Otobong Nkanga has changed the way we understand the Earth and our place in it. “Humans are only a small, minute part of the ecosystem,” the artist has said. “My works connect us to our shared histories, not just through land and geography, but through emotions shaped by events and encounters. These are the cadences of life.” Otobong Nkanga: Cadence presents a new commission by the artist: an all-encompassing environment of tapestry, sculpture, sound, and text that explores the turbulent rhythms of nature and society. Created specifically for MoMA’s Marron Family Atrium, the installation centers on a monumental, multi-paneled tapestry that suggests sprawling ecosystems and galaxies.

New York

United States

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As I ascended the Empire State Building observation deck, the lights of Manhattan gradually illuminated the twilight, like a galaxy inverted on the earth. The cold wind jingled the love locks on the railings, and the streaks of light from the yellow taxis below reminded me of the time-traveling encounter in &quot;Sleepless in Seattle.&quot; On the 86th floor, in a corner, I spotted an elderly couple, their wrinkled wool scarves billowing like gentle sails in the night breeze, quietly embracing through binoculars. As neon signs flashed in the distance, I suddenly understood why this city forever attracts dreamers&mdash;not because of its height, but because behind every window lies an untamed yearning.

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Getting lost at the Metropolitan Museum of Art is a kind of bliss&mdash;turning past Roman columns, you suddenly stumble upon the Temple of Dendur, the Nile&#39;s mist seemingly still condensed on the sandstone. Lingering for a long time before &quot;Riverside Scene&quot; in the Chinese gallery, one can almost hear the pine trees whispering in Fan Kuan&#39;s ink-wash landscape. Most wondrously, in the European armor gallery, a knight&#39;s visor still bears the marks of 1547, while a Giacometti sculpture in the adjacent modern gallery speaks to it with a similarly rugged posture. Sitting in the tiered lobby at closing time, listening to an impromptu piano performance, twilight streaming through the glass dome onto Rodin&#39;s &quot;The Gates of Hell,&quot; you suddenly feel that the entire museum is like an ark carrying human civilization, with each exhibit an anchor point for its journey.

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The Museum of Modern Art

Upon first seeing the original &quot;Starry Night&quot; on the fifth floor of MoMA, Van Gogh&#39;s swirling eddies were more turbulent than I had imagined; I could almost hear the paint roaring across the canvas. Passing through the installation art area, I was engulfed by Yayoi Kusama&#39;s Infinity Mirror Room&mdash;millions of my own reflections floated and sank in points of light, instantly disorienting me. In the contemporary art gallery, Duchamp&#39;s urinal remained playfully placed, next to which lay apple cores left by visitors. Most movingly, in the rest area, I saw an elderly man with white hair copying Mondrian; his trembling brushstrokes held the lingering warmth of the 20th century.

Time:	2024年10月10日–2025年7月27日 (UTC-5) ENDED
Location:	The Museum of Modern Art

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