Featured Events in Boston in April 2025 (April Updated)

隨著科技的進步與創新，機器人正逐漸成為人類生活中不可或缺的一環。屆時，所有目光將聚焦於2025年4月30日於美國馬薩諸塞州波士頓會展中心盛大舉行的「機器人峰會暨2025年世博會」。此一盛事吸引全球機器人愛好者、專業領域人士以及科技行業精英，共襄盛舉，共同探討機器人技術的未來發展方向。波士頓，這座集科技創新與文化藝術於一身的城市，將成為見證機器人行業新里程碑的舞台。在這個重要時刻，世界將睜開眼睛見證科技與人文的完美融合，並領略機器人技術如何提升人類生活品質。請準時蒞臨，見證這場科技革命的歷史時刻。

Through assemblage and juxtaposition, Troy Montes Michie (b. 1985) creates work centering the Black male body and considers how it has historically been marginalized, fetishized, idealized, and criminalized. Often in dialogue with the canon of collage, Michie investigates society’s understanding of race, gender, sexuality, and other fields of identity and power.

Through assemblage and juxtaposition, Troy Montes Michie (b. 1985) creates work centering the Black male body and considers how it has historically been marginalized, fetishized, idealized, and criminalized. Often in dialogue with the canon of collage, Michie investigates society’s understanding of race, gender, sexuality, and other fields of identity and power.

Join us for the 4th Annual Equity in Sport Leadership Conference happening at the University of Massachusetts Boston, Campus Center, Ballroom. This event brings together leaders in the sports industry to discuss and promote holistic wellness in and through sport across the lifespan. Don't miss out on this opportunity to network, learn, and hear from presenters for the Center for Healing and Justice Through Sport, Strong Girls United, and so many more. Come be a part of the conversation and help drive change in the world of sports leadership! Information Source: Institute for Innovative Leadership in Sport | eventbrite

“Utopia, Dystopia” presents two single-channel videos from the MFA collection by Tony Cokes (b. 1956) and Oscar Muñoz (b. 1951). Created in the last decade, the films grapple with the duality of utopia and dystopia, expressing the artists’ senses of how idealistic visions of society often collide with harsh realities. Utopian dreams can promise a future without oppression and celebrate freedom of expression, yet achieving these ideals frequently comes into conflict with underlying dystopian truths such as systems of control, state surveillance, and deep inequality.

“Utopia, Dystopia” presents two single-channel videos from the MFA collection by Tony Cokes (b. 1956) and Oscar Muñoz (b. 1951). Created in the last decade, the films grapple with the duality of utopia and dystopia, expressing the artists’ senses of how idealistic visions of society often collide with harsh realities. Utopian dreams can promise a future without oppression and celebrate freedom of expression, yet achieving these ideals frequently comes into conflict with underlying dystopian truths such as systems of control, state surveillance, and deep inequality.

“Utopia, Dystopia” presents two single-channel videos from the MFA collection by Tony Cokes (b. 1956) and Oscar Muñoz (b. 1951). Created in the last decade, the films grapple with the duality of utopia and dystopia, expressing the artists’ senses of how idealistic visions of society often collide with harsh realities. Utopian dreams can promise a future without oppression and celebrate freedom of expression, yet achieving these ideals frequently comes into conflict with underlying dystopian truths such as systems of control, state surveillance, and deep inequality.

Generations of artists have explored the beauties and terrors of the ocean, reflecting on the experiences of those who have lived and lost their lives among the waves. Weaving together artworks by four artists made over centuries and across the Atlantic, this exhibition follows a genealogical thread united by the sea. Echoes of John Singleton Copley’s Watson and the Shark (1778) reverberate in J. M. W Turner’s 1840 Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On), which itself has influenced art created in the 21st century.

Born in Roxbury, Massachusetts, John Wilson (1922–2015) is one of Boston’s most esteemed artists. His work, made over the span of 60 years, continues to resonate with the persistent realities of disenfranchisement, racial prejudice, and social injustice.“Witnessing Humanity: The Art of John Wilson” is the largest-ever exhibition of Wilson’s work, co-organized by the MFA and the Metropolitan Museum of Art, New York. Featuring approximately 110 works by the artist in a wide range of media—prints, drawings, paintings, sculpture, and illustrated books—the exhibition explores the many ways Wilson called attention to racial, social, and economic injustices through his art. Challenging both biases and omissions, Wilson explored subjects that include anti-Black violence, the civil rights movement, labor, and family life—with a particular focus on fatherhood. Portraits like Julie and Becky (1956–78) and his Young Americans suite of life-size portraits (about 1972–75) celebrate the essential humanity of Wilson’s family and friends, while other works like Deliver Us from Evil (1943) and The Trial (1951) depict the heinous impacts of systemic prejudice and racism. Wilson’s work speaks to shared experiences, while also displaying his personal search for identity as an artist, Black man, parent, and American.

Although Vincent van Gogh (1853–1890) is today perhaps the most famous Dutch artist of all, in his own time he was relatively little known, especially when compared to artists of the Hague School. This group, named for the city where many of its members trained and worked, was comprised of those who had different styles but shared a devotion to the depiction of everyday life, looking to the Dutch countryside for their subjects and themes. The Hague School artists achieved international fame, and in the early 1900s US collectors and museums—including the MFA—eagerly sought their works. But over the decades the group’s fame faded.

Vincent van Gogh (1853–1890) once wrote, “What I’m most passionate about…is the portrait, the modern portrait.” This passion flourished between 1888 and ’89 when, during his stay in Arles, in the South of France, the artist created a number of portraits of a neighboring family—the postman Joseph Roulin; his wife, Augustine; and their three children: Armand, Camille, and Marcelle. Van Gogh’s tender relationship with the postman and his family, and his groundbreaking portrayals of them, are at the heart of this exhibition, which is the first dedicated to the Roulin portraits and the deep bonds of friendship between the artist and this family.

Vincent van Gogh (1853–1890) once wrote, “What I’m most passionate about…is the portrait, the modern portrait.” This passion flourished between 1888 and ’89 when, during his stay in Arles, in the South of France, the artist created a number of portraits of a neighboring family—the postman Joseph Roulin; his wife, Augustine; and their three children: Armand, Camille, and Marcelle. Van Gogh’s tender relationship with the postman and his family, and his groundbreaking portrayals of them, are at the heart of this exhibition, which is the first dedicated to the Roulin portraits and the deep bonds of friendship between the artist and this family.

Miya Folick is set to bring her captivating performance to Boston as part of her highly anticipated tour, "Erotica Veronica: The Tour." The event will take place at Brighton Music Hall presented by Citizens on April 29, 2025. Located at 158 Brighton Avenue, MA, 02134, the venue promises to provide the perfect setting for an unforgettable night of music. Fans can expect to be enthralled by Miya Folick's unique sound and dynamic stage presence as she showcases tracks from her latest album. Don't miss out on this opportunity to experience an evening of incredible live music in the heart of Boston.

“Utopia, Dystopia” presents two single-channel videos from the MFA collection by Tony Cokes (b. 1956) and Oscar Muñoz (b. 1951). Created in the last decade, the films grapple with the duality of utopia and dystopia, expressing the artists’ senses of how idealistic visions of society often collide with harsh realities. Utopian dreams can promise a future without oppression and celebrate freedom of expression, yet achieving these ideals frequently comes into conflict with underlying dystopian truths such as systems of control, state surveillance, and deep inequality.

Visitors embark on an interactive tour of the Titanic with incredible re-creations of the Ship’s interior and exterior. Visitors receive a replica boarding pass, assume the role of a passenger, and follow a chronological journey through life on Titanic. Walk the halls, explore the galleries, peer into cabins, and meet passengers and crew throughout the voyage. The 15,000-square-foot Exhibition features replica interior rooms and a full-scale re-creation of the Grand Staircase. Visitors will be able to view authentic artifacts, respectfully recovered from two and a half miles below the surface of the North Atlantic, which tell the real story behind Titanic’s journey from construction to eventual recovery. The genuine artifacts on display offer emotional connections to the forever-altered lives of those who were on board Titanic.

Visitors embark on an interactive tour of the Titanic with incredible re-creations of the Ship’s interior and exterior. Visitors receive a replica boarding pass, assume the role of a passenger, and follow a chronological journey through life on Titanic. Walk the halls, explore the galleries, peer into cabins, and meet passengers and crew throughout the voyage. The 15,000-square-foot Exhibition features replica interior rooms and a full-scale re-creation of the Grand Staircase. Visitors will be able to view authentic artifacts, respectfully recovered from two and a half miles below the surface of the North Atlantic, which tell the real story behind Titanic’s journey from construction to eventual recovery. The genuine artifacts on display offer emotional connections to the forever-altered lives of those who were on board Titanic.

Born in Roxbury, Massachusetts, John Wilson (1922–2015) is one of Boston’s most esteemed artists. His work, made over the span of 60 years, continues to resonate with the persistent realities of disenfranchisement, racial prejudice, and social injustice.“Witnessing Humanity: The Art of John Wilson” is the largest-ever exhibition of Wilson’s work, co-organized by the MFA and the Metropolitan Museum of Art, New York. Featuring approximately 110 works by the artist in a wide range of media—prints, drawings, paintings, sculpture, and illustrated books—the exhibition explores the many ways Wilson called attention to racial, social, and economic injustices through his art. Challenging both biases and omissions, Wilson explored subjects that include anti-Black violence, the civil rights movement, labor, and family life—with a particular focus on fatherhood. Portraits like Julie and Becky (1956–78) and his Young Americans suite of life-size portraits (about 1972–75) celebrate the essential humanity of Wilson’s family and friends, while other works like Deliver Us from Evil (1943) and The Trial (1951) depict the heinous impacts of systemic prejudice and racism. Wilson’s work speaks to shared experiences, while also displaying his personal search for identity as an artist, Black man, parent, and American.

Multi-disciplinary Fabiola Jean-Louis’s captivating exhibition at the Isabella Stewart Gardner Museum invites visitors on a journey through the ancient and eternal, earthly and divine, personal and political. On view from February 27 – May 25, 2025, Waters of the Abyss: An Intersection of Spirit and Freedom by Fabiola Jean-Louis features a large amount of original commissions from the Haitian artist, crafted from the stunningly intricate marriage of paper pulp, mineral stones, shells, metals, glass, and more. Invoking the sanctity of Vodou and its role in Haitian liberation, these works will transform the Museum’s three rotating exhibition spaces, Hostetter Gallery; Fenway Gallery; and the Anne H. Fitzpatrick Façade, into a map of personal histories, a site of communion, and a spiritual portal.

Vincent van Gogh (1853–1890) once wrote, “What I’m most passionate about…is the portrait, the modern portrait.” This passion flourished between 1888 and ’89 when, during his stay in Arles, in the South of France, the artist created a number of portraits of a neighboring family—the postman Joseph Roulin; his wife, Augustine; and their three children: Armand, Camille, and Marcelle. Van Gogh’s tender relationship with the postman and his family, and his groundbreaking portrayals of them, are at the heart of this exhibition, which is the first dedicated to the Roulin portraits and the deep bonds of friendship between the artist and this family.

Information Source: Boston University Figure Skating Club | eventbrite

Celebrity Chefs Melissa King and Gabe Bertaccini join Karen Akunowicz for an unforgettable evening of exceptional food, fantastic drinks, and fabulous company at the Big Queer Food Fest Dinner hosted by Bar Volpe on Wednesday, April 30th ! This extraordinary event is dedicated to celebrating the vibrancy and diversity of the LGBTQ+ community through the universal language of food. It’s not just a dinner; it’s a feast for the senses, bringing together food lovers, allies, and supporters for a truly special night of indulgence and camaraderie. At the heart of the event is a four-course dinner featuring incredible culinary creations from superstar chefs who are not just masters of their craft but also passionate advocates for inclusivity and LGBTQ+ rights. This multi-course meal will showcase each chef's unique style and flavor, providing an exquisite dining experience that will leave you craving more. The Evening's Journey: We kick things off with an exclusive VIP Cocktail Hour , where you'll be treated to an array of delicious passed appetizers, thoughtfully curated by Bar Volpe. It's the perfect time to mingle with fellow food enthusiasts and meet the chefs while sipping on expertly crafted cocktails. This intimate reception is a chance to engage in casual conversation and get to know the faces behind the food. As the night unfolds, the four-course dinner begins, with each course prepared by one of the following renowned chefs: Chef Melissa King : A star in the culinary world, Chef Melissa King is best known as the winner of Bravo’s 'Top Chef All-Stars: Los Angeles' Season 17 . She has guest judged on series such as The Food Network’s 'The Julia Child Challenge' and 'Top Chef'. She is the host of ‘Tasting Wild’, the National Geographic docuseries on Hulu. She is the author of Cook Like a King: Recipes from my California Chinese Kitchen , releasing September 9, 2025. Chef Melissa brings a blend of high-end dining techniques with flavors rooted in Asian influences, offering a fresh and contemporary take on classic dishes. As part of the VIP experience, you will also receive a signed copy of her first cookbook, debuting in September. Chef Gabe Bertaccini : Gabriele Bertaccini is an Italian chef, television personality, and writer. He is known for his roles on the Netflix series 'Say I Do' and the Food Network series 'Ciao House'. With a rich background in Italian cuisine, Gabe will take you on a journey of rustic, heartwarming dishes that showcase the authenticity and creativity that Italian food is famous for, with a modern twist. Chef Karen Akunowicz : Chef Karen Akunowicz is renowned for winning the 2018 James Beard Foundation Award for Best Chef: Northeast. Her debut restaurant, Fox & the Knife, was a 2020 James Beard Award finalist for Best New Restaurant in America. Chef Karen has appeared on Bravo’s 'Top Chef' and Food Network’s 'Tournament of Champions'. She is a recurring judge on 'Beat Bobby Flay'. Known for her innovative and bold approach to flavor, Chef Karen has a mastery of both comfort and complexity in every bite. Throughout the night, there will be plenty of opportunities to connect with like-minded foodies, allies, and community members, all while enjoying top-tier food and drink. VIP Experience: For those looking to elevate their experience, VIP tickets are available for $500 . This exclusive ticket includes: A pre-order copy of Melissa King's cookbook —a beautiful addition to any culinary library, filled with recipes that highlight her incredible talent. An hour long reception with the celebrity chefs —an intimate opportunity to chat, ask questions, and learn more about the inspiration behind their dishes in a relaxed and personal setting. Whether you're attending as a passionate food lover, an advocate for the LGBTQ+ community, or just someone looking for a memorable night out, the Big Queer Food Fest Dinner at Bar Volpe promises to be an evening you won’t forget. From the flavors that will tantalize your taste buds to the meaningful connections you’ll make, this is more than just a dinner—it’s a celebration of identity, diversity, and the joy that food brings to all of us. So come hungry, bring your friends, and get ready to eat, drink, and be merry with us at the Big Queer Food Fest Dinner at Bar Volpe! Tickets are limited, so don’t wait—reserve your spot today and be part of this incredible celebration! Ticket prices include all taxes, fees, and gratuity. Tickets are non-refundable but can be transferred to another guest. The menu cannot be modified for dietary restrictions. Allergies will be accommodated as we're able. Thank you to our sponsors Amante and Absolut. Proud to be partnered with Meet Boston & The Boston Globe for this event. Information Source: Bar Volpe | eventbrite

Note: Doors open for networking and light refreshments at 8 AM. The program will run from 9 a.m. to 10:30 a.m. The Latino American population is one of the fastest-growing economic forces in Massachusetts, driving workforce expansion, business growth, and household wealth. Unlocking the full potential of this community is critical to the state’s future prosperity. Join political and policy leaders for a timely program from We Are ALX in partnership with the Massachusetts Taxpayers Foundation, The Boston Foundation, State House News Service, and MASSterList. The ALX Policy Forum 2025 will unveil key insights from the ¡Vamos Massachusetts! Unlocking Hispanic/Latino Economic Advancement Report by the Massachusetts Taxpayers Foundation, made possible by We Are ALX. This report highlights the significant contributions of Latino Americans — who accounted for 80% of the state’s population growth and $30 billion in economic production — and outlines the opportunities to bridge remaining education, workforce, and wealth gaps. Honorary Co Hosts: Massachusetts State Senator Adam Gomez Massachusetts State Representative Frank Moran Report overview by: Doug Howgate , President, Massachusetts Taxpayers Foundation Eneida Román , President and CEO, We Are ALX There will also be a panel discussion with experts in education, workforce development, and the economy. We’ll explore how investing in the Latino American workforce can help Massachusetts meet the growing demand in high-impact industries like manufacturing, clean energy, and life sciences , where an estimated 143,000 additional workers will be needed. Be part of this important conversation on shaping policies that advance Latino economic opportunity—and the economic future of Massachusetts. Information Source: State House News Service / MASSterList | eventbrite

Through assemblage and juxtaposition, Troy Montes Michie (b. 1985) creates work centering the Black male body and considers how it has historically been marginalized, fetishized, idealized, and criminalized. Often in dialogue with the canon of collage, Michie investigates society’s understanding of race, gender, sexuality, and other fields of identity and power.

Through assemblage and juxtaposition, Troy Montes Michie (b. 1985) creates work centering the Black male body and considers how it has historically been marginalized, fetishized, idealized, and criminalized. Often in dialogue with the canon of collage, Michie investigates society’s understanding of race, gender, sexuality, and other fields of identity and power.

Generations of artists have explored the beauties and terrors of the ocean, reflecting on the experiences of those who have lived and lost their lives among the waves. Weaving together artworks by four artists made over centuries and across the Atlantic, this exhibition follows a genealogical thread united by the sea. Echoes of John Singleton Copley’s Watson and the Shark (1778) reverberate in J. M. W Turner’s 1840 Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On), which itself has influenced art created in the 21st century.

Generations of artists have explored the beauties and terrors of the ocean, reflecting on the experiences of those who have lived and lost their lives among the waves. Weaving together artworks by four artists made over centuries and across the Atlantic, this exhibition follows a genealogical thread united by the sea. Echoes of John Singleton Copley’s Watson and the Shark (1778) reverberate in J. M. W Turner’s 1840 Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On), which itself has influenced art created in the 21st century.

“Utopia, Dystopia” presents two single-channel videos from the MFA collection by Tony Cokes (b. 1956) and Oscar Muñoz (b. 1951). Created in the last decade, the films grapple with the duality of utopia and dystopia, expressing the artists’ senses of how idealistic visions of society often collide with harsh realities. Utopian dreams can promise a future without oppression and celebrate freedom of expression, yet achieving these ideals frequently comes into conflict with underlying dystopian truths such as systems of control, state surveillance, and deep inequality.

Although Vincent van Gogh (1853–1890) is today perhaps the most famous Dutch artist of all, in his own time he was relatively little known, especially when compared to artists of the Hague School. This group, named for the city where many of its members trained and worked, was comprised of those who had different styles but shared a devotion to the depiction of everyday life, looking to the Dutch countryside for their subjects and themes. The Hague School artists achieved international fame, and in the early 1900s US collectors and museums—including the MFA—eagerly sought their works. But over the decades the group’s fame faded.

For this exhibition, five teenagers from public high schools in the Boston area collaborated with the MFA’s Center for Netherlandish Art (CNA) to explore death and decay. The works on view convey death in various ways—from the choice of subjects to how artists represent them. Even the material conditions of certain objects comment on the theme: some seemingly defy age through careful conservation, while others show the wear and tear of time. Although primarily featuring work from the MFA’s collection of Dutch and Flemish art, the exhibition also includes paintings, prints, and drawings from France, Germany, the United States, and elsewhere.

Although Vincent van Gogh (1853–1890) is today perhaps the most famous Dutch artist of all, in his own time he was relatively little known, especially when compared to artists of the Hague School. This group, named for the city where many of its members trained and worked, was comprised of those who had different styles but shared a devotion to the depiction of everyday life, looking to the Dutch countryside for their subjects and themes. The Hague School artists achieved international fame, and in the early 1900s US collectors and museums—including the MFA—eagerly sought their works. But over the decades the group’s fame faded.