Featured Events in Tokyo in January 2025 (April Updated)

Tokyo Metropolitan Government has created a new tourist resource for nighttime viewing by using the exterior wall of the Tokyo Metropolitan Government Building No. 1 as a screen to express a variety of art with light and sound, and to perform projection mapping all year round in order to activate and revitalize nighttime tourism. This time, as the 45th anniversary is approaching next year, the Tokyo Metropolitan Government will begin showing works using the world-famous "Pac-Man". The game board appears on the outer wall of the Tokyo Metropolitan Government Building, and Pac-Man, who is making a futuristic scene, eats up everything vividly. The music of the game of Pac-Man, which has a futuristic feel, and the music of the highly friendly soundtrack maker Mr. Haraguchi Sasuke have produced. Please enjoy the collaborative work of Pac-Man and Tokyo that can only be seen in the Tokyo Metropolitan Government Building.

The newly launched "Ginza Sony Park" has officially opened on January 26, 2025 (Sunday), and the first wave of planning activities "Sony Park Exhibition 2025" will be held simultaneously. With the theme of Sony's six major fields of music, semiconductors, finance, games, entertainment technology and movies, six groups of artists including YOASOBI, Sheep Literature, Vaundy, BABYMONSTER, Creepy Nuts, and Kensuke Ushio will be invited to participate in the creation, using art and high technology to create amazing experiences. Exhibiting works, the event will be divided into two stages, with three groups of works on display in each stage.

Jisoo 將舉辦亞洲粉絲見面會《FAN EDITION : JISOO ASIA TOUR "LIGHTS, LOVE, ACTION!" IN TAIPEI》預計前往台北、馬尼拉、曼谷、東京、澳門、香港、河內等城市，與各地粉絲近距離交流，預計會於2025上半年展開。 2025年對Jisoo來說將是充滿驚喜的一年，不僅會推出首張個人迷你專輯《Amortage》，還將挑戰全新領域。2月，她的全新活屍喜劇韓劇《流感》將於韓國首播，並將與李敏鎬、安孝燮合作主演的電影《全知讀者視角》有望於2025年上映。 這次的粉絲見面會將是Jisoo全方位發展的重要標誌，並象徵著她個人活動的新篇章。此次Jisoo東京見面會的舉辦日期、地點、公開發售等詳情有待主辦單位公布，Trip.com 將即時更新最新消息，請密切留意！

Tokyo Metropolitan Government has created a new tourist resource for nighttime viewing by using the exterior wall of the Tokyo Metropolitan Government Building No. 1 as a screen to express a variety of art with light and sound, and to perform projection mapping all year round in order to activate and revitalize nighttime tourism. This time, as the 45th anniversary is approaching next year, the Tokyo Metropolitan Government will begin showing works using the world-famous "Pac-Man". The game board appears on the outer wall of the Tokyo Metropolitan Government Building, and Pac-Man, who is making a futuristic scene, eats up everything vividly. The music of the game of Pac-Man, which has a futuristic feel, and the music of the highly friendly soundtrack maker Mr. Haraguchi Sasuke have produced. Please enjoy the collaborative work of Pac-Man and Tokyo that can only be seen in the Tokyo Metropolitan Government Building.

The newly launched "Ginza Sony Park" has officially opened on January 26, 2025 (Sunday), and the first wave of planning activities "Sony Park Exhibition 2025" will be held simultaneously. With the theme of Sony's six major fields of music, semiconductors, finance, games, entertainment technology and movies, six groups of artists including YOASOBI, Sheep Literature, Vaundy, BABYMONSTER, Creepy Nuts, and Kensuke Ushio will be invited to participate in the creation, using art and high technology to create amazing experiences. Exhibiting works, the event will be divided into two stages, with three groups of works on display in each stage.

Tokyo Metropolitan Government has created a new tourist resource for nighttime viewing by using the exterior wall of the Tokyo Metropolitan Government Building No. 1 as a screen to express a variety of art with light and sound, and to perform projection mapping all year round in order to activate and revitalize nighttime tourism. This time, as the 45th anniversary is approaching next year, the Tokyo Metropolitan Government will begin showing works using the world-famous "Pac-Man". The game board appears on the outer wall of the Tokyo Metropolitan Government Building, and Pac-Man, who is making a futuristic scene, eats up everything vividly. The music of the game of Pac-Man, which has a futuristic feel, and the music of the highly friendly soundtrack maker Mr. Haraguchi Sasuke have produced. Please enjoy the collaborative work of Pac-Man and Tokyo that can only be seen in the Tokyo Metropolitan Government Building.

The newly launched "Ginza Sony Park" has officially opened on January 26, 2025 (Sunday), and the first wave of planning activities "Sony Park Exhibition 2025" will be held simultaneously. With the theme of Sony's six major fields of music, semiconductors, finance, games, entertainment technology and movies, six groups of artists including YOASOBI, Sheep Literature, Vaundy, BABYMONSTER, Creepy Nuts, and Kensuke Ushio will be invited to participate in the creation, using art and high technology to create amazing experiences. Exhibiting works, the event will be divided into two stages, with three groups of works on display in each stage.

The newly launched "Ginza Sony Park" has officially opened on January 26, 2025 (Sunday), and the first wave of planning activities "Sony Park Exhibition 2025" will be held simultaneously. With the theme of Sony's six major fields of music, semiconductors, finance, games, entertainment technology and movies, six groups of artists including YOASOBI, Sheep Literature, Vaundy, BABYMONSTER, Creepy Nuts, and Kensuke Ushio will be invited to participate in the creation, using art and high technology to create amazing experiences. Exhibiting works, the event will be divided into two stages, with three groups of works on display in each stage.

Tokyo Metropolitan Government has created a new tourist resource for nighttime viewing by using the exterior wall of the Tokyo Metropolitan Government Building No. 1 as a screen to express a variety of art with light and sound, and to perform projection mapping all year round in order to activate and revitalize nighttime tourism. This time, as the 45th anniversary is approaching next year, the Tokyo Metropolitan Government will begin showing works using the world-famous "Pac-Man". The game board appears on the outer wall of the Tokyo Metropolitan Government Building, and Pac-Man, who is making a futuristic scene, eats up everything vividly. The music of the game of Pac-Man, which has a futuristic feel, and the music of the highly friendly soundtrack maker Mr. Haraguchi Sasuke have produced. Please enjoy the collaborative work of Pac-Man and Tokyo that can only be seen in the Tokyo Metropolitan Government Building.

When you think of pottery, you may imagine vessels used as tools, such as everyday pottery and tea ware. However, in contemporary pottery, there is a perspective that sees the form of the vessel as a three-dimensional form rather than a purpose or function, and there are also objets d'art works that capture elements related to pottery, such as materials, techniques, and traditions, from a unique perspective. The founder of this museum, Kikuchi Satoshi (1923-2016), was fascinated by the diverse productions of individual artists, their unknown thoughts, and aesthetic sense, and he actively collected Japanese ceramic works from the late 20th century onwards. In 1983, he held an exhibition of his own collection, "Japanese Ceramics Today," at the Thomas M. Evans Gallery of the Smithsonian National Museum of Natural History (Washington, USA). The exhibition, which mainly featured works by artists in their 40s and 50s at the time and introduced contemporary Japanese culture amid trade friction between Japan and the United States, was well received, and this experience became an opportunity for Kikuchi to focus on cultural projects.

Are you ready for a great party? Join Kuromi, My Melody and Hapidanbui for an exciting exhibition! Dive into interactive displays, dance to hit music, and enjoy hands-on fun.

When you think of pottery, you may imagine vessels used as tools, such as everyday pottery and tea ware. However, in contemporary pottery, there is a perspective that sees the form of the vessel as a three-dimensional form rather than a purpose or function, and there are also objets d'art works that capture elements related to pottery, such as materials, techniques, and traditions, from a unique perspective. The founder of this museum, Kikuchi Satoshi (1923-2016), was fascinated by the diverse productions of individual artists, their unknown thoughts, and aesthetic sense, and he actively collected Japanese ceramic works from the late 20th century onwards. In 1983, he held an exhibition of his own collection, "Japanese Ceramics Today," at the Thomas M. Evans Gallery of the Smithsonian National Museum of Natural History (Washington, USA). The exhibition, which mainly featured works by artists in their 40s and 50s at the time and introduced contemporary Japanese culture amid trade friction between Japan and the United States, was well received, and this experience became an opportunity for Kikuchi to focus on cultural projects.

When you think of pottery, you may imagine vessels used as tools, such as everyday pottery and tea ware. However, in contemporary pottery, there is a perspective that sees the form of the vessel as a three-dimensional form rather than a purpose or function, and there are also objets d'art works that capture elements related to pottery, such as materials, techniques, and traditions, from a unique perspective. The founder of this museum, Kikuchi Satoshi (1923-2016), was fascinated by the diverse productions of individual artists, their unknown thoughts, and aesthetic sense, and he actively collected Japanese ceramic works from the late 20th century onwards. In 1983, he held an exhibition of his own collection, "Japanese Ceramics Today," at the Thomas M. Evans Gallery of the Smithsonian National Museum of Natural History (Washington, USA). The exhibition, which mainly featured works by artists in their 40s and 50s at the time and introduced contemporary Japanese culture amid trade friction between Japan and the United States, was well received, and this experience became an opportunity for Kikuchi to focus on cultural projects.

When you think of pottery, you may imagine vessels used as tools, such as everyday pottery and tea ware. However, in contemporary pottery, there is a perspective that sees the form of the vessel as a three-dimensional form rather than a purpose or function, and there are also objets d'art works that capture elements related to pottery, such as materials, techniques, and traditions, from a unique perspective. The founder of this museum, Kikuchi Satoshi (1923-2016), was fascinated by the diverse productions of individual artists, their unknown thoughts, and aesthetic sense, and he actively collected Japanese ceramic works from the late 20th century onwards. In 1983, he held an exhibition of his own collection, "Japanese Ceramics Today," at the Thomas M. Evans Gallery of the Smithsonian National Museum of Natural History (Washington, USA). The exhibition, which mainly featured works by artists in their 40s and 50s at the time and introduced contemporary Japanese culture amid trade friction between Japan and the United States, was well received, and this experience became an opportunity for Kikuchi to focus on cultural projects.

Claude Monet (1840-1926), one of the leading painters of the Impressionists, captured the vicissitudes of nature on his canvas with a keen eye that caught a moment of light. In later years, however, his art was transformed into more abstract and internal images. Monet's later years were also a time when he faced many challenges, such as the death of a beloved family member, his own eye disease, and the First World War. In such a situation, the source of his greatest creativity was the water lily pond built in the garden of his residence in Giverny, where the surrounding trees, sky, and light are reflected as one. And the idea of a "large decorative painting" that covers the walls of the room with a huge canvas depicting this subject would occupy Monet's mind until his very end. At the center of this exhibition is a number of large-scale "water lilies" created through this process of trial and error. This time, about 50 works from the Musée Marmottan Monet in Paris will be exhibited for the first time in Japan, including many important works. In addition, works from various collections in Japan will be added to introduce the pinnacle of Monet's late art. It will be a valuable opportunity for the largest "water lilies" ever to gather in Japan.

REJECT FIGHT NIGHT Round5 OFFLINEが2025年1月31日に東京都新宿区で開催されます。この音楽フェスは、新宿住友ビル1階で14:00からスタートし、音楽ファンにとって忘れられない一日を提供します。エネルギッシュなパフォーマンスとともに、特別な一夜を過ごすために、ぜひこの機会をお見逃しなく。チケットは一枚29000円で、早めの購入をお勧めします。音楽と熱狂が交錯するこのイベントで、心に残る体験をお楽しみください。

隨著美容及美容醫學行業的蓬勃發展，引領潮流的2025年國際美容/美容醫學博覽會即將在東京盛大開幕。此次盛會將於2025年1月15日在東京豐臺區的Tokyo Big Sight展覽中心隆重舉行，為來自全球的專業人士提供了一個展示創新技術、交流行業趨勢及拓展商業機會的絕佳平台。作為業界精英，不容錯過這次集結世界級專業知識與經驗的國際交流盛事。詳細的參觀資訊及門票購買方式，請密切關注博覽會官方網站，提前規劃您的參會之旅。踏入美麗的2025，讓我們在東京這個迷人的城市裡，共同探索美容美學的無限可能。

2025年東京國際珠寶展將於2025年1月15日至1月18日在東京的Koto區舉行，地點為著名的Tokyo Big Sight。這一盛大的珠寶展覽會吸引了來自全球的珠寶設計師、製造商和愛好者，展示最新的珠寶設計趨勢和技術創新。參展商將展示各式各樣的珠寶作品，包括鑽石、寶石、珍珠以及其他貴重金屬和材料製成的精美首飾。這次展會不僅是業內人士交流合作的絕佳平台，也是珠寶愛好者探索和購買心儀珠寶的理想場所。2025年東京國際珠寶展旨在促進國際珠寶行業的發展，提升參展品牌的知名度，並為參觀者提供一個欣賞和購買高品質珠寶的獨特機會。無論是尋找最新的珠寶設計靈感，還是希望了解行業最新動態，這次展會都不容錯過。

Yayoi Kusama has constantly faced the critical realities of life and death as pressing issues. Her experience of the Pacific War in a complex family environment, along with her overcoming of suicidal impulses triggered by trauma and neurosis through her creative practices, has influenced her perception of these issues. This exhibition unveils Kusama’s evolving outlook on life and death, alongside the corresponding shifts in her artistic presentation, through a series of diverse works—from her 1940s and 1950s paintings, which bear the imprint of war, to her very latest pieces. After relocating to the United States in 1957, Kusama gained a reputation for her net paintings and sculptures that embody ‘self-obliteration’: the feeling of losing the boundary between the self and the other through the obsessive repetition of motifs originating from her hallucinations. In her anti-war happenings in the late 1960s, she painted dots onto the human body using the same concept of ‘self-obliteration’ while also highlighting the beauty of life and the human body. During the 1970s and 80s, following the loss of her father and her lover, as well as her return to Japan due to health issues, Kusama produced numerous dark-toned collages and three-dimensional works centered on the theme of death, as well as poetry and novels imbued with a sense of mortality. As she continued creating fantastical works exploring death and the afterlife, her works from the late 1980s began to explore themes of transmigration and cyclical returns to eternity through ‘self-obliteration’. Kusama’s works, which increasingly incorporated more colors, reveal how her creative process evolved from a means of coping with death to becoming synonymous with her very existence. In her painting series from 2000 onwards, Kusama has been relentlessly depicting the beauty of life and the joy of living on canvases overflowing with vibrant colors, driven by the ever-looming presence of her own death.

令和7年 大相撲一月場所が、東京都墨田区で開催されます。この伝統的なイベントは、1月13日の朝8時30分から東京都墨田区横網1-3-28で行われ、相撲ファンのみならず、多くの観客を魅了すること間違いなしです。チケットは1枚11500円で、迫力満点の取り組みを間近で観戦できる絶好の機会です。歴史と文化が交錯するこの場所で、令和7年の幕開けを一緒に祝いましょう。興奮と感動が詰まった一日をお見逃しなく。

This is the first large-scale retrospective exhibition held in Japan for French-American artist Louise Bourgeois in 27 years. This exhibition will present Bourgeois's works from different periods, covering paintings, prints, drawings, sculptures, installations, manuscripts and other categories, and comprehensively review and interpret her creative career. The full name of the exhibition, "Louise Bourgeois: I have been to hell and back. And let me tell you, it was wonderful.", is quoted from one of her later works. This sentence implies the fluctuation of emotions and also conveys a sense of black humor. Louise Bourgeois considered herself a survivor who had survived adversity, and her work expressed a strong will to survive. This exhibition will present Bourgeois's paintings from 1938 to 1949 for the first time in Asia. The importance of these early paintings has only recently been recognized, and they show that during this period Bourgeois established the forms and themes that she would continue to create in the following decades. In addition, the exhibition also introduces her iconic "Spider" series, exploring the themes of maternal love, healing and memory conveyed by the large spider sculpture "Maman" located in Roppongi Hills.

ミュージカル『レ・ミゼラブル』全国公演が、2025年1月7日に東京都千代田区丸の内にて開催されます。世界中で愛され続けるこの名作が、壮大なスケールで再び日本の舞台に蘇ります。感動的なストーリーと心に響く音楽が織りなす、忘れられない一夜をお楽しみください。チケットは一枚25,000円で、早めのご購入をお勧めいたします。歴史と情熱が交錯するこの特別な公演を、ぜひお見逃しなく。

明治座新春純烈公演が2025年1月28日に東京都中央区日本橋浜町で開催されます。この特別な音楽フェスティバルは、純烈の魅力溢れるパフォーマンスで新春を華やかに彩ります。歴史ある明治座で行われるこの公演は、音楽ファンにとって見逃せない一日となることでしょう。チケットは1枚10,000円で、早めの購入をお勧めします。心躍る音楽と共に、新しい年の幕開けを一緒に迎えましょう。