Featured Events in London in April 2025 (August Updated)

A Virtual Reality Art Exhibition that you can view in any location and on any device. Please see the above picture instructions for how you can view it on a tablet/mobile. You can view the exhibition with or without a virtual reality headset. Copy this link to view the Virtual Reality Art Exhibition on a computer/laptop: https://edu.cospaces.io/PMB-KAV The Virtual Private View of the Exhibition was held on Thursday 14th of May 2020 at 8:15pm on Zoom (Virtual drinks provided.)

The artwork is displayed on powder-coated steel gates, designed by Whittle and made at Glasgow Sculpture Studios. It was unveiled on 5 October 2023 at the Queen’s House in Greenwich. Feeling Blue has been developed in response to RMG’s large and varied collections, as well as the history and cultural significance of Greenwich. The 160 x 155 cm tapestry is filled with richly evocative textures, symbolic shapes, and tropical colours. It was woven by hand over a period of six months by Naomi Robertson and Elaine Wilson at Dovecot Studios. They used a variety of techniques, yarns, and over 150 colour mixes to add variety and depth to the surface of the tapestry. Dominating the tapestry is the phrase ‘feeling blue’ which stands out from a background of blues and greens, the combination of different shades resembling water in motion. Blue is immediately associated with oceans and seas but there are also more emotive connotations which Whittle chose to explore. The colour blue, and in particular the term ‘feeling blue’, is used to describe sadness or depression. While the exact origin of the term is uncertain it has been suggested that it comes from the tradition of ships flying blue flags and officers bearing a painted blue band when a captain or officer died. For others, blue symbolises tranquillity. In the Queen’s House the colour blue is used throughout for decoration, notably the balustrade of the Tulip Stairs. Drawing on her research of the British naval uniform, Whittle also reflects on the legacies of British colonialism. From the mid-eighteenth-century, the Royal Navy introduced a uniform for officers made from a deep blue fabric. The colour was achieved using a dye from the indigo plant that was native to India. Until the end of the eighteenth century the indigo plant was grown, harvested and processed by enslaved people on North American plantations. Indentured labourers in India and modern-day Bangladesh also produced indigo for the East India Company. Today, Navy blue endures as a colour of authority from police to military officers, though the history of the colour and connection to colonialism is little known. Whittle continues her exploration of maritime worlds by the inclusion of coloured ropes – reminiscent of those used on ships. For Whittle, rope is a symbol of both hope and oppression. Ropes are associated with bondage, imprisonment and even execution but are equally symbolic of lifelines for people in distress. Whittle’s ongoing engagement with the climate crisis is found in the decorative coral that frames the tapestry. The delicate pastel pinks and vibrant yellows evoke the beauty of tropical oceans and are a reminder of the importance of reefs. Decorative cultured freshwater pearl beads have also been stitched onto the tapestry. As well as representing an oceanic realm, Whittle connects Feeling Blue with two sixteenth-century paintings the Armada Portrait and Sir Francis Drake which will be displayed alongside the tapestry. In both portraits, pearls are used as a symbol of wealth, some of which was derived from colonial trade and exploitation. The tapestry is hung on a set of blue ‘gates’, which are an important component of Whittle’s work. Whittle sees the ‘gates’ as reminiscent of fencing, suggesting containment and control. Placed within the gallery space the gates no longer act as a barrier. Instead, Whittle uses the gates to expand rather than restrict as visitors are free to walk around them and view the tapestry from both sides. The decorative fretwork on the panels evokes the architecture of the Queen’s House, in particular the Tulip Stairs. Alberta Whittle, said: “The commission has been a wonderful opportunity to think deeply about maritime histories and consider the powers in place that decide how these histories are portrayed. This new tapestry is a chance to explore these ideas of power alongside the rhythms of the ocean and its vulnerability under climate colonialism. The commission has also provided me with the opportunity to continue to work with Naomi Robertson and Elaine Wilson at Dovecot Studios and the rest of the fantastic weaving team.” Celia Joicey, Director of Dovecot Studios, said: "This commission represents the contemporary significance of tapestry as a collective medium. Started in the midst of the 2021 lockdown, it is testimony to a group of people responding creatively and collaboratively to the Museum collections. Feeling Blue embodies the passion, focus and skill of Dovecot’s weavers, Alberta Whittle’s endlessly interesting ideas and the care and enterprise of the commissioning team." Katherine Gazzard, Curator of Art, Royal Museums Greenwich, said: “At Royal Museums Greenwich, we are committed to working with contemporary artists whose practice engages with our historic sites and collections, as well as with the present challenges facing our communities and our planet. The opportunity to commission a contemporary tapestry from Alberta Whittle and Dovecot Studios spoke powerfully to this ethos. The finished tapestry will go on public display in the Queen’s House, our flagship art gallery. When the Queen’s House was built in the early 17th century, it was at the cutting edge of art and design. Commissions like Feeling Blue help us to honour that legacy, ensuring that, four centuries after the building’s completion, the Queen’s House continues to showcase artistic innovations and new perspectives.” ---------------------------------------------------------------------------------------------- Feeling Blue Alberta Whittle Tapestry by Dovecot Studios 2023, cotton, linen, synthetic yarn, cultured freshwater pearl beads Tapestry woven for Dovecot by Naomi Robertson, Master Weaver, and Elaine Wilson Displayed on powder coated steel gates made by Glasgow Sculpture Studios Purchased with assistance from the Contemporary Art Society

The latest Fourth Plinth commission 'Mil Veces un Instante (A Thousand Times in an Instant)’ by Mexican artist Teresa Margolles was unveiled on Wednesday 18.09.2024. The monolithic sculpture was made with plaster cast molds of the faces of 726 transgender people from Mexico and the UK. The molds were made by applying plaster directly onto each individual’s face. The resulting object is both a visual record of their respective features and, imbued with hair and skin cells, a material infusion of their physicality.

Serpentine unveils a new site-specific mural by artist Esther Mahlangu. On view in the garden at Serpentine North, the monumental painting celebrates concepts of community and unity. Umuntu ngumuntu ngabantu, which translates directly from Ndebele as ‘I am because you are’, marks her first public artwork in the UK.

Priscilla The Party! is an immersive reimagining of the iconic and award-winning musical Priscilla Queen of the Desert. Delivered in three acts with breaks between for fine dining in the Mezzanine or bar snacks on the Dance Floor. Featuring the dance-floor classics like I Will Survive, It's Raining Men and Finally, doors open one hour before show time where two cocktails cost just £15 and a pre-show entertains you before the main event. The performance ends with a dazzling finale show-casing the award-winning costumes and head-dresses which the show is famous for. The evening ends with a disco from our resident DJ. The audience can expect an extravagant display of eye-popping costumes, an exhilarating soundtrack that encourages everyone to sing along and a show which unfolds all around them. There will be immersive dance floor tickets as happens at Guys and Dolls at the Bridge Theatre, with DJ and pre-show entertainment similar to Here Lies Love at the National Theatre, a party sing-a-long atmosphere like ABBA Voyage at the ABBA Arena, cabaret tables with dining options similar to Cabaret at the Playhouse Theatre and dining options and post-show party as happens at Mamma Mia! The Party – in other words, something for everyone! From its dazzling debut in Sydney in 2006, the musical created by Allan Scott and Stephan Elliott has taken the world by storm. It initially graced the London stage in 2009, before conquering Broadway in 2011. The enduring message of acceptance and inclusivity that Priscilla carries remains as significant today as it was when the curtains first rose.

On the first Saturday of each month Abbas Zahedi hosts a support group for the collective processing of ecological grief. In collaboration with thinkers, artists and musicians, participants are invited to consider ‘How can we make sense of a world increasingly shaped by loss and disconnection?’. The discussions take place in a new commission entitled Begin Again. As part of the installation, instruments and playback devices have been plugged into Tate Modern’s utility pipes and deeper architecture. The sound composition shifts between moments of harmony and disintegration. Each sonic collapse prompts the piece to rebuild, emphasising the power of renewal and beginning again. The commission creates a space for collective listening where participants can reflect on how to protect and restore ecological connectivity.

In a time when the world is changing forever, there is one place where everyone can be free. This is Berlin. Relax. Loosen up. Be yourself. One of the most successful musicals of all time, Cabaret features the songs Willkommen, Don’t Tell Mama, Mein Herr, Maybe This Time, Money and the title number. It has music by John Kander, lyrics by Fred Ebb, book by Joe Masteroff, based on the play by John Van Druten and stories by Christopher Isherwood. Before the show, guests are invited to enjoy the Kit Kat Club with drinks, dining and pre-show entertainment all on offer. When booking, guests will receive a ‘club entry time’ so they’re able to immerse themselves in the club. We encourage people to arrive early, leaving plenty of time to explore every nook and cranny of the Kit Kat Club before the show begins. Please note that once the main show begins, we cannot guarantee readmission to the auditorium. This is for both your safety and the safety of the cast. It may be up to a 30-minute wait before being allowed back to your seat. If you have any requirements which mean you are likely to need to leave the auditorium for whatever reason, please speak to a member of staff before the show begins.

A celebration of the boundary-pushing career of artist Leigh Bowery Leigh Bowery’s short but extraordinary life left a distinct, undeniable mark on the art world and beyond. An artist, performer, model, TV personality, club promoter, fashion designer and musician, Bowery took on many different roles, all the while refusing to be limited by convention. From his emergence in the nightlife of 1980s London through to his later daring and outrageous performances in galleries, theatres, and the street, Bowery fearlessly forged his own vibrant path. He reimagined clothing and makeup as forms of painting and sculpture, tested the limits of decorum, and celebrated the body as a shape-shifting tool with the power to challenge norms of aesthetics, sexuality and gender. Embracing performance, club culture and fashion design, Bowery created some of the most iconic images of the 1980s and 90s that continue to resonate, with his influence seen in the work of figures such as Alexander McQueen, Jeffrey Gibson, Anohni, and Lady Gaga. This eclectic and immersive exhibition is a rare chance to experience many of Bowery’s ‘Looks’ alongside his collaborations with artists including Michael Clark, Charles Atlas, Nick Knight, Fergus Greer, Stephen Willats, Nicola Rainbird, Mr Pearl, and Lucian Freud. It will provide a fresh insight into the creative scenes in London, New York and beyond featuring Sue Tilley, Princess Julia, Jeffrey Hinton, RuPaul, Les Child, Andrew Logan, Cerith Wyn Evans, Lady Bunny, Trojan, Rachel Auburn, Scarlett Cannon, Lanah P, MINTY and Boy George. Moving from the club to the stage, to the gallery and beyond, step inside Bowery’s dynamic creative world that blurred the lines between art and life.

Discover never-before-seen royal and court fashion treasures in Dress Codes, a new exhibition at Kensington Palace. Explore the codes and conventions of royal clothing, and the powerful impact fashion can make when boundaries are pushed and dress codes evolve. Among the highlights of this exciting new exhibition are pieces worn by a young Queen Elizabeth II, Diana, Princess of Wales, Dame Vivienne Westwood, Princess Margaret and Queen Victoria. Dress Codes will showcase both recognisable and rarely-seen treasures from the Royal Ceremonial Dress Collection, a collection of 10,000 objects spanning 500 years, cared for by Historic Royal Palaces. Stunning items from the Royal Ceremonial Dress Collection on display in 2025 include an extremely rare Japanese court suit dating from the early 20th century, and a never-before-seen 1920s Reville court dress worn to Buckingham Palace. Alongside these spectacular examples of royal and court dress, discover how dress codes can be reset and re-made for today through designs by our Young Producers, aged 14-17. This new partnership with local youth groups paves the way for a new generation of young people to contribute to the arts and fashion industries.

Step into the world of regal elegance with Royal Style in the Making, a captivating new exhibition at Hillsborough Castle. Unveiling the intimate bond between royal clients and fashion designers, discover how the British fashion industry has crafted the iconic style of the British royal women. The exhibition showcases three stunning outfits on display, including the extraordinary toile used in the design of Queen Elizabeth The Queen Mother’s coronation gown, worn in 1937. Original design drawings feature some of Britain’s finest designers including Madame Handley Seymour, Norman Hartnell, Hardy Amies and Oliver Messel. Don’t miss sketches from David Sassoon, for Diana, Princess of Wales, including her handwritten comments. A thrill for fashion fans, don’t miss this unique journey into regal elegance and history, only until 04 January 2026.

A major exhibition celebrating our enduring love of the water over the last 100 years. Explore the full spectrum of the design of swimming — from sports performance and fashion, to architecture.

Grayson Perry: Delusions of Grandeur presents over 40 new works by Sir Grayson Perry (1960). In the largest contemporary exhibition ever held at the museum, visitors will encounter ceramics, tapestries and works on paper amongst others, displayed alongside masterpieces from the collection that helped shape Perry’s vision for this landmark show. Delusions of Grandeur will interrogate the very nature of craft-making and our drive for perfectionism. Intricate handcrafted objects will be shown alongside works made with digital technology – comparing an object that may have taken thousands of hours to create against one that was possible with the click of a button. Through these contrasting approaches, Perry will ask the viewer to contemplate questions concerning authenticity and the artist’s role in the future.

With a career spanning over five decades, Giuseppe Penone (b. 1947 Garessio, Italy) has created an expansive body of work that encompasses sculpture, drawing, painting, installation, and photography. Born in a village near Cuneo, Italy, his practice is deeply influenced by the forested landscapes of Northern Italy, shaping his lifelong exploration of the relationship between humans and nature.

From Garfield to Simon’s Cat, Krazy Kat to Bagpuss and everything in between, there is a long line of iconic cartoon cats. For the first time, The Cartoon Museum is collecting many of the greatest cats to grace or comics, newspapers and magazines to explore why people love cats so much and what cats tell us about life.

Explore the opulence and glamour of the Edwardian age through the lives and tastes of two of Britain’s most fashionable royal couples – King Edward VII and Queen Alexandra, and King George V and Queen Mary – from their family lives and personal collecting to their glittering social circles and spectacular royal events. More than 300 objects from the Royal Collection will be on display – almost half for the first time – including works by the most renowned contemporary artists of the period, including Carl Fabergé, Frederic Leighton, Edward Burne-Jones, Laurits Tuxen, John Singer Sargent and William Morris. The exhibition covers the period from Edward and Alexandra's wedding in 1863 up to the start of the First World War.

A major exhibition featuring more than 350 objects, including precious jewels, historic gemstones, iconic watches and clocks, that chart the evolution of Cartier's legacy of art, design and craftsmanship since the turn of the 20th century.

With the hottest headliners and music legends both past and present, this is the ultimate festival experience that you do not want to miss!

Bringing together art from across Tate’s Collection, this exhibition highlights the connection between environmental and social justice, inviting us to reimagine our relationships with the natural world and each other. Artists Outi Pieski, Abbas Akhavan, Bruce Conner, Zheng Bo, Gauri Gill & Rajesh Vangad, Edgar Calel and Carolina Caycedo feature, as well as a new commission by Abbas Zahedi. Through their work, these artists honor Indigenous knowledge, nurture queer multispecies relations and document issues such as displacement and destruction of land and waterways.

Explore the forgotten story of Indian Army soldiers who camped at Hampton Court Palace in the early 20th century, through a new exhibition of previously unseen objects, photographs, film and personal stories.

For centuries, portraiture has played a vital role in shaping the public’s perception of the Royal Family. This exhibition charts the evolution of royal portrait photography from the 1920s to the present day, bringing together photographic prints, proofs and documents from the Royal Collection and the Royal Archives. Discover works from the most celebrated royal photographers, from Cecil Beaton and Dorothy Wilding to Annie Leibovitz and Rankin. Explore some of the close relationships between royal sitters and photographers, seen most clearly through the lens of Antony Armstrong-Jones (later Lord Snowdon), who married Princess Margaret in 1960.

See the first UK exhibition of Mexico’s much-loved artist, José María Velasco.Velasco, working in Mexico in the 19th century, was a man of many interests. He was fascinated by advances in geology, the archaeology of his home country, the study of local flora, and the increasing presence of industrialisation. He painted the sweeping landscapes of the Valley of Mexico, the home of modern-day Mexico City, with exquisite detail. His impressive panoramic views of the valley reveal allusions to Mexico's historic past and its rapidly modernising present.Velasco was keenly aware of his country’s industrialisation, capturing expanding train lines and factories alongside botanically accurate studies of plants. His scientific eye inspired his art, and his love of geology is clear to see in his detailed depictions of rocks and volcanoes. This exhibition, the first-ever dedicated to a Latin American artist at the National Gallery, marks the 200th anniversary of diplomatic relations between Mexico and the UK. And it celebrates Velasco’s place among the great 19th-century landscape painters.

Ed Atkins is best known for his computer-generated videos and animations. Repurposing contemporary technologies in unexpected ways, his work traces the dwindling gap between the digital world and human feeling. He borrows techniques from literature, cinema, video games, music and theatre to examine the relationship between reality, realism and fiction. This career-spanning exhibition features moving image works from the last 15 years alongside writing, paintings, embroideries and drawings. Together, they pit a weightless digital life against the physical world of heft, craft and touch. Atkins uses his own experiences, feelings and body as models to explore themes of intimacy, love and loss. For Atkins, the exhibition represents a reimagining of the messy, unravelling realities of life.

Showcasing the remarkable versatility and lasting influence of William Morris’s designs in popular culture, both in Britain and abroad. William Morris (1834-96) has gone viral. Today, we find his infinitely-reproduced botanical patterns on shower curtains, phone cases, on film and TV, and in all corners of our homes, dentist waiting rooms and shopping centres. One of our greatest designers, Morris argued that beautiful objects could only be created through a responsible and close relationship with the natural world and enjoyable, creative working conditions. These principles continue to influence subsequent generations of designers, makers and consumers today. Morris Mania will explore a complicated legacy. Over 125 years since his death, Morris’s work continues to grow in popularity. His patterns are now affordable, well-loved and available to people across the globe, something he failed to achieve in his lifetime. However, this has been achieved in the context of mass-production, computer-generated design, global capitalism and environmental crisis. Morris Mania will consider the ongoing impact of Britain’s most iconic designer in our increasingly cluttered and commodified world.

Autograph is developing the first comprehensive exhibition of Eileen Perrier’s work. Since the 1990s, Perrier’s work has challenged the conventions of portraiture, reimagining the tropes of 19th-century European and contemporary African studio portraiture. Created with and within communities, her photography has evolved into a form of social engagement, acknowledging the profound value of being seen.

In our culture preoccupied with outward appearances, Dianne Minnicucci explores how vulnerability and discomfort in front of the camera can become acts of self-discovery and collaboration. She embraces the unease of being photographed – where to look, how to position the body – allowing these moments of uncertainty to shape this new series of portraits of herself and her young son.

Welcome to ThisChord A social club for music lovers and a safe space for expression. This is more than just a club, it's a haven for music lovers, creatives, and anyone looking to express themselves in a safe and inspiring space. At ThisChord , we gather to explore the endless intersections of music. Whether you're dissecting lyrics like poetry, sharing your latest musical obsessions, or connecting with others over the universal language of sound, this is the place for you. Expect a community-driven vibe where conversations flow freely, and everyone is welcome to contribute their unique voice. With great people, amazing energy, and the magic of music as our backdrop, you won't want to miss this one-of-a-kind experience. Edition: 016 Join us for an evening exploring the journey of Frank Ocean – a true master of emotion, sound, and storytelling. Through his two landmark albums, Channel Orange and Blonde , we’ll look at how he’s shaped modern music and carved out a space entirely on his own. From the rich, cinematic feel of Channel Orange to the stripped-back, soul-searching textures of Blonde , Frank's evolution is one of bold choices, quiet vulnerability, and fearless creativity. We’ll unpack the sounds, lyrics and cultural weight of both records – diving into what makes them so unique, and why they continue to resonate. Whether you’ve had these albums on repeat for years or you’re just getting into his work, this is a chance to connect with the music and the moments behind it. Expect deep cuts, open conversation, and space to share your own thoughts too. Come and join us for a great time, filled with the best vibes and the best people. Information Source: ThisChord | eventbrite

You will not miss a high-end private view of the art exhibition in Mayfair (JW Marriot Grosvenor House)!!! Private View Party: BOUND & BEYOND - A Solo Exhibition by Xinyue Liang The Curator's Note: Chinese artist Xinyue Liang brings her thought-provoking works to London for a five-day exhibition, inviting viewers on a contemplative journey. Her art critically examines cultural heritage—not as something to be glorified, but as a constructed concept that can both confine and provoke transcendence. Through this lens, she creates a pilgrimage that questions what we inherit, how it shapes us, and what lies beyond its limits. The Artist's Note: In this solo exhibition, we invite you to walk the fine thread between tradition and resistance. Each piece carries the weight of inherited narratives—some cherished, some suffocating. Through fragmented texts, bound materials, and layered media, we together explore the duality of Chinese cultural structures, the quiet strength of ritual, and the quiet rebellion within it. This is not only a reflection on what has been passed down, but a question of what we choose to carry forward. What does it mean to inherit? And what does it take to break free? Thank you for stepping into this dialogue with us. End: Come join us for a night of art and elegance at Georgia Wang showcase in JW Marriot Grosvenor House ! Witness the stunning works of Xinyue Liang in person at this exclusive event. Immerse yourself in the intricate details of BOUND & BEYOUND and experience the artist's unique perspective with live music performed by guitar player Genn. Don't miss out on this opportunity to mingle with fellow art enthusiasts and enjoy a night of creativity and inspiration. See you there! Information Source: is Designed® | eventbrite

Explore accurate Bromley v Morecambe sporting information for 18th April, as well as links for Football news, tickets and more with Fixture Calendar. Bromley Football Club, nicknamed The Ravens, is a professional football team based in the borough of Bromley, England. The team competes in the top-tier National League, the fifth division of English football. Founded in 1892, the club has a rich history and a dedicated fan base. The team has won several regional and national competitions, including the Premier League1 Senior Cup and the FA Trophy. Some notable players who have played for Bromley include current Leicester City defender, Caglar Soyuncu, and former Premier League player, Moses Ademola. The club's home ground is the 5,000-seater Hayes Lane Stadium, which has been their home since 1968. With an experienced manager and a talented squad, Bromley is a force to be reckoned with in English football. Morecambe Football Club, also known as The Shrimps , is a professional football team based in Morecambe, Lancashire, England. They currently compete in League Two, the fourth tier of the English football league system. Founded in 1920, Morecambe has a rich history in the sport, with their most successful period being in the 2000s where they competed in the Conference Premier. The team has won several awards and titles, including winning the Conference North in 2006 and the Conference Premier Play-offs in 2007. The current manager is Derek Adams and the team's home ground is the Globe Arena, which has a capacity of over 6,000 spectators. The squad consists of talented players such as Aaron Wildig and Carlos Mendes-Gomes, who have helped lead the team to their current position in the league table. With a loyal fan base and a strong team, Morecambe is a force to be reckoned with in English football. Information Source: fixturecalendar.com

Experience the North London Sinfonia Spring Concert 2025, taking place on April 5th at the Hampstead Garden Suburb Free Church Hall in London. Immerse yourself in an evening of captivating orchestral music performed by talented musicians in one of the city's most prestigious venues. Join us for a memorable musical journey at this highly anticipated event in the heart of North London.

Our Wednesday night Speed Dating event is an evening of fast, fun & flirty dates for ages 30-45 within the stylish surroundings of our brand new venue Core Bar by Bank station in the City. Expect to meet around 15-20 people at this popular event in London. The crowd is always well dressed & ready to let their hair down. Speed Dating kicks off at 8pm prompt and any guests arriving late may not be able to take part so please ensure you arrive 15-30 minutes before the scheduled start time to allow for registration. On arrival at the venue one of our friendly hosts will be waiting to register you. When everyone has arrived the host will explain how the evening will unfold and you will be provided with a scorecard and pen. When the event begins women will be seated and men will rotate between tables every 4-5 minutes. At the end of each date guests mark on their scorecard or mobile phone whether they would like to see that person again. There will be a 15 minute break half way through to allow for refreshments. The event will finish at around 9:30pm but guests are welcome to stay afterwards. If you have used your mobile phone to enter your preferences then you will be able to view your matches instantly at the end of the event. Otherwise please take home your scorecard and upload your matches before 12pm on the following day. Please be aware that tickets for our events are very limited and the majority do get booked up in advance, so please book early to avoid disappointment. If you have any queries about this event please contact us or call our telephone bookings hotline on 0845 862 1448 (9am-5pm). Information Source: DateinaDash | eventbrite