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ALL HANDS ON: Flechten | Museum der Europaischen Kulturen
Basketry is a cultural technique that is thousands of years old, practised worldwide, regionally distinctive and still a handicraft in the truest sense of the word. Humans alone have mastered the complex weaving method, with no machine capable of replacing their artisanship. The exhibition focuses on this fascinating skill and reveals the interconnections between historically evolved knowledge and modern innovations.
The exhibition’s four sections – People, Protection, Material and Patterns – offer visitors the chance to discover numerous woven everyday objects from across Europe stemming from the Museum Europäischer Kulture (MEK, Museum of European Cultures) collection. A walk-in sculptural installation by artist Olaf Holzapfel and other international contemporary art and design works using various weaving techniques offer additional perspectives on the artisanal tradition.
Embracing Modernism: Big names from the Stadtmuseum Berlin | Karlsruhe
Twelve highlights from its premium collection will be guests at the Berlinische Galerie from October 2022. They bring new tones to the permanent in-house exhibition, sparking a conversation with resident works.
Sharing collections and jointly making them accessible to the public must become standard museum practice in the future. In this instance, the partnership was prompted by extensive conversion work at the Märkisches Museum, which is scheduled to close for four years in 2023, leaving the foundation Stadtmuseum Berlin without its principal home. To ensure that significant paintings from its collection can remain on display, the idea was born in the two houses of integrating selected works into the permanent exhibition “Art in Berlin 1880-1980”. Early modern art is a particular strength of the Stadtmuseum Berlin holdings.
The paintings to be hosted at the Berlinische Galerie are by Max Beckmann, Theo von Brockhusen, Lovis Corinth, Ernst Ludwig Kirchner, Walter Leistikow, Max Liebermann, Edvard Munch and Lesser Ury. All of them were important figures who enriched the city’s art scene in the early 20th century.
Art in Berlin 1880 – 1980. From the Collection | Berlin
The Berlinische Galerie has devoted over 1000 square metres to presenting its collection. Waiting to be discovered among the roughly 250 works on show are paintings, prints, photographs, architecture and archive materials rarely or never displayed before.
Walking around this exhibition is like time travel and takes visitors through Berlin in 17 chapters: the Kaiser’s era, the Weimar Republic, the Nazi dictatorship, the new beginnings after 1945, Cold War in the divided city, and the counter-cultures and unconventional lifestyles that evolved in East and West under the shadow of the Wall. In East Berlin, an alternative art community developed from the late 1970s. In West Berlin from the late 1970s, aggressive art by the “Neue Wilden” placed the divided city back in the international limelight.
LAS presents: Alexandra Daisy Ginsberg: Pollinator Pathmaker | Berlin
LAS Art Foundation is pleased to present Pollinator Pathmaker, a living artwork and participatory project conceived by artist Alexandra Daisy Ginsberg. This impactful initiative in interspecies art uses algorithmic technology to generate planting schemes for gardens, computed to support the greatest diversity of pollinating insects possible. It signals a shift toward the post-anthropocentric thinking necessary to face the current climate and biodiversity crises, and toward the non-human aesthetics and experimental formats that pave the way. Ambitious and future-minded, it is exemplary of how art can act as a driver for change, and offer new perspectives on our shared planet.
Growing in the forecourt of the Museum für Naturkunde Berlin, the LAS- commissioned garden will be the first edition outside of the UK. LAS has committed to amplifying Pollinator Pathmaker’s impact by undertaking an extensive public campaign, which calls upon local communities, hobby gardeners and activists to get involved in pollinator protection by planting their own version of the artwork – what the artist refers to as DIY Editions – via Ginsberg’s free online tool: www.pollinator.art.
Responding to the alarming decline in pollinator populations in recent decades, Ginsberg has worked with horticulturalists, pollinator experts and an AI scientist to devise an algorithmic tool that designs bespoke gardens for pollinating insects. Supported by the Museum für Naturkunde Berlin, the LAS Edition will be customised for Continental Europe, and will feature more than 7,000 plants of 80 different varieties, planted over a 722-square-metre plot.
Event Venue, Heroes’ Gallery and Theatre of War | Staatliche Museen zu Berlin
Already 2,000 years ago, the emperors of China had portraits of loyal officials and generals made in order to display them in their palaces. This presentation features depictions of meritorious officers that the Qianlong Emperor (r. 1736–1795) had commissioned for their display in the hall of fame Ziguangge to demonstrate his power and legitimacy. In the 20th century they became spoils of war not one but two times.
Located adjacent to the Forbidden City in Beijing, the Ziguangge is a two-storey pavilion. During the reign of the Qianlong Emperor (r. 1736 – 1795), the building was a venue for military rituals and banquets and housed paintings with battle scenes of the imperial military campaigns and portraits of meritorious officers.
Love Letters To The City | Urban Nation
The exhibition examines the transformative potential of public art and explores the methods and motivations behind such works, as well as their social impact.
And so on to infinity | Hamburger Kunsthalle
To mark the 100th anniversary of the Griffelkunst-Vereinigung Hamburg e.V., the Hamburger Kunsthalle will show in its Hubertus Wald Forum a broad selection of lithographs, screenprints, etchings, woodcuts, and also photographs and C-prints from the 100 years of the programme, as well as some archival documents. The association has been publishing original graphic editions since 1925, making print series by selected artists available to its members. The works are chosen not according to their formal or thematic coherence but because they provide a repre-sentative idea of the respective artist’s oeuvre based on examples of their graphic work. The Griffelkunst-Vereinigung editions typically showcase established national and international artists alongside lesser-known, often younger artists of diverse nationalities and generations as well as collaborations with printmakers. This extraordinary graphics association today counts 4,500 members throughout Germany. The Hamburger Kunsthalle has been involved from the outset and has presented many of the series in various exhibitions over the years.
Overcoming Gravity | Leipzig
Techne Sphere Leipzig presents original drawings by architect Lina Bo Bardi and glass objects by Veronika Kellndorfer.
FROM TURNER TO VAN GOGH MASTERPIECES FROM THE NEUE PINAKOTHEK AT THE ALTE PINAKOTHEK | Alte Pinakothek
After four decades of museum and exhibition operations, the Neue Pinakothek is undergoing fundamental refurbishment. The museum is therefore closed for several years. During this time, selected major works of 19th century painting and sculpture are exhibited in the Alte Pinakothek and in the Sammlung Schack. The selection ranges from classicism and Romanticism to the beginning of modernism.
Under the title ‘From Turner to van Gogh’, the 19th century is now being relaunched in a different form. The works of the Romantic artist Caspar David Friedrich, the French Impressionists and the pioneers of modernism from Édouard Manet and Claude Monet to Paul Cézanne and Vincent van Gogh will continue to be on display. Newly exhibited are groups of works by the important Realists Ferdinand Georg Waldmüller and Adolph Menzel, which could not be shown in previous years. One cabinet brings together intimate interior depictions from the Symbolist and fin de siècle eras.
Fashion from Paris. A Donation of Erika Hoffmann | Museum of Decorative Arts
Since the 19thcentury, Paris has offered many designers a platform to develop their creativity and to present their collections to an international audience. The early 1980s were characterised by optimism and daring opulence, which found its expression especially through fashion. The creative centre of this haute couture era was dominated by Manfred “Thierry” Mugler, Jean Paul Gaultier and Jean-Charles de Castelbajac, whose designs shaped a new, strong and confident image of women. Their designs were expressed in broad-shouldered styles featuring accentuated silhouettes, as well as eye-catching materials and colours.
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