Featured Events in Hong Kong in March 2025 (May Updated)

在中國文化藝術史上，明清之際是繼北宋後的另一高峰。晚明北方政治動蕩，反觀江南地區富庶安定，遂成為人文薈萃之地。這時期思想開放，文人往往以筆墨直抒胸臆、擺脫古人桎梏，展現自我。江南工匠藝術亦百花齊放，不同社會階層的品味好尚，如幽雅沖淡的文人趣味與華麗多彩的市民品味相互影響，呈現出豐富多元的藝術面貌。工商業發展蓬勃，供應海外不同市場的外銷器物各具特色。 「浮世清音——晚明江南藝術與文化」由中大文物館與上海博物館、中大藝術系攜手合作，由北山堂贊助，乃文物館迄今最大規模的展覽，展出共193件珍品，涵蓋書畫及各類器物，以此呈現晚明豐富多彩的物質生活與獨具特色的藝文風貌，其中九件國家一級文物更是首次在港展出。 展品囊括本地及海內外的著名收藏，來自文物館、上海博物館、美國紐約大都會藝術博物館、德國柏林國家博物館亞洲藝術博物館、香港藝術館、香港文化博物館、兩依藏博物館及本地著名收藏家。焦點展品包括︰陸治《臨王履華山圖冊》、尤求《漢宮春曉圖》卷、陳洪綬《雅集圖卷》（一級）、弘仁《九溪峰壑圖軸》（一級）、吳彬《山陰道上圖卷》、葉欣《梅花流泉圖卷》（一級）、沈大生竹雕庭園讀書圖筆筒（一級）、蘿軒變古箋譜（一級）、五彩百鹿罐、竹編朱漆描彩人物紋長方盒、張宏《止園圖冊》等。 展覽分為四個單元︰「物質生活」、「思潮爭鳴」、「浮世丹青」和「寰宇天下」。 合辦機構：上海博物館、香港中文大學文物館及藝術系 贊助：北山堂基金 借展單位：香港藝術館、香港文化博物館、兩依藏博物館、紐約大都會藝術博物館、柏林國家博物館亞洲藝術博物館、天民樓、北山堂、李景勳、承訓堂、晏如居、清樂閣、硯琴齋、華萼交輝樓、賀祈思、閑趣軒、劉瑞隆、懷海堂

A Cambodian-American contemporary artist, his sculptures use traditional Cambodian materials and reflect the country's history and the artist's relationship to his own identity.

A Cambodian-American contemporary artist, his sculptures use traditional Cambodian materials and reflect the country's history and the artist's relationship to his own identity.

Dominique Fung (born 1987, works in New York) is a Canadian artist with ancestry in Hong Kong and Shanghai, whose practice explores the subliminal liminal territory in which tradition, memory and legacy seep through our collective subconsciousness. Through her interest in casting light on overlooked or forgotten stories and her use of specific historical artifacts she infuses with living qualities and complex non-linear narrative paths, she models a new, broader, alternative space of belonging.

Dominique Fung (born 1987, works in New York) is a Canadian artist with ancestry in Hong Kong and Shanghai, whose practice explores the subliminal liminal territory in which tradition, memory and legacy seep through our collective subconsciousness. Through her interest in casting light on overlooked or forgotten stories and her use of specific historical artifacts she infuses with living qualities and complex non-linear narrative paths, she models a new, broader, alternative space of belonging.

當代唐人藝術中心榮幸地宣佈，將於2025年3月25日在香港中環空間推出國際藝術家群展《儀式、創傷與寓言》，展出了艾紐克·拉姆·艾紐克，喬納斯·伯格特，吉格·克魯斯，吉列爾莫·洛爾卡，冷廣敏，拉菲·納佩，埃德加·普蘭斯，羅德爾·塔帕雅，禹國元，許宏翔這十位藝術家的精彩繪畫創作。  當代繪畫在全球化與技術裂變中，不斷經歷物理與隱喻層面的暴力語法革命——從畫布的物質撕裂到文化符號的衝突解構，再到身份敘事的破碎重組。 這種革命絕非簡單的美學姿態，而是藝術家們在文明斷層帶上發起的認知游擊。 此次群展選擇八位來自不同文化背景的藝術家，透過“破壞儀式”、“創傷考古”、“寓言抵抗”三個視角，揭示繪畫如何透過自我毀滅完成新生。 聚焦他們對繪畫物質性、文化身份及存在困境的激進探索，我們目睹的不僅是繪畫媒介的自反性實驗，更是對文明創口的詩性縫合。

Louise Bourgeois was born in Paris in 1911, moved to New York to work and live in 1938, and died in 2010. Best known for her large-scale sculptures, she is recognized as one of the most important and influential artists of the last century. Louise Bourgeois is generally classified as an Abstract Expressionist artist, but there are also elements of Surrealism and Feminism in her work. She went her own way and was not associated with any art movement in her life. According to the British TATE Museum, one of the reasons why Louise Bourgeois's works are so powerful is that she suffered childhood trauma, including her mother who had always been sick and died when she was 22 years old. Her father was unfaithful to his wife and had multiple mistresses, which caused great harm to both mother and son. Because of the fear of being abandoned, there is often a theme of fear of abandonment in Louise Bourgeois's works. She was only 3 years old when World War I broke out, and the war had a great impact on her. Louise Bourgeois's most famous works are her spiders. She began painting as early as 1947. By the 1990s, she created large spider works several stories high. She once said that spider sculptures were the "most successful objects" in her life. She used spiders to represent her mother. In her eyes, spiders are both predators and protectors. This exhibition is her second solo exhibition in Hong Kong. The exhibition is jointly curated by the gallery and The Easton Foundation. It will present a selection of her works from the 1960s to 2008, including some rarely exhibited sculptures and works on paper. Among them, a three-meter-long fountain installation "Mamelles [fountain]" (1991) and a steel and marble sculpture "Spider" (2000) will be exhibited in Asia for the first time.

Louise Bourgeois was born in Paris in 1911, moved to New York to work and live in 1938, and died in 2010. Best known for her large-scale sculptures, she is recognized as one of the most important and influential artists of the last century. Louise Bourgeois is generally classified as an Abstract Expressionist artist, but there are also elements of Surrealism and Feminism in her work. She went her own way and was not associated with any art movement in her life. According to the British TATE Museum, one of the reasons why Louise Bourgeois's works are so powerful is that she suffered childhood trauma, including her mother who had always been sick and died when she was 22 years old. Her father was unfaithful to his wife and had multiple mistresses, which caused great harm to both mother and son. Because of the fear of being abandoned, there is often a theme of fear of abandonment in Louise Bourgeois's works. She was only 3 years old when World War I broke out, and the war had a great impact on her. Louise Bourgeois's most famous works are her spiders. She began painting as early as 1947. By the 1990s, she created large spider works several stories high. She once said that spider sculptures were the "most successful objects" in her life. She used spiders to represent her mother. In her eyes, spiders are both predators and protectors. This exhibition is her second solo exhibition in Hong Kong. The exhibition is jointly curated by the gallery and The Easton Foundation. It will present a selection of her works from the 1960s to 2008, including some rarely exhibited sculptures and works on paper. Among them, a three-meter-long fountain installation "Mamelles [fountain]" (1991) and a steel and marble sculpture "Spider" (2000) will be exhibited in Asia for the first time.

Pace is pleased to present Robert Indiana: The Shape of the World, an exhibition of work by celebrated American artist Robert Indiana (1928–2018), who first emerged as a key figure in the Pop art movement, at its Hong Kong gallery. On view from March 25 to May 9, this presentation, coinciding with the 2025 edition of Art Basel Hong Kong, will include important sculpture, paintings, and prints from throughout Indiana’s career, showcasing his graphic visual vocabulary that made him one of the most inventive and enduring figures in the history of American art. Robert Indiana: The Shape of the World will focus on Indiana’s deep interest in numerology, literature, geometry, color, and form, and will be Pace’s first exhibition of the artist’s work since it began representing The Robert Indiana Legacy Initiative in 2024.

「瓷光漆影──從土木而來的日用器物小記」現已隆重開幕！本次展覽精選自唐代至清代的日用器物，涵蓋飲食、文人品賞與薰香等多個生活層面，探索中國日常生活文化的發展脈絡。 展覽分為「漆影」與「瓷光」兩大主題，呈現漆器與瓷器的工藝之美，讓觀眾深入了解這些器物如何承載歷史記憶，並與日常生活產生聯繫。 漆器與瓷器的材質特點和製作工藝，見證了中國物質文化的演變。期待大家能從看似尋常的日常物件中獲得啟發，重新思考人與物之間的深厚關聯！