Featured Events in Athens in May 2025 (April Updated)

Until November 2024, the National Museum of Contemporary Art (EMΣT) presents a cycle of exhibitions, in four parts, exclusively dedicated to the work of women artists or artists who identify as female, under the broader umbrella title, What if Women Ruled the World? On 8 March 2024, International Women’s Day, Part II of the exhibition cycle opened with six new projects by five international artists: Yael Bartana Claudia Comte Hadassah Emmerich Lola Flash Malvina Panagiotidi ___________________________________ Hadassah Emmerich | Epicurean Eden WHAT IF WOMEN RULED THE WORLD? Part || The mural will debut as part of the ‘What If Women Ruled the World’ Part II exhibition cycle, but will remain on display at the museum for a couple of years. Furthermore, the project is slated for completion in June, ideally aligning with the inauguration of ‘What If Women Ruled the World’ Part IV. Notably, the installation will include then specially crafted art rugs developed in collaboration with Art Rug Projects Athens. Hadassah Emmerich has become known for her exuberant paintings, collages and murals that intricately weave stylised representations of exotic fruit, body parts and vegetal elements into bold eroticised ornaments. Her work reflects an immersive and visceral exploration of the body and identity, navigating the realms of the sensory and the sensual while delving into the commodification of desire, the erotic and the exotic. The sensuality of her painting resides not only on the surface of the image, but also in her refined use of colour and technical execution. Since 2016, Emmerich has worked with a new painting technique, using stencils cut from vinyl flooring, which she covers with ink and then impresses onto canvas, paper or a wall. Referring to the visual language of advertising and Pop art, she creates images that examine the aestheticisation of the female body. She depicts the paradox of simultaneous attraction and repulsion, intimacy and cool detachment, seduction and critique. For the first presentation of her work in Greece, Emmerich has created a new large-scale, site-specific expansive wall painting which covers part of the museum’s ground floor foyer and mezzanine, taking over its entire education space. Consisting of several murals, a large frieze on the balcony of the mezzanine that connects to the ground floor and mezzanine, and several murals on the latter, including two monumental columns and sitting areas, the result is an immersive and colourful Gesamtkunstwerk. About Hadassah Emmerich *Heerlen (NL), 1974 Lives and works in Brussels Hadassah Emmerich studied at the Academy of Fine Arts in Maastricht, HISK Flanders and Goldsmiths College, London. Recent exhibitions include: Skin of the Shapeshifter, SUPRAINFINIT, Bucharest (2023); Botanical Body Bliss, Galerie Ron Mandos Amsterdam (2023); False Flat, Bonnefanten Museum, Maastricht (2022); Abrasive Paradise, Kunsthal KAdE, Amersfoort, NL (2022); Trailblazers, 150 years Royal Award for Painting, Royal Palace, Amsterdam (2021); BXL Universel II: multipli.city, CENTRALE for Contemporary Art, Brussels (2021), BuahTangan, ISA Art Gallery, Jakarta (2020); The Great Ephemeral Skin, De Garage, Mechelen (2019). Her work is held in numerous public collections including the Rijksmuseum, Amsterdam, the Bonnefanten Museum, Maastricht, MuZee, Oostende, The Flemish Parliament and the Federal Government Collections, Brussels, Gemeentemuseum and the Ministry of Foreign Affairs, The Hague and the Museum for Modern Art, Arnhem, NL. Hadassah Emmerich’s art is a multifaceted exploration that transcends conventional boundaries, inviting viewers into a world where sensuality, feminism, and identity intersect. With a commitment to pushing the limits of her creative process and addressing urgent themes with depth and self-awareness, Emmerich stands as a visionary artist shaping the contemporary art landscape. Body and identity, the sensory and the sensual, the commodification of the erotic and the exotic: these are frequently recurring themes in Hadassah Emmerich’s work. The sensuality of her painting resides not only on the surface of the (erotic) image but also in her refined use of colour and technical execution. Since 2016, Emmerich has worked with a new painting technique, using stencils cut from vinyl flooring, which she covers with ink and then impresses onto canvas, paper or a wall. Referring to the visual language of advertising and Pop art, she creates images that both aestheticise and problematize the female body. She depicts the paradox of simultaneous attraction and repulsion, intimacy and cool detachment, seduction and critique. In this way, Emmerich succeeds in making the act of looking truly provocative. - Nina Folkersma About EMΣT | The National Museum of Contemporary Art Athens EMΣT | The National Museum of Contemporary Art Athens is the leading national institution for contemporary art and visual culture in Greece, and one of the flagship institutions in Southern Europe and the Eastern Mediterranean. It began its operation in 2000. In the first years of its existence, it was a nomadic institution, hosted by institutions such as the Athens Concert Hall and the Athens Conservatoire, as its new home – the former Athenian landmark, the industrial modernist FIX brewery – was being retrofitted as a state-of-the art contemporary art museum. In 2015 it moved into its new premises while in 2020, a part of its collection was installed and EMΣT finally opened to the public. SUPPORTED BY The exhibition Hadassah Emmerich forms part of the Residency Program of the Project SUB 6.4, “Actions to promote Greek cultural exports and strengthen the Greek cultural name by the National Museum of Contemporary Art Athens”, which is implemented within the framework of the National Recovery and Resilience Plan “Greece 2.0”, funded by the European Union – NextGenerationEU. Hadassah Emmerich’s project is supported by the Mondriaan Fund.

Experience a night of laughter and entertainment at the Jo Koy and Friends event taking place at The Venue at Thunder Valley Casino Resort in Lincoln. Join renowned comedian Jo Koy and his talented friends on May 9, 2025, for a memorable show filled with hilarious jokes and unforgettable moments. The venue is located at 1200 Athens Avenue, CA, 95648. Don't miss out on this opportunity to enjoy a fantastic comedy event in a beautiful setting.

Until November 2024, the National Museum of Contemporary Art (EMΣT) presents a cycle of exhibitions, in four parts, exclusively dedicated to the work of women artists or artists who identify as female, under the broader umbrella title, What if Women Ruled the World? On 8 March 2024, International Women’s Day, Part II of the exhibition cycle opened with six new projects by five international artists: Yael Bartana Claudia Comte Hadassah Emmerich Lola Flash Malvina Panagiotidi ___________________________________ Hadassah Emmerich | Epicurean Eden WHAT IF WOMEN RULED THE WORLD? Part || The mural will debut as part of the ‘What If Women Ruled the World’ Part II exhibition cycle, but will remain on display at the museum for a couple of years. Furthermore, the project is slated for completion in June, ideally aligning with the inauguration of ‘What If Women Ruled the World’ Part IV. Notably, the installation will include then specially crafted art rugs developed in collaboration with Art Rug Projects Athens. Hadassah Emmerich has become known for her exuberant paintings, collages and murals that intricately weave stylised representations of exotic fruit, body parts and vegetal elements into bold eroticised ornaments. Her work reflects an immersive and visceral exploration of the body and identity, navigating the realms of the sensory and the sensual while delving into the commodification of desire, the erotic and the exotic. The sensuality of her painting resides not only on the surface of the image, but also in her refined use of colour and technical execution. Since 2016, Emmerich has worked with a new painting technique, using stencils cut from vinyl flooring, which she covers with ink and then impresses onto canvas, paper or a wall. Referring to the visual language of advertising and Pop art, she creates images that examine the aestheticisation of the female body. She depicts the paradox of simultaneous attraction and repulsion, intimacy and cool detachment, seduction and critique. For the first presentation of her work in Greece, Emmerich has created a new large-scale, site-specific expansive wall painting which covers part of the museum’s ground floor foyer and mezzanine, taking over its entire education space. Consisting of several murals, a large frieze on the balcony of the mezzanine that connects to the ground floor and mezzanine, and several murals on the latter, including two monumental columns and sitting areas, the result is an immersive and colourful Gesamtkunstwerk. About Hadassah Emmerich *Heerlen (NL), 1974 Lives and works in Brussels Hadassah Emmerich studied at the Academy of Fine Arts in Maastricht, HISK Flanders and Goldsmiths College, London. Recent exhibitions include: Skin of the Shapeshifter, SUPRAINFINIT, Bucharest (2023); Botanical Body Bliss, Galerie Ron Mandos Amsterdam (2023); False Flat, Bonnefanten Museum, Maastricht (2022); Abrasive Paradise, Kunsthal KAdE, Amersfoort, NL (2022); Trailblazers, 150 years Royal Award for Painting, Royal Palace, Amsterdam (2021); BXL Universel II: multipli.city, CENTRALE for Contemporary Art, Brussels (2021), BuahTangan, ISA Art Gallery, Jakarta (2020); The Great Ephemeral Skin, De Garage, Mechelen (2019). Her work is held in numerous public collections including the Rijksmuseum, Amsterdam, the Bonnefanten Museum, Maastricht, MuZee, Oostende, The Flemish Parliament and the Federal Government Collections, Brussels, Gemeentemuseum and the Ministry of Foreign Affairs, The Hague and the Museum for Modern Art, Arnhem, NL. Hadassah Emmerich’s art is a multifaceted exploration that transcends conventional boundaries, inviting viewers into a world where sensuality, feminism, and identity intersect. With a commitment to pushing the limits of her creative process and addressing urgent themes with depth and self-awareness, Emmerich stands as a visionary artist shaping the contemporary art landscape. Body and identity, the sensory and the sensual, the commodification of the erotic and the exotic: these are frequently recurring themes in Hadassah Emmerich’s work. The sensuality of her painting resides not only on the surface of the (erotic) image but also in her refined use of colour and technical execution. Since 2016, Emmerich has worked with a new painting technique, using stencils cut from vinyl flooring, which she covers with ink and then impresses onto canvas, paper or a wall. Referring to the visual language of advertising and Pop art, she creates images that both aestheticise and problematize the female body. She depicts the paradox of simultaneous attraction and repulsion, intimacy and cool detachment, seduction and critique. In this way, Emmerich succeeds in making the act of looking truly provocative. - Nina Folkersma About EMΣT | The National Museum of Contemporary Art Athens EMΣT | The National Museum of Contemporary Art Athens is the leading national institution for contemporary art and visual culture in Greece, and one of the flagship institutions in Southern Europe and the Eastern Mediterranean. It began its operation in 2000. In the first years of its existence, it was a nomadic institution, hosted by institutions such as the Athens Concert Hall and the Athens Conservatoire, as its new home – the former Athenian landmark, the industrial modernist FIX brewery – was being retrofitted as a state-of-the art contemporary art museum. In 2015 it moved into its new premises while in 2020, a part of its collection was installed and EMΣT finally opened to the public. SUPPORTED BY The exhibition Hadassah Emmerich forms part of the Residency Program of the Project SUB 6.4, “Actions to promote Greek cultural exports and strengthen the Greek cultural name by the National Museum of Contemporary Art Athens”, which is implemented within the framework of the National Recovery and Resilience Plan “Greece 2.0”, funded by the European Union – NextGenerationEU. Hadassah Emmerich’s project is supported by the Mondriaan Fund.

The small exhibition and the publication accompanying it include three sections: a) a selection of annotated traveler images from the Acropolis and the Parthenon (by Carrey, Dodwell, Fauvel, Pars, among others), b) a short biography and excerpts from Byron’s poems “The Curse of Minerva” and “Childe Harold’s Pilgrimage”, which refer to the brutal detachment and destruction of the Parthenon’s architectural sculptures by Elgin and their subsequent underhanded seizure and removal, and c) Byron’s original passport, a genuine, unexpected Sultanic firman [Islamic royal mandate or decree], exhibited for the first time in the Museum, and serving as an opportunity to reopen the discussion on the return and reunification of the Parthenon sculptures.

The small exhibition and the publication accompanying it include three sections: a) a selection of annotated traveler images from the Acropolis and the Parthenon (by Carrey, Dodwell, Fauvel, Pars, among others), b) a short biography and excerpts from Byron’s poems “The Curse of Minerva” and “Childe Harold’s Pilgrimage”, which refer to the brutal detachment and destruction of the Parthenon’s architectural sculptures by Elgin and their subsequent underhanded seizure and removal, and c) Byron’s original passport, a genuine, unexpected Sultanic firman [Islamic royal mandate or decree], exhibited for the first time in the Museum, and serving as an opportunity to reopen the discussion on the return and reunification of the Parthenon sculptures.

The small exhibition and the publication accompanying it include three sections: a) a selection of annotated traveler images from the Acropolis and the Parthenon (by Carrey, Dodwell, Fauvel, Pars, among others), b) a short biography and excerpts from Byron’s poems “The Curse of Minerva” and “Childe Harold’s Pilgrimage”, which refer to the brutal detachment and destruction of the Parthenon’s architectural sculptures by Elgin and their subsequent underhanded seizure and removal, and c) Byron’s original passport, a genuine, unexpected Sultanic firman [Islamic royal mandate or decree], exhibited for the first time in the Museum, and serving as an opportunity to reopen the discussion on the return and reunification of the Parthenon sculptures.

The small exhibition and the publication accompanying it include three sections: a) a selection of annotated traveler images from the Acropolis and the Parthenon (by Carrey, Dodwell, Fauvel, Pars, among others), b) a short biography and excerpts from Byron’s poems “The Curse of Minerva” and “Childe Harold’s Pilgrimage”, which refer to the brutal detachment and destruction of the Parthenon’s architectural sculptures by Elgin and their subsequent underhanded seizure and removal, and c) Byron’s original passport, a genuine, unexpected Sultanic firman [Islamic royal mandate or decree], exhibited for the first time in the Museum, and serving as an opportunity to reopen the discussion on the return and reunification of the Parthenon sculptures.

Experience the ultimate celebration of Mexican music and culture at Viva La Quebradita 2025 featuring the iconic bands Banda Machos, Banda Maguey, and many more. The event will take place on May 3, 2025, at The Venue at Thunder Valley Casino Resort in Lincoln, California. Don't miss this unforgettable evening filled with lively beats and infectious rhythms at 1200 Athens Avenue. Join us for a night of pure entertainment and immerse yourself in the vibrant world of Quebradita music.

"Selena - The Show: A Tribute to Selena is a must-see event taking place on May 15, 2025, at The Venue at Thunder Valley Casino Resort in Lincoln, CA. This heartfelt tribute honors the iconic singer Selena with a captivating performance that showcases her timeless music and lasting impact on the industry. Join music enthusiasts and fans alike for an unforgettable evening celebrating the life and legacy of a true musical legend. Don't miss this unique opportunity to experience the magic of Selena live on stage at this exclusive event."

Experience an unforgettable evening at The George Benson Celebration with Brian McKnight & Demola in Lincoln. The event will take place at The Venue at Thunder Valley Casino Resort, located at 1200 Athens Avenue, CA, 95648, on May 16, 2025. Get ready to be mesmerized by the incredible performances of these renowned artists as they come together for a night of soulful music and entertainment. Don't miss out on this one-of-a-kind opportunity to witness musical talents at their best. Mark your calendar and secure your tickets for a night to remember.