Type
Event Status
Popularity
Start Time
Orchestra of St. Luke’s | New York Public Library for the Performing Arts -Bruno Walter Auditorium
Mar 27, 2025 (UTC-5)ENDED
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Orchestra of St. Luke’s comes to perform for free at the Library for the Performing Arts, as part of their series of concerts in each of the five New York City boroughs. For this program, St. Luke's Chamber Ensemble performs music by Chen Yi, a celebrated Chinese-American composer whose work connects cultures and tells stories that resonate around the world. Born in China and thriving as an artist in the United States, Chen Yi combines the melodies of her heritage with a global perspective, creating music that is fresh, vibrant, and deeply moving. This concert features her dynamic compositions alongside the music that has influenced her journey, showcasing a joyful celebration of culture and sound. The selected pieces include Chen Yi's Sprout, Sound of the Five, and Zhou Long's Chinese Folk Songs. SEATING POLICY | Programs are free and open to all, but registration is requested. Check-in line forms 45 minutes before the advertised start time. Registered guests are given priority check-in 15 to 30 minutes before start time. Five minutes before the advertised start time, all seats are released, regardless of registration, to our patrons in the stand-by line. If you arrive after the program starts, you will be seated at the discretion of our front-of-house staff. STANDBY LINE | If registration is sold out or has ended, do not fret! We welcome you to come to the Library regardless of registration status and wait in our standby line, which forms 45 minutes before the advertised start time. Five minutes before the program starts, all remaining seats are released. While this is not guaranteed, we will do our best to get you into any of our programs. ASSISTIVE LISTENING AND ASL | ASL interpretation and real-time (CART) captioning available upon request. Please submit your request at least two weeks in advance by emailing accessibility@nypl.org. BRUNO WALTER POLICY | Please note that any unoccupied seat will be released five minutes before the show begins and holding seats for anyone beyond that is prohibited. There is no food or drink allowed inside the venue. AUDIO/VIDEO RECORDING | Programs may be photographed and recorded by and at the discretion of the Library for the Performing Arts and will post signs indicating as such. If you would prefer your image not be captured, please let us know and we can seat you accordingly. Attending any program indicates your consent to being filmed/photographed and your consent to the use of your recorded image for any and all purposes of the New York Public Library. PRESS | Please send all press inquiries to Alex Teplitzky at alexteplitzky@nypl.org. Please note that all recording, including professional video recordings, are prohibited without expressed consent from the Library.
Information Source: New York Public Library for the Performing Arts | eventbrite
Juliana Soltis and Emile Blondel Perform Music by American Women Composers | New York Public Library for the Performing Arts -Bruno Walter Auditorium
Mar 6, 2025 (UTC-5)ENDED
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What if one of the greatest stories in American classical music was hiding in plain sight? Featuring long-forgotten treasures drawn from the archives of the Library for the Performing Arts—including works by Mary Howe and Helen Crane—cellist Juliana Soltis explores the lost legacy of some of these American women composers in a special performance with pianist Emile Blondel. Hear music by these women composers, and celebrate Women’s History Month at the Library for the Performing Arts. Photo Credit: Sarah Kane Photography SEATING POLICY | Programs are free and open to all, but registration is requested. Check-in line forms 45 minutes before the advertised start time. Registered guests are given priority check-in 15 to 30 minutes before start time. Five minutes before the advertised start time, all seats are released, regardless of registration, to our patrons in the stand-by line. If you arrive after the program starts, you will be seated at the discretion of our front-of-house staff. STANDBY LINE | If registration is sold out or has ended, do not fret! We welcome you to come to the Library regardless of registration status and wait in our standby line, which forms 45 minutes before the advertised start time. Five minutes before the program starts, all remaining seats are released. While this is not guaranteed, we will do our best to get you into any of our programs. ASSISTIVE LISTENING AND ASL | ASL interpretation and real-time (CART) captioning available upon request. Please submit your request at least two weeks in advance by emailing accessibility@nypl.org. BRUNO WALTER POLICY | Please note that any unoccupied seat will be released five minutes before the show begins and holding seats for anyone beyond that is prohibited. There is no food or drink allowed inside the venue. AUDIO/VIDEO RECORDING | Programs may be photographed and recorded by and at the discretion of the Library for the Performing Arts and will post signs indicating as such. If you would prefer your image not be captured, please let us know and we can seat you accordingly. Attending any program indicates your consent to being filmed/photographed and your consent to the use of your recorded image for any and all purposes of the New York Public Library. PRESS | Please send all press inquiries to Alex Teplitzky at alexteplitzky@nypl.org. Please note that all recording, including professional video recordings, are prohibited without expressed consent from the Library.
Information Source: New York Public Library for the Performing Arts | eventbrite
Silent Clowns: The “Other” Chaplin | New York Public Library for the Performing Arts -Bruno Walter Auditorium
Mar 8, 2025 (UTC-5)ENDED
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The Silent Clowns Film Series is New York’s longest-running regularly scheduled silent film showcase. Our programming reaches the serious film buff by including rarely-screened titles and rare prints, yet it also introduces kids and new audiences to the classics of the silent screen. Screenings feature live piano accompaniment by MoMA’s Ben Model, with an introduction and Q&A by film historians Model and Steve Massa. Although Sydney Chaplin’s solo work has always been over shadowed by that of his younger half-brother, the “other” Chaplin was a talented comic and behind the scenes comedy creator. Oh! What a Nurse! (1926) is a rare example of the late 1920’s features that Syd starred in for Warner Brothers, which showcased his own sizeable talents and mastery of English music hall comedy. A selected short subject opens the bill. SEATING POLICY | Programs are free and open to all, but registration is requested. Check-in line forms 45 minutes before the advertised start time. Registered guests are given priority check-in 15 to 30 minutes before start time. Five minutes before the advertised start time, all seats are released, regardless of registration, to our patrons in the stand-by line. If you arrive after the program starts, you will be seated at the discretion of our front-of-house staff. STANDBY LINE | If registration is sold out or has ended, do not fret! We welcome you to come to the Library regardless of registration status and wait in our standby line, which forms 45 minutes before the advertised start time. Five minutes before the program starts, all remaining seats are released. While this is not guaranteed, we will do our best to get you into any of our programs. ASSISTIVE LISTENING AND ASL | ASL interpretation and real-time (CART) captioning available upon request. Please submit your request at least two weeks in advance by emailing accessibility@nypl.org. BRUNO WALTER POLICY | Please note that any unoccupied seat will be released five minutes before the show begins and holding seats for anyone beyond that is prohibited. There is no food or drink allowed inside the venue. AUDIO/VIDEO RECORDING | Programs may be photographed and recorded by and at the discretion of the Library for the Performing Arts and will post signs indicating as such. If you would prefer your image not be captured, please let us know and we can seat you accordingly. Attending any program indicates your consent to being filmed/photographed and your consent to the use of your recorded image for any and all purposes of the New York Public Library. PRESS | Please send all press inquiries to Alex Teplitzky at alexteplitzky@nypl.org. Please note that all recording, including professional video recordings, are prohibited without expressed consent from the Library.
Information Source: New York Public Library for the Performing Arts | eventbrite
Celebrating 90 Years of 92NY Moving Dance Forward | New York Public Library for the Performing Arts -Bruno Walter Auditorium
Mar 10, 2025 (UTC-5)ENDED
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Since the 1930s, the 92nd Street Y has provided a home for modern dance—a space for experimentation, discussion, demonstration, and community interaction. Martha Graham, Doris Humphrey, Charles Weidman, Hanya Holm, and Anna Sokolow were among the dance center’s founding faculty when it opened in 1935. Katherine Dunham, Pearl Primus, José Limón, Merce Cunningham, Pearl Lang, and many others developed important work here. In 1960, Alvin Ailey debuted his most famous work, Revelations, in Kaufmann Concert Hall—and later credited 92NY with helping launch his own dance company. More than a stage, 92NY helped shape the very contours of modern dance as we know it. In this evening event, a gathering of three generations of choreographers, dancers, and directors reflect on the institution’s enduring influence and their personal connections to it. Joan Finkelstein, Executive Director of the Harkness Foundation for Dance and former Director of Dance at 92NY, will join them in conversation to look back and consider how the spirit of experimentation that began at 92NY continues to shape the art form today. Photo Credit: Amanda del Valle, Ballet Hispánico Dancer. Photo by Joseph Sinnott. SEATING POLICY | Programs are free and open to all, but registration is requested. Check-in line forms 45 minutes before the advertised start time. Registered guests are given priority check-in 15 to 30 minutes before start time. Five minutes before the advertised start time, all seats are released, regardless of registration, to our patrons in the stand-by line. If you arrive after the program starts, you will be seated at the discretion of our front-of-house staff. STANDBY LINE | If registration is sold out or has ended, do not fret! We welcome you to come to the Library regardless of registration status and wait in our standby line, which forms 45 minutes before the advertised start time. Five minutes before the program starts, all remaining seats are released. While this is not guaranteed, we will do our best to get you into any of our programs. ASSISTIVE LISTENING AND ASL | ASL interpretation and real-time (CART) captioning available upon request. Please submit your request at least two weeks in advance by emailing accessibility@nypl.org. BRUNO WALTER POLICY | Please note that any unoccupied seat will be released five minutes before the show begins and holding seats for anyone beyond that is prohibited. There is no food or drink allowed inside the venue. AUDIO/VIDEO RECORDING | Programs may be photographed and recorded by and at the discretion of the Library for the Performing Arts and will post signs indicating as such. If you would prefer your image not be captured, please let us know and we can seat you accordingly. Attending any program indicates your consent to being filmed/photographed and your consent to the use of your recorded image for any and all purposes of the New York Public Library. PRESS | Please send all press inquiries to Alex Teplitzky at alexteplitzky@nypl.org. Please note that all recording, including professional video recordings, are prohibited without expressed consent from the Library.
Information Source: New York Public Library for the Performing Arts | eventbrite
Alastair Macaulay: Suzanne Farrell and Farrellism | New York Public Library for the Performing Arts -Bruno Walter Auditorium
Mar 13, 2025 (UTC-5)ENDED
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Former New York Times dance criticAlastair Macaulay presents a selection of live film footage of the ballerina Suzanne Farrell in George Balanchine’s choreography, showing both her versatility and her unpredictability. He is joined by Robert Greskovic, dance critic of the Wall Street Journal. Photo Credit: Suzanne Farrell in Jewels. Photo by Martha Swope / © The New York Public Library. Jerome Robbins Dance Division. SEATING POLICY | Programs are free and open to all, but registration is requested. Check-in line forms 45 minutes before the advertised start time. Registered guests are given priority check-in 15 to 30 minutes before start time. Five minutes before the advertised start time, all seats are released, regardless of registration, to our patrons in the stand-by line. If you arrive after the program starts, you will be seated at the discretion of our front-of-house staff. STANDBY LINE | If registration is sold out or has ended, do not fret! We welcome you to come to the Library regardless of registration status and wait in our standby line, which forms 45 minutes before the advertised start time. Five minutes before the program starts, all remaining seats are released. While this is not guaranteed, we will do our best to get you into any of our programs. ASSISTIVE LISTENING AND ASL | ASL interpretation and real-time (CART) captioning available upon request. Please submit your request at least two weeks in advance by emailing accessibility@nypl.org. BRUNO WALTER POLICY | Please note that any unoccupied seat will be released five minutes before the show begins and holding seats for anyone beyond that is prohibited. There is no food or drink allowed inside the venue. AUDIO/VIDEO RECORDING | Programs may be photographed and recorded by and at the discretion of the Library for the Performing Arts and will post signs indicating as such. If you would prefer your image not be captured, please let us know and we can seat you accordingly. Attending any program indicates your consent to being filmed/photographed and your consent to the use of your recorded image for any and all purposes of the New York Public Library. PRESS | Please send all press inquiries to Alex Teplitzky at alexteplitzky@nypl.org. Please note that all recording, including professional video recordings, are prohibited without expressed consent from the Library.
Information Source: New York Public Library for the Performing Arts | eventbrite
Jennifer Ashley Tepper: Women Writing Musicals | New York Public Library for the Performing Arts -Bruno Walter Auditorium
Mar 31, 2025 (UTC-5)ENDED
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In honor of Women’s History Month, author and theater historian Jennifer Ashley Tepper will celebrate her newly released book with a presentation and performance. Women Writing Musicals: The Legacy that the History Books Left Out is the first-ever book about female musical theater writers. In this program, Tepper will give an inside look at some of the more than 300 inspiring women featured, including several writers whose work appears in New York Public Library collections. Expect behind-the-scenes photos and stories about prolific and celebrated Broadway writers like Betty Comden and Jeanine Tesori, women who have written musicals but gained fame elsewhere like Dolly Parton and Sara Bareilles, and dramatists you may not have heard of—but definitely should have—from Micki Grant, whose mega-hit musical about the Black experience made her the first woman to write book, music, and lyrics for a Broadway show to María Grever, the first Mexican female composer to achieve international success—who made her Broadway debut at age 56. Tepper will also present guest performers sharing some fascinating songs written by women for musicals that will bring the book to life and make you look at theater in a whole new way. SEATING POLICY | Programs are free and open to all, but registration is requested. Check-in line forms 45 minutes before the advertised start time. Registered guests are given priority check-in 15 to 30 minutes before start time. Five minutes before the advertised start time, all seats are released, regardless of registration, to our patrons in the stand-by line. If you arrive after the program starts, you will be seated at the discretion of our front-of-house staff. STANDBY LINE | If registration is sold out or has ended, do not fret! We welcome you to come to the Library regardless of registration status and wait in our standby line, which forms 45 minutes before the advertised start time. Five minutes before the program starts, all remaining seats are released. While this is not guaranteed, we will do our best to get you into any of our programs. ASSISTIVE LISTENING AND ASL | ASL interpretation and real-time (CART) captioning available upon request. Please submit your request at least two weeks in advance by emailing accessibility@nypl.org. BRUNO WALTER POLICY | Please note that any unoccupied seat will be released five minutes before the show begins and holding seats for anyone beyond that is prohibited. There is no food or drink allowed inside the venue. AUDIO/VIDEO RECORDING | Programs may be photographed and recorded by and at the discretion of the Library for the Performing Arts and will post signs indicating as such. If you would prefer your image not be captured, please let us know and we can seat you accordingly. Attending any program indicates your consent to being filmed/photographed and your consent to the use of your recorded image for any and all purposes of the New York Public Library. PRESS | Please send all press inquiries to Alex Teplitzky at alexteplitzky@nypl.org. Please note that all recording, including professional video recordings, are prohibited without expressed consent from the Library.
Information Source: New York Public Library for the Performing Arts | eventbrite