Latest Events in Gstaad(January Updated)

Gagosian presents In Search of Light, an exhibition of new works by Rick Lowe in Gstaad. The artist’s debut presentation in Switzerland, it introduces new series of drawings and paintings on paper and features Lowe’s latest large-scale painting.

The pious and the profane may at first seem worlds apart—one immersed in reverent devotion, the other in audacious defiance. Yet they share a potency of feeling that both unsettles and enthralls. In Pious & Profane, artists Andres Serrano and Barry X Ball delve into this charged duality, drawing upon a visit to the Vatican with a circle of prominent creatives. Serrano—whose infamous Immersion (Piss Christ) once scandalized the art world—was met with a warm reception by Pope Francis, who praised the artists’ pursuit of “harmony and beauty” even through jarring, confrontational work. In these acts, devotion and provocation become inseparable, each sparking a pathway toward transcendence.

Gagosian presents Easy Solutions & Problems, an exhibition of paintings by Urs Fischer. On view at the gallery in Gstaad are seven paintings on aluminum panels from the new Chumbox series (2024–) and five new works from the Problem Paintings series (2010–).

Gagosian is pleased to present THE MOUNTAIN, an exhibition of new works by Sterling Ruby. In dialogue with the Romantic tradition of the sublime, Ruby explores themes of germination, birth, growth, and decay, drawing upon the physical and metaphysical cycles of life. Intimately rooted in the artist’s time in California’s Eastern Sierras, these sculptures and paintings are deeply attuned to environmental transformation. On view from July 11 through September 7, the presentation will extend beyond the gallery’s walls, with works installed at locations throughout the historic alpine town of Gstaad.

Almine Rech Gstaad is pleased to present 'Loitering', Brian Calvin's ninth solo exhibition with the gallery, on view from July 12 to August 30, 2025. In the long list of writings about painting, there are few phrases as clever and catchy as the one coined by Maurice Denis in 1890. Nowadays, as we stand at the other end of the long and turbulent history of artistic modernity, it deserves to be slightly reformulated in order to align with our customs. But once this has been done, it turns out that it remains strikingly relevant to Brian Calvin's painting. Before being representations of young socialite women, influencers attempting product placement, or generational emblems of an overconnected present, his paintings are first and foremost flat surfaces covered with colours assembled in a certain order. In these gatherings of well-groomed faces, cropped to varying degrees depending on the painting, we seem to recognise an analogy of digital communities. We seem to recognise a pop image from everyday life in a soda can, a T-shirt, or a pair of oversized glasses. But these are red herrings. Brian Calvin likes to emphasise the constructed dimension of images, breaking with the internal logic of painting. And that is the primary purpose of the soda cans, glasses, T-shirts, lipsticks (whose shade and brand we could probably identify), and all the images incorporated into the composition in the form of visual micro-events. Rather than relating the painting to the outside world (Western, industrialised, connected), they open a breach in representation. 'When you work with images, that's people's starting point. It's really hard to look at faces nowadays, especially when they're cropped, and not think about image overload or social media. This interpretation is often applied to my work, and I don't think it's wrong. But it's simply not my starting point; in fact, it's the part of my work that puzzles me the most ,' explains the painter, who is more likely to cite the "icy quality" of Piero della Francesca's paintings as a source of inspiration than the great American pop tradition.

Patricia Low Contemporary presents Yves Scherer’s first solo show “Summer Pastoral” at the gallery in Gstaad. The US-based Swiss artist was born in Solothurn, growing up surrounded by the Swiss countryside and its verdant mountains. This cheeky exhibition captures his view as both an insider and outsider, as his childhood landscape is reimagined through the eyes of an adult who has moved away.

Patricia Low Contemporary presents Yves Scherer’s first solo show “Summer Pastoral” at the gallery in Gstaad. The US-based Swiss artist was born in Solothurn, growing up surrounded by the Swiss countryside and its verdant mountains. This cheeky exhibition captures his view as both an insider and outsider, as his childhood landscape is reimagined through the eyes of an adult who has moved away.