Absorbed in our own daily routine, we seem to leave the fundamental issues of life in the background, until we eventually have to face them and their questions of meaning, utility, and demands.
Yoon Ji-Eun’s new collection of wooden reliefs and drawings, Unanswered Questions, borrows its title from composer Tristan Murail and acts as a way of materialising the artist’s reaction to existential questioning. In a time of ever-present violence of all kind, the artist wished to offer her works as a source of comfort and relief.
Her introduction to new musical genres opened Yoon Ji-Eun in turn to new perspectives. By immersing herself in a specific sound world while at work, she can capture and translate the feelings awakened by pending phrases or slowly-dying sounds, beyond the human perception... Through these experiences of intense doubt and equally intense presence, lived on the physical state that only music induces, she breathes into her works a renewed poetry and energy. From attempting to foresee and control her existence, she seems to have led way to embracing the movement of life, and to embedding herself in it.
From the start, the term “landscape” comes to mind when referring to Yoon Ji-Eun’s world. In her recent works, her landscape is now found transformed: on her juxtaposed vignettes and figurative fragments, she overlapped other layers. Space is no longer relative and linear, but deep and full of shapes twirling to the surface. Here and there, gathered shapes rise, some in a supple movement, others in angles, without any patent link. Thus forms an aethereal dialogue between independent configurations in an ever-changing world. The drawn areas, reminiscent of collages, create a slight and subtle tension through their fluid, sensual shapes in bright colours. Like notes of a spatial music, they create an invisible flow for suns and planets to cross. In some places, gates and the simplest architectures in watercolour create a shadow theatre in the background. In other drawings, floating circles overlook the composition, like portals to parallel dimensions.
Time is an ever-present concept, both through the rhythm of the artist’s compositions and through their physicality, in particular her layered wooden reliefs. Yoon Ji-Eun likes to go along the grain of the wood to bring about organic outlines. By carving it, she reveals its layers and further conveys the idea of temporality.
Yoon Ji-Eun’s subtle work as a colourist alternates tensions through contrasts and a shrewd leverage of values within the same range. She introduces a new light through more vibrant colours, taking over in a sophisticated balance of earthly tones and soft pastels. As warm colours prevail, darkness and melancholia infiltrate the compositions with bleaker shades of blue. The material itself of her colours brings about unique textures and luminosity, be it the matte density of acrylic paint, the soft or strong stroke of pencils, or the transparency of watercolour.
With Unanswered Questions, Yoon Ji-Eun reaches a new milestone in her search. Intimacy and experience are now expressed in an abstract, more universal language, made of snatches and snippets. The world is

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Notre Dame de Paris: A stone epic reborn from the ashes, is it worth kneeling and looking up? Conclusion: Even if the scaffolding is not removed, it is still the soul coordinate of Paris! The fire burned through the Gothic dome, but it allowed humans to see the naked appearance of faith - Notre Dame at this moment is a living architectural anatomy lesson, more philosophical than when it was perfect. 

The hardcore truth beyond &quot;The Hunchback of Notre Dame&quot;: 
The shocking aesthetics of the scaffolding church: the giant tower crane on the south side pierces the sky like a mechanical cross, and the unfinished flying buttresses expose the steel nerves. Through the gaps in the construction fence, you can see the new spire cast from **600 tons of recycled lead blocks after the disaster - this is the Gothic soul resurrected by humans with technology in the 21st century. 
The miraculous code of the survivors: 
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South Rose Window (16th century): The colored glass tempered by high temperature in the flames is more colorful. When the midday sun penetrates, the rose projection like a blood diamond will appear on the ground; 
North transept stone column: The charred column is deliberately preserved and juxtaposed with the snow-white restoration stone - ** destruction and rebirth are in fierce dialogue here. 
Time capsule in the underground palace: The underground archaeological tomb (Crypte Arch&eacute;ologique) contains the ruins of the ancient Roman baths of the &Icirc;le de la Cit&eacute;. The stone swimming pool in the 4th century AD is intertwined with the foundation of the medieval Notre Dame. The two thousand years of accumulation of Paris are cut here. 
Ghost echoes on the riverside squatting on the Pont Neuf of the Seine until late at night. When the construction lights go out, the outline of the building floats in the moonlight. At this time, if you put your ear to the wall, you can hear the whimper of the wind blowing through the hollow holes of the scaffolding - that is the phantom sound of Quasimodo ringing the bell. 
Post-disaster pilgrimage survival guide: 
Touch rebirth up close: 
- Book a &quot;Chantier Tour&quot; (&euro;19) and enter the construction site wearing a helmet to watch robots carve new beams; 
- Go to the &quot;Atelier de la Reconstruction&quot; next door to assemble an oak dome model by hand and touch the charred original beam samples. 
Magic moment sniping: 
- Squat at the Pont Petit one hour before sunset, where the construction cranes and the remaining twin towers form a surreal picture in the reflection of the Seine; 
- Look up at the North Tower at the top of the hour, and when the temporary bells (newly cast in 2023) ring, the pigeons in the sky will be startled and fly back like ashes. 
Soul meal replacement plan: 
- Sainte-Chapelle (Sai

Time:	Mar 22–May 11, 2024 (UTC+1) ENDED
Location:	48 rue de Turenne

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