESS | Please send all press inquiries to Alex Teplitzky at alexteplitzky@nypl.org. Please note that all recording, including professional video recordings, are prohibited without expressed consent from the Library. Information Source: New York Public Library for the Performing Arts | eventbrite

This year, Jerome Robbins Dance Division turns 80 years old! One shining jewel in our crown is our Original Documentations program. Original Documentations is our phrase for the creation of archival film documentation of live dance with multiple cameras for inclusion in our moving image repository. The process requires collaboration between the videographers and the choreographers to create an accurate and professional record of dance history. We have produced thousands of films and videos since our beginnings in 1967, and now we celebrate this incredible collection with a program that honors the people behind and in front of the camera. Join us as we show highlights from the archive and discuss the significance of this pioneering program. Photo Credit: Nic Petry and Quinn Wharton recording LayeRhythm on August 28, 2022. Photo by Daisy Pommer. SEATING POLICY | Programs are free and open to all, but registration is requested. Check-in line forms 45 minutes before the advertised start time. Registered guests are given priority check-in 15 to 30 minutes before start time. Five minutes before the advertised start time, all seats are released, regardless of registration, to our patrons in the stand-by line. If you arrive after the program starts, you will be seated at the discretion of our front-of-house staff. STANDBY LINE | If registration is sold out or has ended, do not fret! We welcome you to come to the Library regardless of registration status and wait in our standby line, which forms 45 minutes before the advertised start time. Five minutes before the program starts, all remaining seats are released. While this is not guaranteed, we will do our best to get you into any of our programs. ASSISTIVE LISTENING AND ASL | ASL interpretation and real-time (CART) captioning available upon request. Please submit your request at least two weeks in advance by emailing accessibility@nypl.org. BRUNO WALTER POLICY | Please note that any unoccupied seat will be released five minutes before the show begins and holding seats for anyone beyond that is prohibited. There is no food or drink allowed inside the venue. AUDIO/VIDEO RECORDING | Programs may be photographed and recorded by and at the discretion of the Library for the Performing Arts and will post signs indicating as such. If you would prefer your image not be captured, please let us know and we can seat you accordingly. Attending any program indicates your consent to being filmed/photographed and your consent to the use of your recorded image for any and all purposes of the New York Public Library. PRESS | Please send all press inquiries to Alex Teplitzky at alexteplitzky@nypl.org. Please note that all recording, including professional video recordings, are prohibited without expressed consent from the Library. Information Source: New York Public Library for the Performing Arts | eventbrite

The Natural History of the American Dancer collective has been largely forgotten, but this improvisational ensemble of women, founded in 1971 by Barbara (Lloyd) Dilley and others, were the first performers at Danspace Project in 1974. Poet Larry Fagin told the New Yorker in 1999, that their performance birthed St. Mark’s Danspace Project in 1974. On the 50th anniversary of Danspace Project, the Library for the Performing Arts celebrates the seminal and iconic dance presenting organization with a discussion on archival footage featuring Danspace's co-founders: Barbara Dilley and Mary Overlie, plus the other four members of the Natural History of the American Dancer—Cynthia Hedstrom, Carmen Beuchat, Judy Padow, and Suzanne Harris, and Danspace Executive Director & Chief Curator, Judy Hussie-Taylor. Photo Credit: Grand Union. Photo by Susan Horwitz. Jerome Robbins Dance Division. SEATING POLICY | Programs are free and open to all, but registration is requested. Check-in line forms 45 minutes before the advertised start time. Registered guests are given priority check-in 15 to 30 minutes before start time. Five minutes before the advertised start time, all seats are released, regardless of registration, to our patrons in the stand-by line. If you arrive after the program starts, you will be seated at the discretion of our front-of-house staff. STANDBY LINE | If registration is sold out or has ended, do not fret! We welcome you to come to the Library regardless of registration status and wait in our standby line, which forms 45 minutes before the advertised start time. Five minutes before the program starts, all remaining seats are released. While this is not guaranteed, we will do our best to get you into any of our programs. ASSISTIVE LISTENING AND ASL | ASL interpretation and real-time (CART) captioning available upon request. Please submit your request at least two weeks in advance by emailing accessibility@nypl.org. BRUNO WALTER POLICY | Please note that any unoccupied seat will be released five minutes before the show begins and holding seats for anyone beyond that is prohibited. There is no food or drink allowed inside the venue. AUDIO/VIDEO RECORDING | Programs may be photographed and recorded by and at the discretion of the Library for the Performing Arts and will post signs indicating as such. If you would prefer your image not be captured, please let us know and we can seat you accordingly. Attending any program indicates your consent to being filmed/photographed and your consent to the use of your recorded image for any and all purposes of the New York Public Library. PRESS | Please send all press inquiries to Alex Teplitzky at alexteplitzky@nypl.org. Please note that all recording, including professional video recordings, are prohibited without expressed consent from the Library. Information Source: New York Public Library for the Performing Arts | eventbrite

Premiering in 1987, Robert Joffrey’s The Nutcracker adopted elements of the classical 19th-century original by Lev Ivanov and Marius Petipa and made it distinctly American, setting the narrative in an American household, complete with vintage toys from Joffrey’s own collection. For this month’s The Dance Historian Is In, former Joffrey Ballet dancer Nicole Duffy speaks about Joffrey’s take on the holiday classic The Nutcracker. Having danced in Robert Joffrey’s production for many years, Duffy shares her experiences on the stage along with photos and video from the Jerome Robbins Dance Division. For more than 10 years, The Dance Historian Is In at the Library for the Performing Arts has highlighted a diverse range of dancers and choreographers across history. This series began when archivist and historian David Vaughan started volunteering at the Jerome Robbins Dance Division. Vaughan began a monthly program showing his favorite dance films from the Division's extensive collection, through which he unearthed many treasures, and helped acquire even more. Vaughan continued the series until the end of his life. Today, we honor his memory and work by inviting dance historians from all over the world each month to carry on the tradition of highlighting dance history through the Dance Division's moving image collection. Photo Credit: Joffrey with clockwise from top: Kim Sagami, Deborah Dawn, Julie Janus, Victoria Pasquale, Elizabeth Parkinson. Photograph by Herbert Migdoll © Joffrey Ballet. Jerome Robbins Dance Division. This event will take place online via Zoom as well as in person at The Library for the Performing Arts. *A streaming link will be emailed to everyone on the morning of the event for those wishing to attend virtually. SEATING POLICY | Programs are free and open to all, but registration is requested. Check-in line forms 45 minutes before the advertised start time. Registered guests are given priority check-in 15 to 30 minutes before start time. Five minutes before the advertised start time, all seats are released, regardless of registration, to our patrons in the stand-by line. If you arrive after the program starts, you will be seated at the discretion of our front-of-house staff. STANDBY LINE | If registration is sold out or has ended, do not fret! We welcome you to come to the Library regardless of registration status and wait in our standby line, which forms 45 minutes before the advertised start time. Five minutes before the program starts, all remaining seats are released. While this is not guaranteed, we will do our best to get you into any of our programs. ASSISTIVE LISTENING AND ASL | ASL interpretation and real-time (CART) captioning available upon request. Please submit your request at least two weeks in advance by emailing accessibility@nypl.org. BRUNO WALTER POLICY | Please note that any unoccupied seat will be released five minutes before the show begins and holding seats for anyone beyond that is prohibited. There is no food or drink allowed inside the venue. AUDIO/VIDEO RECORDING | Programs may be photographed and recorded by and at the discretion of the Library for the Performing Arts and will post signs indicating as such. If you would prefer your image not be captured, please let us know and we can seat you accordingly. Attending any program indicates your consent to being filmed/photographed and your consent to the use of your recorded image for any and all purposes of the New York Public Library. PRESS | Please send all press inquiries to Alex Teplitzky at alexteplitzky@nypl.org. Please note that all recording, including professional video recordings, are prohibited without expressed consent from the Library. Information Source: New York Public Library for the Performing Arts | eventbrite

In advance of their performances at the Joyce Theater starting January 8, the Ramaswamy family discusses their newest work, Children of Dharma, in a conversation moderated by Shanta Thake, the Ehrenkranz Chief Artistic Officer at Lincoln Center for the Performing Arts with performance excerpts. Ragamala Dance Company is internationally-lauded for their pioneering dance work centering ancestral wisdom to contextualize the immigrant experience. Children of Dharma explores life—forever transforming, dissolving, and renewing—through an exploration of the inner landscapes of three central figures from the Hindu epic The Mahabharata. The Ramaswamys underscore the power of this expansive myth to reaffirm humanity’s relationship with nature and the sacred. Photo Credit: Dancers from left to right, Garrett Sour, Ashwini Ramaswamy, Ranee Ramaswamy, Aparna Ramaswamy. Photos by Ying Diao, Amitava Sarkar, and Arun Kumar. SEATING POLICY | Programs are free and open to all, but registration is requested. Check-in line forms 45 minutes before the advertised start time. Registered guests are given priority check-in 15 to 30 minutes before start time. Five minutes before the advertised start time, all seats are released, regardless of registration, to our patrons in the stand-by line. If you arrive after the program starts, you will be seated at the discretion of our front-of-house staff. STANDBY LINE | If registration is sold out or has ended, do not fret! We welcome you to come to the Library regardless of registration status and wait in our standby line, which forms 45 minutes before the advertised start time. Five minutes before the program starts, all remaining seats are released. While this is not guaranteed, we will do our best to get you into any of our programs. ASSISTIVE LISTENING AND ASL | ASL interpretation and real-time (CART) captioning available upon request. Please submit your request at least two weeks in advance by emailing accessibility@nypl.org. BRUNO WALTER POLICY | Please note that any unoccupied seat will be released five minutes before the show begins and holding seats for anyone beyond that is prohibited. There is no food or drink allowed inside the venue. AUDIO/VIDEO RECORDING | Programs may be photographed and recorded by and at the discretion of the Library for the Performing Arts and will post signs indicating as such. If you would prefer your image not be captured, please let us know and we can seat you accordingly. Attending any program indicates your consent to being filmed/photographed and your consent to the use of your recorded image for any and all purposes of the New York Public Library. PRESS | Please send all press inquiries to Alex Teplitzky at alexteplitzky@nypl.org. Please note that all recording, including professional video recordings, are prohibited without expressed consent from the Library. Information Source: New York Public Library for the Performing Arts | eventbrite

Fresh from their recent Pulitzer wins for Drama, playwrights Eboni Booth (2024 for Primary Trust) and Sanaz Toossi (2023 for English) join three-time Pulitzer finalist David Henry Hwang in conversation (2020 for Soft Power, 2008 for Yellow Face, and 1989 for M. Butterfly). In this in-depth conversation, the playwrights reflect on craft, the creative process, and playwriting in fraught times. Anticipating the Broadway premiere of Sanaz Toossi's English on January 23 at Roundabout Theater, this conversation is part of a new public program celebrating Pulitzer honorees and their work with audiences around the country. This is a Pulitzer on the Road event in collaboration with the New York Public Library for the Performing Arts. Photo Credit: Headshots of Sanaz Toossi, Eboni Booth and David Henry Hwang SEATING POLICY | Programs are free and open to all, but registration is requested. Check-in line forms 45 minutes before the advertised start time. Registered guests are given priority check-in 15 to 30 minutes before start time. Five minutes before the advertised start time, all seats are released, regardless of registration, to our patrons in the stand-by line. If you arrive after the program starts, you will be seated at the discretion of our front-of-house staff. STANDBY LINE | If registration is sold out or has ended, do not fret! We welcome you to come to the Library regardless of registration status and wait in our standby line, which forms 45 minutes before the advertised start time. Five minutes before the program starts, all remaining seats are released. While this is not guaranteed, we will do our best to get you into any of our programs. ASSISTIVE LISTENING AND ASL | ASL interpretation and real-time (CART) captioning available upon request. Please submit your request at least two weeks in advance by emailing accessibility@nypl.org. BRUNO WALTER POLICY | Please note that any unoccupied seat will be released five minutes before the show begins and holding seats for anyone beyond that is prohibited. There is no food or drink allowed inside the venue. AUDIO/VIDEO RECORDING | Programs may be photographed and recorded by and at the discretion of the Library for the Performing Arts and will post signs indicating as such. If you would prefer your image not be captured, please let us know and we can seat you accordingly. Attending any program indicates your consent to being filmed/photographed and your consent to the use of your recorded image for any and all purposes of the New York Public Library. PRESS | Please send all press inquiries to Alex Teplitzky at alexteplitzky@nypl.org. Please note that all recording, including professional video recordings, are prohibited without expressed consent from the Library. Information Source: New York Public Library for the Performing Arts | eventbrite

In this month’s Dance Historian Is In, Nancy Dalva explores Gus Solomons Jr.’s life in dance with photos and video from the Jerome Robbins Dance Division archive. Solomons began his training in modern dance and ballet while studying architecture at MIT. Upon graduating he moved to New York City to dance, including an early stint with Martha Graham’s company, which he left to dance for Merce Cunningham from 1965 to 1968. Cunningham left a lasting influence on Solomons’ life-long choreography practice, which like Cunningham’s, was technology forward. The founder of The Solomons Company/Dance, as well as the fabulous collective of later career superstars called PARADIGM, Solomons also danced in the companies of Pearl Lang, Donald McKayle, Joyce Trisler, and Paul Sanasardo, he wrote highly perceptive dance criticism, taught generations of students at New York University, and served as a mentor to many. Join Merce Cunningham Trust Scholar-in-Residence Nancy Dalva as she explains why, as she says, “Everyone loved Gus.” For more than 10 years, The Dance Historian Is In at the Library for the Performing Arts has highlighted a diverse range of dancers and choreographers across history. This series began when archivist and historian David Vaughan started volunteering at the Jerome Robbins Dance Division. Vaughan began a monthly program showing his favorite dance films from the Division's extensive collection, through which he unearthed many treasures, and helped acquire even more. Vaughan continued the series until the end of his life. Today, we honor his memory and work by inviting dance historians from all over the world each month to carry on the tradition of highlighting dance history through the Dance Division's moving image collection. Photo Credit: Gus Solomons, Jr. Photo by Guy and Elizabeth, 1967. Jerome Robbins Dance Division. This event will take place online via Zoom as well as in person at The Library for the Performing Arts. *A streaming link will be emailed to everyone on the morning of the event for those wishing to attend virtually. SEATING POLICY | Programs are free and open to all, but registration is requested. Check-in line forms 45 minutes before the advertised start time. Registered guests are given priority check-in 15 to 30 minutes before start time. Five minutes before the advertised start time, all seats are released, regardless of registration, to our patrons in the stand-by line. If you arrive after the program starts, you will be seated at the discretion of our front-of-house staff. STANDBY LINE | If registration is sold out or has ended, do not fret! We welcome you to come to the Library regardless of registration status and wait in our standby line, which forms 45 minutes before the advertised start time. Five minutes before the program starts, all remaining seats are released. While this is not guaranteed, we will do our best to get you into any of our programs. ASSISTIVE LISTENING AND ASL | ASL interpretation and real-time (CART) captioning available upon request. Please submit your request at least two weeks in advance by emailing accessibility@nypl.org. BRUNO WALTER POLICY | Please note that any unoccupied seat will be released five minutes before the show begins and holding seats for anyone beyond that is prohibited. There is no food or drink allowed inside the venue. AUDIO/VIDEO RECORDING | Programs may be photographed and recorded by and at the discretion of the Library for the Performing Arts and will post signs indicating as such. If you would prefer your image not be captured, please let us know and we can seat you accordingly. Attending any program indicates your consent to being filmed/photographed and your consent to the use of your recorded image for any and all purposes of the New York Public Library. PRESS | Please send all press inquiries to Alex Teplitzky at alexteplitzky@nypl.org. Please note that all recording, including professional video recordings, are prohibited without expressed consent from the Library. Information Source: New York Public Library for the Performing Arts | eventbrite

This year, we commemorate International Holocaust Remembrance Day on the 80th Anniversary of the liberation of Auschwitz, looking at how Broadway musicals have dealt with antisemitism. In partnership with the National Jewish Theater Foundation's Holocaust Theater International Initiative, we are joined by NJTF President, producer, director, and educator Arnold Mittelman who will interview people behind the musicals, Rothschilds & Sons, Cabaret, and Parade. Sherman Yellen and Jeffrey B. Moss, the author and director of Rothschilds & Sons, as well as Alfred Uhry, author of Parade, join Mittelman for this event. It also includes a look at some clips from the Theatre on Film and Tape Archive. SEATING POLICY | Programs are free and open to all, but registration is requested. Check-in line forms 45 minutes before the advertised start time. Registered guests are given priority check-in 15 to 30 minutes before start time. Five minutes before the advertised start time, all seats are released, regardless of registration, to our patrons in the stand-by line. If you arrive after the program starts, you will be seated at the discretion of our front-of-house staff. STANDBY LINE | If registration is sold out or has ended, do not fret! We welcome you to come to the Library regardless of registration status and wait in our standby line, which forms 45 minutes before the advertised start time. Five minutes before the program starts, all remaining seats are released. While this is not guaranteed, we will do our best to get you into any of our programs. ASSISTIVE LISTENING AND ASL | ASL interpretation and real-time (CART) captioning available upon request. Please submit your request at least two weeks in advance by emailing accessibility@nypl.org. BRUNO WALTER POLICY | Please note that any unoccupied seat will be released five minutes before the show begins and holding seats for anyone beyond that is prohibited. There is no food or drink allowed inside the venue. AUDIO/VIDEO RECORDING | Programs may be photographed and recorded by and at the discretion of the Library for the Performing Arts and will post signs indicating as such. If you would prefer your image not be captured, please let us know and we can seat you accordingly. Attending any program indicates your consent to being filmed/photographed and your consent to the use of your recorded image for any and all purposes of the New York Public Library. PRESS | Please send all press inquiries to Alex Teplitzky at alexteplitzky@nypl.org. Please note that all recording, including professional video recordings, are prohibited without expressed consent from the Library. Information Source: New York Public Library for the Performing Arts | eventbrite

Commemorate International Holocaust Remembrance Day this year with an event that highlights the creative process behind current New York's Holocaust-related theater. In partnership with the National Jewish Theater Foundation's Holocaust Theater International Initiative, we are joined by NJTF President, producer, director, and educator Arnold Mittelman who will interview theater creators. This program illuminates how artists use a variety of source material to create unique works that impact audiences and combat hate and antisemitism. SEATING POLICY | Programs are free and open to all, but registration is requested. Check-in line forms 45 minutes before the advertised start time. Registered guests are given priority check-in 15 to 30 minutes before start time. Five minutes before the advertised start time, all seats are released, regardless of registration, to our patrons in the stand-by line. If you arrive after the program starts, you will be seated at the discretion of our front-of-house staff. STANDBY LINE | If registration is sold out or has ended, do not fret! We welcome you to come to the Library regardless of registration status and wait in our standby line, which forms 45 minutes before the advertised start time. Five minutes before the program starts, all remaining seats are released. While this is not guaranteed, we will do our best to get you into any of our programs. ASSISTIVE LISTENING AND ASL | ASL interpretation and real-time (CART) captioning available upon request. Please submit your request at least two weeks in advance by emailing accessibility@nypl.org. BRUNO WALTER POLICY | Please note that any unoccupied seat will be released five minutes before the show begins and holding seats for anyone beyond that is prohibited. There is no food or drink allowed inside the venue. AUDIO/VIDEO RECORDING | Programs may be photographed and recorded by and at the discretion of the Library for the Performing Arts and will post signs indicating as such. If you would prefer your image not be captured, please let us know and we can seat you accordingly. Attending any program indicates your consent to being filmed/photographed and your consent to the use of your recorded image for any and all purposes of the New York Public Library. PRESS | Please send all press inquiries to Alex Teplitzky at alexteplitzky@nypl.org. Please note that all recording, including professional video recordings, are prohibited without expressed consent from the Library. Information Source: New York Public Library for the Performing Arts | eventbrite

Join the Jerome Robbins Dance Division for its annual symposium, where the current class of Dance Research Fellows will present their projects on Mikhail Baryshnikov and his legacy. The Jerome Robbins Dance Division’s annual symposium is the culmination of the Dance Research Fellowship, an annual cohort of dance scholars and artists invited to research a specific aspect of dance. This year’s class features Marina Harss, Marcelline Mandeng Nken, Maria Vinogradova, Brian Seibert, Alessandra Nicifero, and Jordan Demetrius Lloyd. The symposium consists of an all-day series of presentations by these fellows at the Library for the Performing Arts. Looking to attend virtually? Please register here. Mikhail Baryshnikov: Beyond Boundaries 10:00 AM - Marina Harss You Can Never Go Home—Baryshnikov, Balanchine, Ratmansky, émigré artists in New York 11:00 AM - Marcelline Mandeng Nken Queening The Knight: Baryshnikov’s Vulnerability and Masculinity On Display 12:00 PM - Maria Vinogradova Baryshnikov and the Kirov Cohort: Their Soviet Years on 8mm Film 2:00 PM - Brian Seibert Baryshnikov, the American Dancer 3:00 PM - Alessandra Nicifero Dancing in exile as a collaborative practice of citizenship: Alvis Hermanis’ Brodsky/Baryshnikov in conversation with Trisha Brown’s Homemade 4:00 PM - Jordan Demetrius Lloyd Mikhail Baryshnikov: Registers of Performance in 2024 If you plan on attending all six fellow presentations, please select the All Day Pass ticket type. If you plan on attending only one or a select few presentations, please choose those specific session(s) at checkout. Note that your ticket is only valid for the session(s) you choose at checkout. SEATING POLICY | Programs are free and open to all, but registration is requested. The check-in line forms 30 minutes before the advertised start time. While registration does not guarantee admittance to the auditorium, registered guests are given priority check-in. Ten minutes before the advertised start time, all seats are released, regardless of registration, to our patrons in the stand-by line. If you arrive after the program starts, you will be seated at the discretion of the house manager. Registered guests who are not able to get a seat may still view the program in our overflow seating. STANDBY LINE | If registration is sold out or has ended, do not fret! We welcome you to come to the Library regardless of registration status and wait in our standby line, which forms 30 minutes before the advertised start time. While this is not guaranteed, we will do our best to get you into any of our programs. ASSISTIVE LISTENING AND ASL | ASL interpretation and real-time (CART) captioning available upon request. Please submit your request at least two weeks in advance by emailing accessibility@nypl.org. BRUNO WALTER POLICY | Please note that any unoccupied seat will be released five minutes before the show begins and holding seats for anyone beyond that is prohibited. There is no food or drink allowed inside the venue. AUDIO/VIDEO RECORDING | The Jerome Robbins Dance Division’s Annual Symposium will be photographed and recorded for the archive. If you would prefer your image not be captured, please let us know and we can seat you accordingly. Attending any program indicates your consent to being filmed/photographed and your consent to the use of your recorded image for any and all purposes of the New York Public Library. PRESS | Please send all press inquiries to Alex Teplitzky at alexteplitzky@nypl.org. Please note that all recording, including professional video recordings, are prohibited without expressed consent from the Library. Information Source: New York Public Library for the Performing Arts | eventbrite