Kamigata Ukiyo-e Museum exhibits ukiyo-e prints published in Osaka during the Edo period. Many of the ukiyo-e prints from Osaka depict actors appearing in Kabuki, which was performed mainly in Dotonbori.
Kabuki performances have various roles, such as leading or female roles, villain or clown roles, rough or gentle roles, and actors are required to perform according to the role. In Kabuki, which is performed by male actors of all ages and genders, the role is also an important viewing point for the audience. In particular, stories in which the villain is defeated in a satisfying way are an essential setting for Kabuki.
Therefore, this exhibition focuses on plays related to the villain, who plays a villain. Villains are classified according to the nature of their evil deeds and their status. There are also a variety of villains, from truly hateful characters to characters who seem to be enemies but actually have hidden true feelings. Please take a look at the actor pictures to see the charm of the antagonist, who brings out the best in the main character played by a star actor and livens up the play.

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Episode 92: The appeal of the villain | Kamigata Ukiyoe Museum

Episode 92: The appeal of the villain

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Tongtiange is a frequent scene in Japanese animation and film and television dramas. It is the most visited attraction in Osaka. Tongtiange has many subways passing by. You have a variety of food and merchandise stores, zoos and municipal art galleries, which are very convenient. Online appointments, no need to pick up tickets, lack of paper bills collection. There are many tourists visiting, waiting for 20 minutes to board the pavilion, there are official photos upstairs, first indoor to see, then outdoor unobstructed, downstairs there are various cultural and creative products, it feels very user-friendly.

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Step out of Shinsaibashi subway station and you will instantly fall into the space-time tunnel of the arcade. Under the 600-meter-long translucent dome, the cobblestone road reflects the warm light of British street lamps, and the red brick buildings on both sides are like folded chessboards - this is the elegant background of the &quot;European Village&quot;. With your fingertips brushing the brick wall of the century-old shop, the Daimaru Department Store, which evolved from Matsuya, stands as a retro landmark: the ochre-red lattice window lattices are inlaid with milky white reliefs, and fashionable customers carrying paper bags flow under the Baroque dome, as if the Edo merchant spirit is still wandering between the windows.

Turn west into the American Village, and the style of the painting changes suddenly! Fluorescent graffiti is splashed on the mottled walls. In the rebellious visual rock, the legendary red lattice house jumps into the eye - bright geometric blocks are stacked like a Rubik&#39;s Cube, the window frames are painted Klein blue, the stairs are spiraled out of lemon yellow, and the trendy brand store on the second floor is hung with riveted leather jackets, like fragments of another dimension torn from comics. Teenagers skated under the wall, and the hip-hop rhythm and the aroma of latte collided in the air.

When dusk covered the bridge with golden gauze, you must check in at Dotonbori Ebisu Bridge! The giant Glico runner sign cast a neon phantom on the river. Looking across the river, the red checkered house turned into a maze of lights, performing a cyberpunk carnival with the mechanical crab waving at Kani Doraku and the roaring dragon head of Jinlong Ramen. The evening breeze brought the burnt aroma of takoyaki, leaning on the bridge railing to bite through the golden crispy skin, watching the cruise ship full of laughter shattering the neon reflection - at this moment, I understand that the magic of Shinsaibashi is growing wildly in the cracks between European elegance and American publicity.

&quot;When the solemnity of the red brick dome meets the madness of the graffiti grid, I know that the soul of Osaka is a hybrid of commercial genes and street art.&quot;

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A particularly inconspicuous store, the outside is very low-key, you need to pay attention, in the corner of a building, walk into a cave, is a gallery is also a store, but also an exhibition hall, various Fushi paintings, the price is not cheap.

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Time:	Dec 3, 2024–Mar 2, 2025 (UTC+9) ENDED
Location:	Kamigata Ukiyoe Museum

Episode 92: The appeal of the villain | Kamigata Ukiyoe Museum

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Episode 92: The appeal of the villain | Kamigata Ukiyoe Museum

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Osaka Castle Park

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