Featured Events in Paris in March 2025 (April Updated)

Paris Fashion Week (Semaine de la mode de Paris) is a fashion week held every six months in Paris, France. It is divided into two seasons, spring and summer and autumn and winter, and is hosted by the French Federation of Haute Couture and Fashion (FHCM). Paris Fashion Week is recognized as one of the four major fashion weeks and is the last stop of each season in chronological order (New York → London → Milan → Paris). In addition to the women's ready-to-wear exhibition, it also holds a men's ready-to-wear exhibition and a Haute Couture exhibition. It is also the only one of the four major fashion weeks that has a special "Haute Couture Fashion Week". These three types of fashion exhibitions are held in different weeks.

As a palace of French classical art, the Louvre will open its doors to fashion for the first time and hold its first fashion-themed exhibition in history in 2025, displaying the museum's art treasures alongside classic fashion works and works by young designers. The exhibition will display 65 classic fashions, 30 high-end accessories and dozens of works by contemporary young designers in a space of 9,000 square meters, engaging in dialogue with the art from the Byzantine to the Second French Empire period treasured by the Louvre. Hundreds of fashion works resonate with the historical style and cultural connotation of decorative art in an academic, moving and poetic way, illustrating the real close connection between fashion and decoration. Important exhibits include fashion designed by Karl Lagerfeld for Chanel and masterpieces by well-known fashion brands such as Yohji Yamamoto. At the same time, a special tribute is paid to Parisian fashion pioneer Ms. Marie-Louise Carven.

L'Atelier des Lumières takes us into the rich and iconic world of Pablo Picasso, the essential artist of the 20th century. From February 14 to June 29, 2025, don't miss the exhibition Picasso, Art in Motion. Considered one of the fathers of modern art, he revolutionized the art world of the 20th century. Loved and hated alike, Pablo Picasso and his works leave no one indifferent. L'Atelier des Lumières is devoting a major exhibition to the Spanish painter and sculptor, from February 14 to June 29, 2025.Breaking all the codes and stylistic rules of the time, Picasso wanted to reinvent his way of seeing reality, representing it and magnifying it. Particularly renowned for his work on cubism, the artist left an indelible mark on the art world. The Picasso, Art in Motion exhibition plunges us into the many works of this painter, who was also a sculptor, engraver, ceramist and theater designer...

As a palace of French classical art, the Louvre will open its doors to fashion for the first time and hold its first fashion-themed exhibition in history in 2025, displaying the museum's art treasures alongside classic fashion works and works by young designers. The exhibition will display 65 classic fashions, 30 high-end accessories and dozens of works by contemporary young designers in a space of 9,000 square meters, engaging in dialogue with the art from the Byzantine to the Second French Empire period treasured by the Louvre. Hundreds of fashion works resonate with the historical style and cultural connotation of decorative art in an academic, moving and poetic way, illustrating the real close connection between fashion and decoration. Important exhibits include fashion designed by Karl Lagerfeld for Chanel and masterpieces by well-known fashion brands such as Yohji Yamamoto. At the same time, a special tribute is paid to Parisian fashion pioneer Ms. Marie-Louise Carven.

For the first time, the Musée du Louvre is dedicating an exhibition to Cimabue, one of the most important artists of the 13th century. The exhibition is the product of two ‘Cimabue-centric’ events of great importance for the museum: the restoration of the Maestà and the acquisition of a heretofore-unseen Cimabue panel, rediscovered in France in 2019 and listed as a French National Treasure: Christ Mocked. In order to guarantee a more enjoyable visitor experience, group visits to the ‘A New Look at Cimabue’ exhibition are not permitted. To prevent overcrowding, only individual visitors who have booked a ticket with a specific time slot for the exhibition are guaranteed entry.

From January 17 to June 30, 2025, the Galerie du Patrimoine, located in the boutique at 20, place Vendôme, in Paris, is hosting the exhibition “Nuances de Bleu par Van Cleef & Arpels”. A selection bringing together nearly 60 jewelry and watch creations from the Heritage Collection and nine original archives, offers an immersion into the heart of the blue palette deployed by the House since its founding in 1906.

This exhibition reviews the prosperity and integration of natural science and natural painting under the rule of Holy Roman Emperor Rudolf II (1552-1612). Rudolf II was an avid lover of art and science. Under his encouragement, a large number of European scientists and artists gathered at the Prague court to jointly promote the development of new research and new ideas. The first part of the exhibition presents the intersection of science and art. At the court of Rudolf II, scientists carried ancient knowledge and used new methods of observation, experimentation, research and measurement to explore nature; at the same time, artists used scientific observation perspectives and depiction techniques to use their brushes to establish artistic archives for the animals and plants around them. The second part focuses on how natural research stimulated the innovation of Prague's artistic creation, and how artists developed new techniques, perspectives and ideas under the joint action of plein-airism and scientific research.

From January 17 to June 30, 2025, the Galerie du Patrimoine, located in the boutique at 20, place Vendôme, in Paris, is hosting the exhibition “Nuances de Bleu par Van Cleef & Arpels”. A selection bringing together nearly 60 jewelry and watch creations from the Heritage Collection and nine original archives, offers an immersion into the heart of the blue palette deployed by the House since its founding in 1906.

From January 17 to June 30, 2025, the Galerie du Patrimoine, located in the boutique at 20, place Vendôme, in Paris, is hosting the exhibition “Nuances de Bleu par Van Cleef & Arpels”. A selection bringing together nearly 60 jewelry and watch creations from the Heritage Collection and nine original archives, offers an immersion into the heart of the blue palette deployed by the House since its founding in 1906.

From the creation of the journal Présence Africaine to Revue Noire, "Paris Noir" traces the presence and influence of Black artists in France from the 1940s to the 2000s. The exhibition highlights 150 African and Afro-descendant artists, from Africa to the Americas, whose works have often never been shown in France. All contributed to a cosmopolitan Paris—a place of resistance and creativity—that fostered a wide variety of practices, from identity awareness to the search for transcultural artistic languages. Their impact is particularly significant in the redefinition of modernities and postmodernities.The exhibition explores half a century of struggles for emancipation, from African independence movements to the fall of apartheid, including battles against racism in France.

The Louvre’s Department of Near Eastern Antiquities is hosting ten major works from New York’s Metropolitan Museum of Art, whose Department of Ancient Near Eastern Art is currently closed for renovation. The Louvre and The Met have created a unique dialogue between these two collections, which is displayed in the Louvre’s permanent galleries. These ‘special guest’ artworks from The Met, dating from between the late 4th millennium BC and the 5th century AD, show some remarkable connections with the Louvre’s collection. In some cases, a pair of objects has been reunited for the first time, while in others, pieces complement each other by virtue of specific historical features of their respective collections. Representing Central Asia, Syria, Iran and Mesopotamia, this dialogue between collections is (re)introducing visitors to these extraordinary, age-old works of art and the stories they tell.

When the mirror ball reflects thousands of stars, the Philharmonie de Paris is brewing a cross-century cultural carnival! This art palace famous for classical music is going to put on a gorgeous battle robe for disco music. Starting from Valentine's Day 2025, the six-month-long "Disco, I'm coming out" special exhibition will take you stepping on colorful notes and return to the golden age of freedom and rebellion. Here, every pair of dancing shoes hides a story, and every melody is a declaration of cultural revolution.

Marian Goodman Gallery presents Jongsuk Yoon's first exhibition in France. The presentation highlights her colorful pictorial work, with ten new oils on canvas and four gouaches on paper. Somewhere between abstraction and figuration, Yoon's 'landscapes of the mind' lie at the crossroads of Western Abstract Expressionism and the Asian pictorial tradition, and the title of the exhibition, Far East, subtly underlines the artist's deep connection with her native country, which she left thirty years ago.

The Jacquemart-Andre Museum hosts a retrospective of the works of Italian female painter Artemisia Gentileschi (1593-c. 1656), looking back on her fearless life and creative career and exploring her position in the history of 17th century painting.

The Jacquemart-Andre Museum hosts a retrospective of the works of Italian female painter Artemisia Gentileschi (1593-c. 1656), looking back on her fearless life and creative career and exploring her position in the history of 17th century painting.

Before its five-year hiatus, the Centre Pompidou presents Paris Noir, an exhibition focusing on African artists active in Paris between the 1940s and 2000. African artists have received much attention in recent years, and they have practiced and explored various fields from international abstractionism to African and Atlantic abstractionism, from surrealism to free painting, in order to seek identity recognition. However, many of their works have never been exhibited in France before. The exhibition includes works by 150 artists from the United States and Africa. Five contemporary African artists have specially created five art installations for the exhibition, interpreting the memories of African artists in Paris from a contemporary perspective.

Before its five-year hiatus, the Centre Pompidou presents Paris Noir, an exhibition focusing on African artists active in Paris between the 1940s and 2000. African artists have received much attention in recent years, and they have practiced and explored various fields from international abstractionism to African and Atlantic abstractionism, from surrealism to free painting, in order to seek identity recognition. However, many of their works have never been exhibited in France before. The exhibition includes works by 150 artists from the United States and Africa. Five contemporary African artists have specially created five art installations for the exhibition, interpreting the memories of African artists in Paris from a contemporary perspective.

Guillaume Bottazzi a réalisé un tableau fruité en face du parc Montsouris. Il est visible de l’extérieur, au 34-36 avenue Reille, à Paris dans le 14ème arrondissement. Ce tableau apporte l’art ou on ne l’attend pas forcément et accompagne le quotidien des habitants.Cette huile sur toile de lin mesure 0,90m de haut par 1,80m de large. Elle a été conçue pour habiller l’entrée d’un bâtiment et dialogue avec les éléments qui l’entourent. L’artiste a déjà créé plus de 65 œuvres dans des espaces publics, comme un polyptique de 100m² à Paris La Défense, à Hong-Kong ou au Japon où il est l'auteur de la plus grande peinture du Pays, commandée par le Musée International d'Art Miyanomori. Ses œuvres font partie de collections muséales, notamment en Asie et aux Etats-Unis. Site internet de Guillaume Bottazzi : https://www.guillaume.bottazzi.org

Guillaume Bottazzi a réalisé un tableau fruité en face du parc Montsouris. Il est visible de l’extérieur, au 34-36 avenue Reille, à Paris dans le 14ème arrondissement. Ce tableau apporte l’art ou on ne l’attend pas forcément et accompagne le quotidien des habitants.Cette huile sur toile de lin mesure 0,90m de haut par 1,80m de large. Elle a été conçue pour habiller l’entrée d’un bâtiment et dialogue avec les éléments qui l’entourent. L’artiste a déjà créé plus de 65 œuvres dans des espaces publics, comme un polyptique de 100m² à Paris La Défense, à Hong-Kong ou au Japon où il est l'auteur de la plus grande peinture du Pays, commandée par le Musée International d'Art Miyanomori. Ses œuvres font partie de collections muséales, notamment en Asie et aux Etats-Unis. Site internet de Guillaume Bottazzi : https://www.guillaume.bottazzi.org

En 2024, pour la 8e édition des prix AWARE, deux prix seront attribués : le prix Nouveau Regard, récompensant une artiste en milieu decarrière et le prix d’honneur, attribué à une artiste justifiant de plus de 40 ans decarrière. À nouveau cette année, quatre rapporteur·euse·s – professionnel·le·sengagé·e·s du monde de la culture – présélectionneront chacun·e un duo d’artistes, nommées respectivement au prix Nouveau Regard et au prix d’honneur, et présenteront et défendront leur travail devant un jury composé de sept figures majeures du monde de la culture. Les quatre rapporteur·euse·spour l’édition 2024 sont Simona Dvorák, Antoine Idier, Noelia Portela et Olivier Zeitoun. Simona Dvorák Simona Dvorák est curatrice et historienne de l’art basée à Paris. Elle s’intéresseà des pratiques performatives, sonores, radiophoniques et vidéo, en mettanten valeur un travail collectif à long terme. En tant que curatrice au sein de l’Initiative for Practices and Visions of Radical Care, elle étudie la manière dont nous pouvons créer des espaces communs et solidaires dans la sphère culturelle. Son travail souligne l’importance des « processus d’exposition » qui anticipent les futurs possibles : antisexistes, antiracistes, inclusifs. Plus récemment, elle a été boursière du programme Art et éducation à la documenta fifteen à Kasselet a collaboré sur la conception du programme public Walking with Water, imaginé en relation avec le pavillon serbe de la 59e Biennale de Venise. Elle a été également chargée de programmation au Centre Pompidou à Paris ouelle a notamment travaillé sur le programme Cultures d’avenir. Actuellement, Dvorák est curatrice invitée, avec Tadeo Kohan, pour le programme « actes delangage » à la Maison populaire de Montreuil. Parallèlement, elle développe un projet de recherche sur la politique des archives au Rockbund Art Museum, Shanghai, en collaboration avec Merv Espina. Antoine Idier Antoine Idier est maître de conférences en science politique à Sciences Po Saint-Germain-en-Laye, où il coordonne les enseignements « Art & culture » et dirige le Master Politiques de création. Il a publié de nombreux ouvrages, dont Les Vies de GuyHocquenghem. Politique, sexualité, culture(Fayard, 2017), Archives des mouvements LGBT+ (Textuel, 2018), Pureté etimpureté de l’art. Michel Journiac et le Sida (Sombres torrents, 2020) ou encore Résistances Queer. Une histoire des cultures LGBTQI+(avec Pochep, Delcourt/La Découverte, 2023). Il a édité des écrits de Guy Hocquenghem (Un journal de rêve, Verticales, 2017) et de yann beauvais (Agir le cinéma, Presses du réel, 2021). En 2022-2023, il a été commissaire de l’exposition Dans les marges. Trente ans du fonds Michel Chomarat à la bibliothèque de Lyon. Pour un projet en cours d’écriture, il a également reçu une bourse de recherche de la fondation Robert Rauschenberg. Noelia Portela Noelia Portela est commissaire d’exposition indépendante et coordinatrice de projets culturels basée à Paris. Noelia Portela est diplômée de l’école d’Architecture et de Design de l’université Victoria de Wellington en Nouvelle-Zélande. En 2017, elle fonde Persona Curada, un projet curatorial itinérant et expérimental à but non lucratif qui vise à promouvoir l’art contemporain latino-américain, mis en perspective avec la scène artistique française. Avec Persona Curada, elle organise des expositions, des projections, des performances et des débats en collaboration avec des institutions et des espaces d’art contemporain. Ses textes ont été publiés dans des revues comme Artishock Magazine (Chile), Relieve Contemporaneo (Argentina) et Obra Latinoamericana (Suisse). Olivier Zeitoun Olivier Zeitoun est attaché de conservation au département Design et Prospective industrielle du Musée National d’Art Moderne, Centre Pompidou, à Paris. Diplômé en philosophie, histoire de l’art et en sciences sociales, il est l’auteur de nombreux articles et essais sur les enjeux liés aux champs du numérique et du vivant, dans l’art et le design. Il a été co-commissaire des expositions « La Fabrique du Vivant » (Centre Pompidou, 2019), « Réseaux-Mondes » (Centre Pompidou, 2022), « Mimésis, un design vivant » (Centre Pompidou-Metz, 2022), avec Marie-Ange Brayer, et a co-dirigé les catalogues les accompagnant. Il poursuit ses activités de commissariat, d’enseignement, de recherche et de publications en tant que commissaire et critique indépendant. Il ouvrira prochainement au Huidenclub, à Rotterdam, avec Léo Orta, l’exposition « Design Sediments ».

En 2024, pour la 8e édition des prix AWARE, deux prix seront attribués : le prix Nouveau Regard, récompensant une artiste en milieu decarrière et le prix d’honneur, attribué à une artiste justifiant de plus de 40 ans decarrière. À nouveau cette année, quatre rapporteur·euse·s – professionnel·le·sengagé·e·s du monde de la culture – présélectionneront chacun·e un duo d’artistes, nommées respectivement au prix Nouveau Regard et au prix d’honneur, et présenteront et défendront leur travail devant un jury composé de sept figures majeures du monde de la culture. Les quatre rapporteur·euse·spour l’édition 2024 sont Simona Dvorák, Antoine Idier, Noelia Portela et Olivier Zeitoun. Simona Dvorák Simona Dvorák est curatrice et historienne de l’art basée à Paris. Elle s’intéresseà des pratiques performatives, sonores, radiophoniques et vidéo, en mettanten valeur un travail collectif à long terme. En tant que curatrice au sein de l’Initiative for Practices and Visions of Radical Care, elle étudie la manière dont nous pouvons créer des espaces communs et solidaires dans la sphère culturelle. Son travail souligne l’importance des « processus d’exposition » qui anticipent les futurs possibles : antisexistes, antiracistes, inclusifs. Plus récemment, elle a été boursière du programme Art et éducation à la documenta fifteen à Kasselet a collaboré sur la conception du programme public Walking with Water, imaginé en relation avec le pavillon serbe de la 59e Biennale de Venise. Elle a été également chargée de programmation au Centre Pompidou à Paris ouelle a notamment travaillé sur le programme Cultures d’avenir. Actuellement, Dvorák est curatrice invitée, avec Tadeo Kohan, pour le programme « actes delangage » à la Maison populaire de Montreuil. Parallèlement, elle développe un projet de recherche sur la politique des archives au Rockbund Art Museum, Shanghai, en collaboration avec Merv Espina. Antoine Idier Antoine Idier est maître de conférences en science politique à Sciences Po Saint-Germain-en-Laye, où il coordonne les enseignements « Art & culture » et dirige le Master Politiques de création. Il a publié de nombreux ouvrages, dont Les Vies de GuyHocquenghem. Politique, sexualité, culture(Fayard, 2017), Archives des mouvements LGBT+ (Textuel, 2018), Pureté etimpureté de l’art. Michel Journiac et le Sida (Sombres torrents, 2020) ou encore Résistances Queer. Une histoire des cultures LGBTQI+(avec Pochep, Delcourt/La Découverte, 2023). Il a édité des écrits de Guy Hocquenghem (Un journal de rêve, Verticales, 2017) et de yann beauvais (Agir le cinéma, Presses du réel, 2021). En 2022-2023, il a été commissaire de l’exposition Dans les marges. Trente ans du fonds Michel Chomarat à la bibliothèque de Lyon. Pour un projet en cours d’écriture, il a également reçu une bourse de recherche de la fondation Robert Rauschenberg. Noelia Portela Noelia Portela est commissaire d’exposition indépendante et coordinatrice de projets culturels basée à Paris. Noelia Portela est diplômée de l’école d’Architecture et de Design de l’université Victoria de Wellington en Nouvelle-Zélande. En 2017, elle fonde Persona Curada, un projet curatorial itinérant et expérimental à but non lucratif qui vise à promouvoir l’art contemporain latino-américain, mis en perspective avec la scène artistique française. Avec Persona Curada, elle organise des expositions, des projections, des performances et des débats en collaboration avec des institutions et des espaces d’art contemporain. Ses textes ont été publiés dans des revues comme Artishock Magazine (Chile), Relieve Contemporaneo (Argentina) et Obra Latinoamericana (Suisse). Olivier Zeitoun Olivier Zeitoun est attaché de conservation au département Design et Prospective industrielle du Musée National d’Art Moderne, Centre Pompidou, à Paris. Diplômé en philosophie, histoire de l’art et en sciences sociales, il est l’auteur de nombreux articles et essais sur les enjeux liés aux champs du numérique et du vivant, dans l’art et le design. Il a été co-commissaire des expositions « La Fabrique du Vivant » (Centre Pompidou, 2019), « Réseaux-Mondes » (Centre Pompidou, 2022), « Mimésis, un design vivant » (Centre Pompidou-Metz, 2022), avec Marie-Ange Brayer, et a co-dirigé les catalogues les accompagnant. Il poursuit ses activités de commissariat, d’enseignement, de recherche et de publications en tant que commissaire et critique indépendant. Il ouvrira prochainement au Huidenclub, à Rotterdam, avec Léo Orta, l’exposition « Design Sediments ».

The Louvre’s Department of Near Eastern Antiquities is hosting ten major works from New York’s Metropolitan Museum of Art, whose Department of Ancient Near Eastern Art is currently closed for renovation. The Louvre and The Met have created a unique dialogue between these two collections, which is displayed in the Louvre’s permanent galleries. These ‘special guest’ artworks from The Met, dating from between the late 4th millennium BC and the 5th century AD, show some remarkable connections with the Louvre’s collection. In some cases, a pair of objects has been reunited for the first time, while in others, pieces complement each other by virtue of specific historical features of their respective collections. Representing Central Asia, Syria, Iran and Mesopotamia, this dialogue between collections is (re)introducing visitors to these extraordinary, age-old works of art and the stories they tell.

The Musée national Picasso-Paris collection is the fruit of an extraordinary history, made possible by the dation procedure - today it is the largest public collection of works by Picasso, the "Picassos of Picasso". Coming from the artist's studios, this collection gives us a better grasp of the aesthetic explorations of a Picasso who was by turns disconcerting, plural, contradictory, reflexive, gestural and conceptual, an aesthete and a committed activist, a tinkerer and a poet. Is he symbolist, cubist, classical, surrealist or simply figurative and political?

The Musée national Picasso-Paris collection is the fruit of an extraordinary history, made possible by the dation procedure - today it is the largest public collection of works by Picasso, the "Picassos of Picasso". Coming from the artist's studios, this collection gives us a better grasp of the aesthetic explorations of a Picasso who was by turns disconcerting, plural, contradictory, reflexive, gestural and conceptual, an aesthete and a committed activist, a tinkerer and a poet. Is he symbolist, cubist, classical, surrealist or simply figurative and political?

The Musée national Picasso-Paris collection is the fruit of an extraordinary history, made possible by the dation procedure - today it is the largest public collection of works by Picasso, the "Picassos of Picasso". Coming from the artist's studios, this collection gives us a better grasp of the aesthetic explorations of a Picasso who was by turns disconcerting, plural, contradictory, reflexive, gestural and conceptual, an aesthete and a committed activist, a tinkerer and a poet. Is he symbolist, cubist, classical, surrealist or simply figurative and political?

From September 20, 2024 through May 4, 2025, the Musée Yves Saint Laurent Paris presents The Flowers of Yves Saint Laurent.Designed by curators Olivier Saillard and Gaël Mamine, the exhibition follows an opening exhibition on view at the Musée Yves Saint Laurent Marrakech from March 2, 2024 through January 5, 2025. For the first time, the two museums have joined forces to mount a joint exhibition devoted to a major theme in the designer's work.

From September 20, 2024 through May 4, 2025, the Musée Yves Saint Laurent Paris presents The Flowers of Yves Saint Laurent.Designed by curators Olivier Saillard and Gaël Mamine, the exhibition follows an opening exhibition on view at the Musée Yves Saint Laurent Marrakech from March 2, 2024 through January 5, 2025. For the first time, the two museums have joined forces to mount a joint exhibition devoted to a major theme in the designer's work.