The Church of Our Lady of Bruges, Belgium, dates back to the 13th, 14th and 15th centuries. The tower is115.6 meters tall and remains the tallest building in the city and the second tallest brick tower in the world. The church displays Gothic style on the striking exterior wall built in the 1270s.
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The Church of Our Lady of Bruges, Belgium, dates back to the 13th, 14th and 15th centuries. The tower is115.6 meters tall and remains the tallest building in the city and the second tallest brick tower in the world. The church displays Gothic style on the striking exterior wall built in the 1270s.
The Church of the Virgin of Bruges is also a very important religious institution, Bruges is also a very simple city, the Church of the Virgin of Bruges is still a very typical place, the Church of the Virgin of Bruges is still a good place to visit.
The location of Bruges’s “Killer No Holidays” is a typical medieval ancient city, with a large number of buildings dating back centuries. Early Gothic architecture has become a part of the city’s character. It takes about an hour by train from Brussels to Bruges, and it can be reached on the same day.
Notre Dame Cathedral Onze Lieve Vrouwekerk was built in the 13th, 14th and 15th centuries. Its bell tower, 122 meters high, is the tallest building in Bruges and the second tallest brick tower in the world (the highest is St. Martin's Church in Landshut, Germany). Notre Dame Cathedral has a famous art treasure - "Michelangelo's - "Notre Dame and Child". This small marble sculpture (1504) is the only work of art Michelangelo left outside Italy in his lifetime.
The tower of Notre Dame Church in Bruges is the tallest building in Bruges and the second tallest brick tower in the world. Visiting Notre Dame Church requires a ticket of 4 euros per person. Compared with the 9,10 euro price for a church in Amsterdam later on, the price is very close to the people. The most famous work in it should be the white marble sculpture of the Virgin Mother and the Virgin Son of Michelangelo, but it was taken too small by me. Everywhere in the church gave me a dramatic feeling. In addition, the three-dimensional floor was photographed, but there was no such effect on the spot. It was amazing.
The thickness and texture of history seem to be a fate. The calmness and elegance that breaks away from the marble of anguish and ecstasy, and goes far from Rome to Brugian and sits between the Ionian colonnades, she seems to have foreseen that the new spirit of the world has not yet arrived, and that eternal love will possess her.