Things to do in Zhenba

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Emperor Qinshihuang's Mausoleum Site Museum

Emperor Qinshihuang's Mausoleum Site Museum is a large site museum built on the site of the Terracotta Army pits, which are located approx. 1.5 km east of the mound of Emperor Qinshihuang's Mausoleum. In March 1974, farmers from Xiyang Village accidentally unearthed fragments of terracotta figures while digging a well, and archaeological exploration confirmed Pit 1; in 1976, Pits 2 and 3 were successively discovered to the north of Pit 1. This army, which had slumbered for over 2,000 years, was thus brought back to light, and the discovery of the Terracotta Army has been hailed as "one of the great discoveries in the history of 20th-century archaeology." Pit 1 is the main military formation among the three pits, stretching over 200 m from east to west, with an estimated 6,000 pottery figurines and horses buried inside. Standing at the edge and looking down, armored warrior figurines, war chariots, and pottery horses are arrayed eastward in battle formation. A closer look at each figure reveals different facial shapes, hairstyles, beards, and even hand gestures. The figurines were originally painted all over, but most of the paint has peeled off and discolored due to fire and long burial. Pit 2 is L-shaped, with crossbowmen, cavalry, and charioteers arranged in a mixed formation; the vividly expressive kneeling archer was unearthed here. Pit 3 is small in scale, and scholars believe the ceremonial guard figurines and war chariots unearthed there indicate it served as the command center—known in ancient times as a "military tent"—directing the formations in Pits 1 and 2. The bronze swords, pi halberds, spears, crossbow triggers, and large quantities of arrowheads unearthed from the pits—many still sharp after more than 2,000 years—demonstrate the sophistication of Qin dynasty metallurgy. The Emperor Qinshihuang's Mausoleum Site Museum and the Qin Shi Huang Mausoleum at the foot of Mount Li were originally one integrated whole. After Qin Shi Huang ascended the throne at the age of 13, he began constructing the mausoleum, conscripting hundreds of thousands of laborers over a period spanning more than 30 years; the terracotta army, which replaced human sacrifice with figurines, served as the underground guard for this imperial mausoleum. To avoid the crowds during your visit, you might want to see Pit 3 and Pit 2 first, and then take your time to experience the awe-inspiring scene of Pit 1 last. After viewing the terracotta pits, you can also take the attraction's shuttle bus to Lishan Garden, where Emperor Qinshihuang's mausoleum is located; the Acrobats Pit, the Civil Officials Pit, and the Bronze Chariots and Horses Museum are all within the garden. The two painted bronze chariots and horses, cast at half the scale of real chariots, are exquisitely crafted with brilliantly gleaming gold and silver fittings, and are well worth a special trip to see.

Zhenba County Caoba Scenic Area

han zhong shi lv you jing dian

Bashan Yu Karst Cave

Bashan Yu Karst Cave Attraction is located in Zhenba County, Hanzhong City, Shaanxi Province, at the junction of Yudu Town, Chinan Town and Yanchang Town. It is bordered by Wanyuan, Dazhou, Sichuan in the south, Chengkou, Chongqing in the southeast, Ziyang, Ankang in the east, and Tongjiang, Bazhong in the west. It is 30 kilometers away from Baomao Expressway, 45 kilometers away from Zhenba County, 8 kilometers away from Yudu Town Government, and only 2 kilometers away from National Highway 210, with excellent external transportation conditions. The Attraction is a Attraction project built in Hanzhong area with cave wonders as the core. It is uniquely attractive for its cave landscape and huge three-dimensional cave space that are rare in adjacent areas. The cave presents typical karst lava landforms, about 3 kilometers long and covering an area of ​​about 5 square kilometers. It is divided into two floors, with a total of four halls. Stalactites that began to form in the late Mesozoic era are dazzling, and various stalagmites, stone pillars, stone flowers and stone curtains are scattered all over the place. The original ecological landscape is vivid; there are caves in the mountains, rivers in the caves, and dozens of cave halls of different sizes interspersed with each other. The distinctive stone flags and stone pots all show the peculiarity of the Bashan Jade Cave, and the white calcite waterfall is even more breathtaking. This is a natural treasure exhibition hall sculpted by extraterrestrial dynamic geological action, and it is also a comprehensive geological park integrating scientific and aesthetic values. There are more than 20 scenic spots in Bashan Yukarst Cave, including Flying Dragon Valley, Lion Roar Hall, Ten Thousand Buddha Valley, Line of Sky, Sage Hall, Source of Life, White Jade Waterfall, Time Tunnel, Immortal Valley, Dinghai Shenzhen, Kiss of Heaven and Earth, Secret Treasures of Dragon Palace, Lotus Pond, Flag Mouth, etc. They are so lifelike that you can't help but linger. There are also beautiful scenic spots such as Yushui Waterfall and Feihong Bridge outside the cave.

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Shaanxi History Museum

Shaanxi History Museum is a large modern museum built after China's reform and opening up and officially opened in 1991. The building was designed by architect Zhang Jinqiu and adopts a Tang-style architectural layout of "central hall and four corner towers," with a symmetrical central axis and a clear hierarchy of primary and secondary structures; in 2016 it was included in the first batch of the "Chinese Architectural Heritage of the 20th Century" list. Shaanxi was once the political center of dynasties such as the Zhou, Qin, Han, and Tang, and the museum's collection spans a million years of history, covering categories such as Shang and Zhou bronzes, pottery figurines of successive dynasties, Han and Tang gold and silver wares, and Tang tomb murals, with a total of over one million items. The permanent exhibition "Ancient Civilization of Shaanxi" follows a chronological main line and presents the historical process from prehistoric Lantian Man to the eve of the Opium War across three galleries, with the Zhou, Qin, Han, and Tang periods as the focus. The east and west sides of the central hall each host a thematic exhibition: on the west side, "Treasures of the Great Tang: Hejiacun Hoard Unearthed Artifacts Exhibition" concentrates on fine gold and silver wares of the High Tang, while on the east side, the "Tang Dynasty Mural Treasures Gallery" displays authentic murals removed from Tang tombs, with subjects covering figures, architecture, ceremonial guards, and more, making it a uniquely distinctive category of the museum's collection. Among the many artifacts in the museum, several are particularly notable. The agate cup with gold-inlaid beast head, from the Hejiacun hoard, is carved from a single piece of banded agate into the form of a curved-horn beast head, resembling Central Asian rhyton cups, and is one of the first batch of cultural relics prohibited from being exhibited abroad. The tri-color glazed camel carrying musicians figurine vividly recreates the lively scene of musicians playing and singers performing on a camel's back, with bright glaze colors and figures with distinct expressions. The Empress's Seal is made of Western Han Hetian mutton-fat jade and carved with a chi-tiger knob, and is the only known actual jade seal of a Han dynasty empress discovered to date. In addition, the gilt silver flask with a dancing horse holding a cup design, the celadon ewer with an overhead handle and bottom-filling design, and the black-glazed oil-spot bowl each have their own distinctive features. The gold and silver wares unearthed from the Hejiacun hoard are concentrated in the thematic gallery and are a highlight of any visit; visitors are advised to allow time to examine them closely.

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Xi'an City Wall

Xi'an City Wall, also known as the Xi'an Ming City Wall, is an ancient city wall defense system encircling the old city of Xi'an from the Ming and Qing dynasties. The main body of the existing wall was built during the Hongwu period of the Ming Dynasty, expanded on the foundation of the imperial city of Chang'an from the Sui and Tang dynasties, and has undergone multiple renovations since then, remaining well preserved to this day. The wall is roughly rectangular in plan, with a perimeter of about 14 km, and the area it encloses is the old city of Xi'an. The wall is about 12 m high, about 15 to 18 m wide at the base, and about 12 to 14 m wide at the top. The top of the wall is broad and flat, allowing visitors to cycle or stroll along it while overlooking the scenery inside and outside the city. The defensive system of the wall consists of the wall body, city gates, barbicans, bastions, corner towers, and the moat. Nearly a hundred bastions were built along the outer face of the wall, spaced about 120 m apart, precisely within bow-and-arrow range, reflecting the defensive wisdom of the cold weapon era. There is a corner platform at each of the four corners, among which the southwest corner platform is circular, forming a striking contrast with the other three square corner platforms—a unique form rarely seen among surviving ancient city walls. The moat outside the wall encircles the entire city, together with the wall forming a complete defensive layout. The wall currently has 18 city gates, among which Yongning Gate (South Gate), Anding Gate (West Gate), Anyuan Gate (North Gate), and Changle Gate (East Gate) are the four main gates originally built in the Ming Dynasty. Each main gate features three tiers of gate towers—the gate control tower, arrow tower, and main tower—forming a layered barbican defense. Yongning Gate is the one that has been in use the longest, with a history dating back to the Sui Dynasty, and is also the one whose form is relatively well preserved. The section of the wall at Hanguang Gate encloses the remains of the Sui and Tang imperial city, with a site exhibition that offers an intuitive sense of the wall's layered history spanning over a thousand years. Cycling a full loop around the city on the wall is a popular experience, taking about one and a half to two hours in total. Ascending the wall in the evening allows you to take in both the traditional architecture inside the city and the modern urban skyline outside, with the wall and moat set off beautifully against the glow of the setting sun.

No. 5 of Global Traveller-Picked Attractions in Xi'an

Huaqing Palace

Huaqing Palace attraction is located 30 km east of Xi'an, adjacent to the Terracotta Warriors. Renowned for its timeless hot spring resources and numerous historical events, it has become an iconic cultural tourism attraction of Tang Dynasty palaces in China. Palace scenic spots Huaqing Palace boasts a long history, serving as an imperial retreat for emperors from the Zhou, Qin, Han, Sui, and Tang dynasties. The palace features cultural zones like the Tang Imperial Hot Spring Relics Museum, the Xi'an Incident site—Five-Room Hall, Nine Dragon Lake and Lotus Lake scenic areas, and the Tang Pear Garden Museum. Notable architectural complexes include Feishuang Hall, Wanshou Hall, Changsheng Hall, Huanyuan Garden, and Yuwang Hall. The stele of "hot spring ode" Mount Li hot springs, developed early and favored by emperors throughout history, enjoy the reputation of being "the imperial hot springs under heaven." As far back as the Yangshao culture period 6,000 years ago, the ancient Jiangzhai people began utilizing these springs. With their profound cultural heritage spanning millennia, Mount Li hot springs represent an indispensable part of Chinese historical culture. The stele of hot spring ode in the attraction stands 154 cm tall, 72 cm wide, and 19 cm thick, featuring a coiled dragon design and a trapezoidal base. Engraved by Yuan Chang, the governor of Yongzhou during the Northern Wei Dynasty, the inscription reads, "The hot spring is nature's prescription and the primordial healer of the universe. People from all nations and those suffering from ailments come with provisions to seek relief in its waters." This stele is the earliest surviving written artifact at Huaqing Palace. Tang Imperial Hot Spring Relics Museum This is the site of the bathing pool described in the "Song of Everlasting Sorrow" where Yang Guifei emerged from her bath. After the An Lushan Rebellion, little remained of the original structure. In 1982, while constructing the "Guifei Pavilion," the Lintong County Government accidentally discovered the ruins of a Tang Dynasty bathing pool. After excavation and restoration, the Huaqing Palace imperial hot spring ruins museum was established. This small yet exquisitely designed pool measures 3.6 meters east-west and 2.9 meters north-south, with an oval-like shape. The pool walls are entirely built with bluestone slabs, featuring a two-tiered terrace structure composed of 18 arched stone sections. Inside the pool lies a dedicated bathing stone for Yang Guifei, engraved with the character "Yang." At the center of the pool bottom is a 10 cm diameter water inlet. A white marble lotus pedestal was unearthed here, connecting to both a showerhead above and ceramic water pipes below that linked to the main water source. Due to natural pressure, hot spring water would spray outward through the lotus showerhead, creating a mist effect remarkably similar to modern showers. Adjacent to the Guifei Pool to the east lies Emperor Xuanzong's exclusive imperial hot spring. During the Tang Dynasty, the Nine Dragon Hall stood above this pool, featuring nine white jade-carved dragons spouting water outside. This pool's surface resembles a realistic lotus shape, hence its alternate name "Lotus Pool." Xi'an incident site The five-room hall at the Xi'an incident site in Huaqing Palace is where the Xi'an incident took place. To this day, the glass windows and walls of the five-room hall still bear bullet marks from the fierce battle during the military remonstrance. The desks, chairs, beds, sofas, tea sets, stoves, carpets, telephones, and other office items in each room are replicated and arranged according to their original appearance. Historical events: Beacon fire to deceive the feudal lords In 779 BC, King You of Zhou obtained the beautiful Bao Si, yet she never smiled. To solve this, the king conspired with the treacherous minister Guo Shifu and lit the beacon fires at the Huaqing Palace attraction. The feudal lords across the land saw the signals.Beacon fireHe quickly led his troops to rescue the king, but King You told the feudal lords, "I lit the beacon fires just to make my queen laugh," upon which Bao Si burst into laughter. The feudal lords arrived valiantly but left resentfully. Seeing King You's incompetence and the people's discontent, the Quanrong tribe seized the opportunity to launch an attack. As the enemy troops approached the mountain, King You urgently raised the beacon fires.Beacon fireHe mobilized troops, but none of the feudal lords came to his rescue. King You fled with Bao Si toMount LiHe was later killed by the Quanrong tribe, leaving behind historical anecdotes such as "a smile worth a thousand gold," "losing the kingdom for a smile," and "playing with beacon fires to deceive the feudal lords." And this beacon tower at Huaqing Palace attraction towers at an altitude of 913.6 m.Mount LiThe beacon tower at Huaqing Palace attraction on the first peak of Xixiu Ridge. Su Dongpo composing poetry at Mount Li During the Jiayou era of the Northern Song Dynasty, the Lishan hot springs, meticulously restored by Liu Ziyong and others, became breathtakingly beautiful, attracting crowds of visitors who composed poems and essays to express their nostalgia. Among the countless poetic works, the emerging literary giant Su Shi stood out with his masterpieces like "Lady of Guo's night outing" and "Lishan" during his visit to the hot springs. Xi'an incident The Xi'an incident, also known as the "double-twelfth incident". Zhang Xueliang and Yang Hucheng launched a mutiny at Huaqing Palace, detaining the then chairman of the Military Commission of the National Government. Performance items You can watch a large-scale dance drama at the attraction. ▲ The Song of Everlasting Sorrow is China's first large-scale live historical dance drama created by Shaanxi Tourism Group. Based on Bai Juyi's timeless poem of the same name, it fully utilizes the attraction's resources and employs high-tech stage lighting to combine historical storytelling with live performances, recreating the love story of Emperor Li Longji and Yang Guifei at Huaqing Palace over 1,300 years ago. ▲There is also the historical adaptation "12-12 Xi'an Incident," which vividly and authentically recreates the lesser-known details of the "Xi'an Incident."

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Mount Hua

Mount Hua, known as the "Western Great Mountain" in ancient times, is one of China's Five Great Mountains. Located in Huayin, Shaanxi Province, it is also elegantly called "Taihua Mountain." The "Hua" in both "Zhonghua" and "Huaxia" originates from this mountain. "Steep and perilous" are the essence of Mount Hua's scenery, and the saying "there has always been only one path up Mount Hua" precisely describes its steepness—the Plank Road in the Sky, the Sparrowhawk Turn, the Thousand-Foot Precipice, the Hundred-Foot Gorge, the Laojun Plow Ditch, and other perilous sights leave every visitor awestruck. The Mount Hua attraction covers a vast area, including the main peak attraction, the Western Great Mountain Temple attraction, and the Xianyu attraction, among which the main peak attraction is the core, encompassing the five main peaks—east, south, west, north, and center—as well as the classic "Mount Hua Valley" climbing trail. The five main peaks each have their own distinctive features. The East Peak, at an elevation of approx. 2,100 m, has the open and expansive Chaoyang Terrace at its summit, making it an excellent spot for watching the sunrise, and is therefore also known as Chaoyang Peak; the natural stone patterns on the cliff face along the side of the peak resemble a giant palm print—this is the Huayue Immortal Palm, listed since ancient times as one of the Eight Views of Guanzhong. The West Peak, at an elevation of approx. 2,080 m, is named Lotus Peak because the giant rock at its summit resembles a lotus flower; the Cuiyun Palace, the Axe-Split Rock, and the Self-Sacrifice Cliff are scattered across it, and the myth of Chenxiang splitting the mountain to save his mother is said to have originated here. The South Peak, at an elevation of over 2,150 m, was called the "head of Mount Hua" by the ancients; it consists of two summits—Songgui Peak and Luoyan Peak—with a sheer cliff dropping straight down on one side. The North Peak, at an elevation of approx. 1,600 m, is also known as Yuntai Peak; it stands isolated and towering with precipitous drops on all four sides, and the story of "Taking Mount Hua by Strategy" took place here; the peak features views such as the Zhenwu Hall and the Jiaogong Stone Chamber. The Central Peak lies at the center of the East, West, and South Peaks, with serene and lush vegetation; on the peak is the Jade Maiden Shrine, said to be the place where Nongyu, daughter of Duke Mu of Qin during the Spring and Autumn period, cultivated herself, hence it is also known as Jade Maiden Peak. The Plank Road in the Sky is located on the mountainside east of the South Peak. It was built by the Yuan Dynasty Taoist He Zhizhen, who embedded stone stakes into the cliff face and laid wooden planks. At the end of the plank road, visitors can see Hezu Cave, where he cultivated himself. Visitors must press close to the cliff, hold the iron chains, and step on the wooden planks while moving sideways slowly—an extremely thrilling experience. The ridge of Canglong Ridge is as narrow as a blade, flanked by bottomless chasms, and walking on it makes one's heart race and vision blur. Golden Lock Pass is the vital gateway to the East, West, South, and Central peaks. Taoists believe that passing through this pass marks entry into a fairyland, and there is a folk saying: "Once past Golden Lock Pass, you enter another realm."

No. 1 of Family-friendly Attractions in Shaanxi

Xi'an Museum

Xi'an Museum is a modern comprehensive museum built upon the cultural relic protection site—the ruins of the Tang Dynasty Jianfu Temple and its iconic structure, the Small Wild Goose Pagoda. It integrates cultural relic collection and protection, academic research, exhibition and display, social education, and garden leisure. Its core area is the location of the original Tang Dynasty royal temple, Jianfu Temple, while the precious and striking historical relic existing within the temple—the Small Wild Goose Pagoda—has become the museum's unique landmark and soul. Therefore, the Jianfu Temple ruins and the Small Wild Goose Pagoda are not only the foundation and core carrier for the establishment of Xi'an Museum, but also important outdoor historical exhibition areas and focal points for visitors. The main building of the museum is located on the north side of the ancient temple ruins. The three elements (ancient temple ruins, ancient pagoda, and modern museum building) are organically integrated, jointly forming a unique cultural space that combines "museum, pagoda, temple, and garden," vividly showcasing the historical context of Xi'an from ancient times to the present. Xi'an Museum officially opened to the public on May 18, 2007. Its establishment aims to comprehensively showcase the glorious history and splendid culture of Xi'an (ancient Chang'an) as the capital of thirteen dynasties, filling the gap of a comprehensive museum of Xi'an's urban history. Collection highlights: The museum houses over 100,000 precious cultural relics from various historical periods of Xi'an. The collection spans from prehistoric times to the Ming and Qing dynasties, with particular emphasis on artifacts from the prosperous dynasties of Zhou, Qin, Han, and Tang, including bronze ware, jade articles, gold and silverware, ceramics, murals, stone steles, epitaphs, and Buddhist statues, systematically reflecting the political, economic, cultural, social life, and foreign exchanges of the ancient capital Chang'an. Main exhibition: The permanent exhibition "Ancient capital Xi'an" takes the urban development history of Xi'an as the main thread, showcasing the evolution and achievements of Xi'an as a capital (Zhou Fenghao, Qin Xianyang, Han Chang'an, Sui-Tang Chang'an) and a prefectural city (Song, Yuan, Ming, and Qing dynasties) through a large number of precious cultural relics, models, charts, and multimedia means. Unique environment: The museum's greatest feature lies in its surroundings. Travelers can not only visit modern exhibition halls but also stroll through the expansive heritage park encompassing the Small Wild Goose Pagoda, the ancient architectural complex of Jianfu Temple (including structures like the Ming dynasty bell tower housing a Jin dynasty ancient bell), an ancient stone sculpture art exhibition area, and garden views—experiencing the charm of the millennia-old capital at its historical site. The view of "morning bells at the Wild Goose Pagoda" is particularly renowned. Functional positioning: The museum is not only an important center for cultural relic collection, research, and display, but also an urban cultural park where citizens can relax, entertain, and immerse themselves in history and culture, undertaking significant social education and cultural exchange functions.

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Grand Tang Mall

The Grand Tang Mall is a large pedestrian district of Tang-style architecture built around the Giant Wild Goose Pagoda in Xi'an's Qujiang New District. It runs from Xuanzang Plaza at the foot of the pagoda in the north to the Tang City Wall Ruins Park in the south, with an approx. 1,500 m central landscape avenue running the full length from north to south. The avenue itself is like an open-air sculpture gallery, lined from north to south with themed sculpture groups such as Tang Buddhist culture, the Tang hall of fame, the Zhenguan era of good governance, Empress Wu's procession, and the Kaiyuan golden age: statues of eminent monks such as Xuanzang and Jianzhen come first, Tang luminaries including Li Bai, Du Fu, Wu Daozi, and Sun Simiao stand in the middle, and the ceremonial group portraits of Emperor Taizong, Empress Wu Zetian, and Emperor Xuanzong are laid out after them—walking the whole route is almost like reading a three-dimensional history of the Tang Dynasty. The district links three major themed plazas from north to south—Xuanzang Plaza, Zhenguan Plaza, and Kaiyuan Plaza—with rows of Tang-style pavilions spreading out on both sides. Four cultural venues—Xi'an Concert Hall, Shaanxi Grand Theatre, Xi'an Art Museum, and Qujiang Pacific Cineplex—are distributed among them, so catching a concert, seeing an exhibition, and strolling and taking photos can all fit into the same itinerary. By day, admire the architecture and sculptures, but nightfall is when this street truly shines — once the lanterns are lit, the Tang-style pavilions glow with dazzling color, and the whole street feels like a re-creation of the golden age of the Tang Dynasty. Immersive street performances run year-round: a "tumbler girl" in Tang attire leans out mid-spin to hold hands with visitors; in "The Tang Dynasty Mystery Box," performers dressed as famous Tang figures randomly pick visitors to come on stage and answer questions or trade witty banter, with clever answers drawing cheers from the crowd; in the float color contest, Hu-style spinning dances and Tang court music and dance compete across the square; and a performer dressed as the Poet Immortal may challenge you to a round of poetry at any moment. These performances are scattered across the plazas along the route, so you might stumble upon one as you wander, and the lineup of shows and characters is refreshed from time to time. Visitors in hanfu taking photos can be seen everywhere on the street, and the Tang-style pavilions paired with the night scenery make for easy, photogenic shots; after nightfall the crowds are dense, so if you want a front-row spot for the popular shows, arrive a little early to wait. If your itinerary is tight, it's best to come around dusk and walk south from Xuanzang Square all the way to Kaiyuan Square, taking in the sculptures, lights, and performances all at once.