Blowing in the Wind: Representations of Weather in East Asian Art | The Museum Yamato Bunkakan
Exhibitions
Throughout history, in the field of art, especially painting, various attempts have been made to express changes in the weather in nature. In the East, the effects of brushes and ink, which were invented in China, were used to beautifully express natural phenomena such as changes in light and atmosphere, wind, rain, and clouds. Literati entrusted the ideal of seclusion to landscape paintings depicting deep mountains and valleys with vast, flowing clouds. In the 11th century, paintings such as the "Mie-ho Landscape Paintings" technique, which depicts clouds floating thickly at the foot of the mountains, and the "Eight Views of Xiaoxiang," which focuses on depicting landscapes that change from moment to moment depending on the weather and time of day, were born and became a theme that is widely loved in East Asia. Furthermore, various works were created that organically interact with motifs, such as those that depict scenes from famous Chinese poems and anecdotes, and those that symbolize the ideal form of humans by depicting plants that stand bravely against the wind and frost. Through paintings from China, the Korean peninsula, and Japan, this exhibition explores how the ever-changing weather has been expressed in East Asia.