Housed in the former Supreme Court building, the UOB Southeast Asia Gallery features over 300 artworks that trace shared artistic impulses across Southeast Asia. Beginning in the mid-19th century, the exhibition navigates Southeast Asia’s art history as an ongoing encounter with the new, as artists across the region negotiate the meaning of art and seek to reinvent vernacular expressions and aesthetics. Presented largely chronologically and interspersed with key turning points in artistic sensibilities, the exhibition also identifies how art is inextricably linked to the region’s turbulent social and political history. 
The exhibition owes its title to Chairil Anwar, one of Indonesia’s most cherished poets. In his 1948 poem Krawang-Bekasi, Chairil Anwar lamented the massacre of villagers by Dutch colonial troops in West Java, giving vent to the desire for national independence at the time. This line can also be said of the experience of many artists in the region, caught between manifesto and dream, personal and political. 
The curatorial narrative explores four themed locations in roughly chronological order, each of which critically examines common artistic impulses in the region during each period: Authority and Anxiety, Imagining the Nation and the Self, Performing the Nation, and Redefining Art. 

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