It really takes a lot of courage to go here. As a family with a family of trailers, with old people and children, it is really impossible to travel long distances. Six or seven hours'drive back and forth was really a tangle. The final decision was to leave the old and the children. I went alone with my husband. It's a hard decision to make. As a great work of art in a city, it's absolutely regrettable not to see the truth. Originally intended to charter a car to go, but the time is not so free, there is no tour guide, think about it is not cost-effective, they reported to a one-day regiment. But the fact is that if you can charter a car or a chartered car, a small van will take more than a dozen people. It's really choking, especially for tall people, who can't stretch their legs straight, and the air conditioner is cold. Remember to bring your coat. The air is not good, so it's stuffy because you can't open the window. Anyway, it's depressing. Plus the long ride, m-bends and ramps, it's really drunk. I strongly recommend that the elderly and children never go! The heart is sick. Anyway, you will regret on your way here, but it's not uncommon after you arrive. The tour guide corrected that the place was called the Black House, not the Black Temple. The locals and other foreigners did not call it the same. Only Chinese people call it that way. Over time, the Chinese delegation has become accustomed to talking about the Black Temple. The black house, also known as the black temple, is a private museum with different architectural forms and mainly black tones. The creator is Thawan Duchanee, a well-known Thai artist whose paintings are well-known and valuable in the region. The Black House is a huge garden museum built by him in Qingcai, which consists of many Thai Temple halls with log structure. The theme of the museum is hell and death. Throughout his life, he has collected unthinkable exhibits on death and hell, including animal bones thousands of years ago, hunting tools of primitive peoples, various ancient tools, antiques and specimens. By means of modern installation art, the exhibits are merged into one piece by piece. The giant seats made of buffalo horns, the devil relief on ancient wooden boats, the wind bell device caused by air-dried animal skins hanging in the middle of the large temple-style exhibition hall, which is more than ten meters high, can only illuminate one corner of the dark hall through the sunshine penetrating through the gate and Thai wooden windows on both sides, leaving you with the imagination of an infinite Hell in the remaining empty darkness.