Yayoi Kusama has constantly faced the critical realities of life and death as pressing issues. Her experience of the Pacific War in a complex family environment, along with her overcoming of suicidal impulses triggered by trauma and neurosis through her creative practices, has influenced her perception of these issues. This exhibition unveils Kusama’s evolving outlook on life and death, alongside the corresponding shifts in her artistic presentation, through a series of diverse works—from her 1940s and 1950s paintings, which bear the imprint of war, to her very latest pieces. After relocating to the United States in 1957, Kusama gained a reputation for her net paintings and sculptures that embody ‘self-obliteration’: the feeling of losing the boundary between the self and the other through the obsessive repetition of motifs originating from her hallucinations. In her anti-war happenings in the late 1960s, she painted dots onto the human body using the same concept of ‘self-obliteration’ while also highlighting the beauty of life and the human body. During the 1970s and 80s, following the loss of her father and her lover, as well as her return to Japan due to health issues, Kusama produced numerous dark-toned collages and three-dimensional works centered on the theme of death, as well as poetry and novels imbued with a sense of mortality. As she continued creating fantastical works exploring death and the afterlife, her works from the late 1980s began to explore themes of transmigration and cyclical returns to eternity through ‘self-obliteration’. Kusama’s works, which increasingly incorporated more colors, reveal how her creative process evolved from a means of coping with death to becoming synonymous with her very existence. In her painting series from 2000 onwards, Kusama has been relentlessly depicting the beauty of life and the joy of living on canvases overflowing with vibrant colors, driven by the ever-looming presence of her own death. 

Tokyo

Japan

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Yayoi Kusama Museum

Specialty exhibition halls

翱翔的大鲨鱼

Although the museum has three floors, it does not collect so many works, it can only be said to be a concept museum. Like large pumpkin sculptures, boats full of protruding objects, there are no in the museum. It is possible to see other exhibitions, but there are still some impressive parts. Although the content of the exhibition is not much, the ticket is only 1100 yen, plus walking to the Omotesando area, if you come to Tokyo to go shopping, you can stop by.

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Near Imperial Palace|Tokyo Station/Nihonbashi, Tokyo

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_We***60

Thank you Trip.com for letting me grab the ticket near the sunset without adding an outrageous price. I grabbed the ticket at 15:20. It was almost 4 o&#39;clock to go upstairs to store the bag to make up and makeup. It was two hours there and I could wait until dusk. It was worth the fare. I recommend everyone to buy it here!

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_We***55

Tokyo Disneyland is the fourth Disneyland I have ever been to. The project here is very suitable for children to play. It can be seen that everyone is really happy and the performance is very beautiful, but you have to make an appointment in advance, sometimes you can&#39;t grab it.

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Tokyo DisneySea has low prices and a lot of attractions. Children are very happy and it is very kid-friendly. Basically, a 4-year-old can play 80% of the attractions. The performances are also great!

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There is a free cabinet for luggage storage at the door, and there is also a enthusiastic little brother to guide the direction, because I only see the cabinet on the left, but there is no large cabinet. The little brother found it in time and guided me to the right turn. Although the language is not available, he will carefully observe and help me solve it. This is great. The park is generally good, the only place is butter beer, there are many people, and you can&#39;t leave the prescribed area to drink, and the service staff did not guide the corner and there was a drinking area, resulting in many Koreans occupying seats and unwilling to share excess, resulting in the overall garden experience. It would be great if you could take care of each other when you were away

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M48***14

It&#39;s beautiful! Although the main effect is a bird&#39;s eye view, you can see many landmark buildings (such as Sensoji Temple) from different directions according to the instructions on the tower! It may be easier to recognize landmark buildings during the day, but you can see more beautiful city scenery at night. I recommend going at night~

Time:	2024年10月17日–2025年3月9日 (UTC+9) ENDED
Location:	Yayoi Kusama Museum

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