Chengdu Museum

Although it rained in Chengdu today, I couldn't get a taxi. It looked like a snuggle. The original Chengbo was also positioned in Chuanbo, but today's explanation completely filled the unpleasantness of the rainy day. Although I was late, Miss Sister waited for me to start, and there were only two VIP treatments. The two halls on the second and third floors talked about 2.5 for an hour. Around the historical main line of the entire Sichuan area, the knowledge points are more logical, awesome, and the price is super high. 👍🏻 really made me feel the history silent. But deafening, I will recommend it to more friends later.

The explanation is super! Help us string together the history of Chengdu's development from 5,000 years to the present, the historical story and significance behind the important exhibits, 1 and a half hours really can't hear enough.

Guide Wang explained well, the time arrangement was reasonable, the rhythm was very good, and the interaction with tourists was also very important in the explanation. It is a humanistic trip with an excellent sense of experience, so I have always thought that going to a city must go to its museum, and going to the museum must listen to the tour guide.

Singing is great. The whole process is very interesting. There is a museum, which may be a very boring thing. However, this trip not only has enough knowledge but also heard a lot of jokes. So happy.

More than 300 treasures from the 16th to 20th centuries, the art crystals of East and West converge across time and space. The 12 dragons and nine phoenix crowns after Ming Xiaojing, the Qing Dynasty "Feng Tian" - Golden Point Cuilongfeng crown, "Yipin Yiming" silver phoenix crown, three major treasures of the phoenix crowns for the first time in a collective appearance. The 12 dragons and nine wind crowns of the queen of Ming Xiaojing are from the Ming Tombs in Beijing. This cultural relics left the Beijing exhibition for the first time. The only remaining four Ming Dynasty Feng crowns in China, the owner of the Feng crown is the Emperor of Ming Shenzong Wanli Emperor Xiaojing Queen.

Chengdu Museum from now until May 5, "Elegance and Vientiane - 16th to 20th century collections of treasures art exhibition". Slurry into the sea, the sun and the wind alternate, the sky and the earth receive the stars, as the witness of time. As the "Liji • Yuzao" said, "the ancient gentleman must Peiyu", individuals or groups who walk in the long river of history, introspection between appearances, often using the world as a carrier, reflecting the mountains and rivers of the universe and the inner self, presenting the physical expression of character and the true pursuit of the human heart, from yes, The decorations that gather in between square inches often become the observation and microcosm of the social fashion, and we can also find the rich humanistic value that has been precipitated between the time of use, inheritance and recreation in thousands of years. Countless collections have been thousands of miles, becoming new thinking and resonance in different centuries and distant countries. More than 300 collections of treasures, through the years, connect the development of East and West civilizations, collision, blending extraordinary memories, and tell the ancient and modern Chinese and foreign styles of the magnificent legend. Let us look at the beauty of ingenuity, the beauty of the times, and the beauty of the humanities between these square inches, so as to pay attention to the butterfly evolution of the ancient decoration aesthetics, the inheritance innovation in the iteration of the process, and how to reproduce the eternal historical totem in the torrent of the times into the language of fashion art.