Featured Events in Muncie in March 2024 (July Updated)

Get ready to experience Johnny Cash - The Official Concert Experience at Emens Auditorium on March 15, 2024. This iconic event will take place at Ball State University in Muncie, IN, 47306. Fans can expect to hear all the classic hits that made Johnny Cash a legend. From "Ring of Fire" to "Folsom Prison Blues," this concert promises to transport attendees back in time to the golden age of country music. The tickets for Johnny Cash - The Official Concert Experience will go on sale starting September 22, 2023, at 2:00 PM and will be available until March 15, 2024, at 8:30 PM. Don't miss this opportunity to pay homage to one of the greatest musicians of all time. Get your tickets early and secure your spot at this unforgettable tribute to the Man in Black.

John Mellencamp: Live and In Person, a highly anticipated concert, is set to take place at the prestigious Emens Auditorium on March 22, 2024. Located at Ball State University in Muncie, IN, this remarkable event promises to deliver an unforgettable experience to all music enthusiasts. Immerse yourself in the soulful melodies and powerful lyrics of this legendary artist as he graces the stage with his iconic tunes. Prepare to be captivated by timeless classics such as "John Cockers," "Paper in Fire," "Small Town," and "Jack & Diane." Feel the energy surge through the crowd as Mellencamp belts out hits like "Rain on the Scarecrow," "Lonely Ol' Night," and "Crumblin' Down / Gloria." The atmosphere will be electric as the crowd unites in song and celebration when the opening chords of "Pink Houses" fill the air. Don't miss your chance to witness this extraordinary performance. Tickets for John Mellencamp: Live and In Person will go on sale starting from November 3, 2023, at 14:00 and will be available until March 22, 2024, at 21:00. Secure your spot at this remarkable event and embark on a journey through the rich musical tapestry of John Mellencamp's career.

Burke, Kennedy & O'Leary, a sensational concert, will take place at the prestigious Pruis Hall located at Ball State University on March 8, 2024. This unforgettable event will showcase the remarkable talents of Burke, Kennedy & O'Leary, leaving the audience in awe. Pruis Hall, situated at 2000 W. University Ave., Muncie, IN, 47306, will be the epicenter of this mesmerizing performance. From the moment the show commences, attendees will be transported into a world of harmonious melodies and captivating rhythms. With a wide array of songs carefully selected by Burke, Kennedy & O'Leary, this concert promises to be an unparalleled musical experience. Mark your calendars and save the date, as the tickets for Burke, Kennedy & O'Leary will be available for purchase starting from August 25, 2023, at 14:00, all the way until March 8, 2024, at 21:30. Don't miss out on this extraordinary opportunity to witness the extraordinary talent of Burke, Kennedy & O'Leary. Get your tickets early and secure your place at this not-to-be-missed event that will surely leave a lasting impression.

This article, titled "Normalized Alterity: Visualizing Black Spatial Humanities," explores the need for more inclusive and just visual representations of Black spatial collectivity. It recognizes the potential of digital mapping and narrative cartography in providing radical and democratized visualizations. However, it also acknowledges the historical and contemporary anti-Blackness in mapping, which requires caution. While critical cartographic approaches to eschew normativity are important, there is a risk of diminishing and distorting historically Black communities. Therefore, this article raises questions about the extent to which visually countering the erasure of Black communities in dominant maps can avoid appropriating the medium. To address this issue, the article presents animations created in collaboration with a professional animator. These animations feature audio clips from oral histories collected in rural Southern communities of the US. They effectively counter historic erasure without reinforcing the hegemony of dominant cartographic productions. This thought-provoking article invites readers to engage with the complexities of visualizing Black spatial humanities and encourages a critical examination of the power dynamics inherent in mapping practices.