To mark the 2024 centenary of its life as a public institution, the Morgan Library & Museum presents a major exhibition devoted to the life and career of its inaugural director, Belle da Costa Greene (1879–1950). Widely recognized as an authority on illuminated manuscripts and deeply respected as a cultural heritage executive, Greene was one of the most prominent librarians in American history.
She was the daughter of Genevieve Ida Fleet Greener (1849–1941) and Richard T. Greener (1844–1922), the first Black graduate of Harvard College, and was at birth known by a different name: Belle Marion Greener. After her parents separated in the 1890s, her mother changed the family surname to Greene, Belle and her brother adopted variations of the middle name da Costa, and the family began to pass as white in a racist and segregated America.

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The Morgan Library & Museum

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When I heard that this treasure-rich classical museum in Midtown New York has a museum with a rich collection of books, I immediately added it to my check-in list. After visiting it, it immediately upgraded to the top 3 museums in New York. Both the appearance of the museum and the exhibits inside give people a sense of surprise.

Such a spectacular museum is the private collection of the famous J.P. Morgan. According to the introduction in the museum, the Metropolitan Museum of Art also has many of his donated collections. When I saw the library with a large scale of books, I instantly realized the true meaning of the old saying that books have their own golden house. The museum itself is also very architectural. It was designed by the famous Italian architect Renzo Piano. The library and the architecture of the museum itself are cleverly integrated together. The classical library is full of books when you look up, coupled with the dark red printed walls and velvet curtains, full of literary and artistic temperament. I think reading here is also a different kind of enjoyment.

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As I ascended the Empire State Building observation deck, the lights of Manhattan gradually illuminated the twilight, like a galaxy inverted on the earth. The cold wind jingled the love locks on the railings, and the streaks of light from the yellow taxis below reminded me of the time-traveling encounter in &quot;Sleepless in Seattle.&quot; On the 86th floor, in a corner, I spotted an elderly couple, their wrinkled wool scarves billowing like gentle sails in the night breeze, quietly embracing through binoculars. As neon signs flashed in the distance, I suddenly understood why this city forever attracts dreamers&mdash;not because of its height, but because behind every window lies an untamed yearning.

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Getting lost at the Metropolitan Museum of Art is a kind of bliss&mdash;turning past Roman columns, you suddenly stumble upon the Temple of Dendur, the Nile&#39;s mist seemingly still condensed on the sandstone. Lingering for a long time before &quot;Riverside Scene&quot; in the Chinese gallery, one can almost hear the pine trees whispering in Fan Kuan&#39;s ink-wash landscape. Most wondrously, in the European armor gallery, a knight&#39;s visor still bears the marks of 1547, while a Giacometti sculpture in the adjacent modern gallery speaks to it with a similarly rugged posture. Sitting in the tiered lobby at closing time, listening to an impromptu piano performance, twilight streaming through the glass dome onto Rodin&#39;s &quot;The Gates of Hell,&quot; you suddenly feel that the entire museum is like an ark carrying human civilization, with each exhibit an anchor point for its journey.

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Upon first seeing the original &quot;Starry Night&quot; on the fifth floor of MoMA, Van Gogh&#39;s swirling eddies were more turbulent than I had imagined; I could almost hear the paint roaring across the canvas. Passing through the installation art area, I was engulfed by Yayoi Kusama&#39;s Infinity Mirror Room&mdash;millions of my own reflections floated and sank in points of light, instantly disorienting me. In the contemporary art gallery, Duchamp&#39;s urinal remained playfully placed, next to which lay apple cores left by visitors. Most movingly, in the rest area, I saw an elderly man with white hair copying Mondrian; his trembling brushstrokes held the lingering warmth of the 20th century.

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Jogging along the long paths of Central Park, every step feels like stepping to the city&#39;s rhythm. A boy plays guitar by the Bethesda Fountain, the melody of &quot;Imagine&quot; flowing from the strings, blending wonderfully with the clatter of horse-drawn carriages. In front of the star-shaped mosaic at Strawberry Fields, someone always leaves behind a dew-kissed rose, the air filled with the scent of onion hot dogs and fresh grass. My favorite spot is the skating rink near Bow Bridge, watching beginners tumble and fall like snowballs, while the skyline silhouettes silently behind the treetops&mdash;in this steel jungle, there lies a heart-warming oasis.

Time:	2024年10月25日–2025年5月4日 (UTC-5) ENDED
Location:	The Morgan Library & Museum

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