Featured Events in Paris in June 2025 (April Updated)

紅土經典重磅回歸！2025法國網球公開賽將於巴黎羅蘭加洛斯火熱開打！網壇年度盛事 2025法國網球公開賽（French Open Roland-Garros） 將於 2025年5月25日至6月8日 再次在巴黎羅蘭加洛斯球場隆重登場！作為四大滿貫賽事之一，這項歷史悠久的比賽不僅是紅土賽季的壓軸焦點，更是全球網球迷每年引頸期盼的重要體壇盛會。 2025年賽季預計將再度匯聚世界頂尖男女網球選手，包括衛冕冠軍、四大天王、潛力新星等展開激戰。從初輪廝殺到冠軍決賽，每一場賽事都可能見證歷史誕生。紅土場地以節奏緩慢、回合綿長著稱，極具戰術深度與觀賞性，讓球迷得以欣賞選手們的技巧、耐力與心理抗壓的極限挑戰。作為巴黎夏日前奏的標誌性賽事，法網不僅是一場網球賽，更是一場融合運動、藝術與法式風情的節慶盛典。從羅蘭加洛斯球場內的觀賽體驗、經典紅土色調，到場外的文化氛圍與巴黎美景，無一不令人陶醉。無論你是死忠網球迷，還是旅法遊客，2025法國網球公開賽都是不可錯過的夏季焦點活動。 想現場感受紅土飛揚、球拍交鋒的澎湃氛圍？立即關注Trip.com，獲取2025法網最新賽程、選手資訊與官方門票發售詳情，搶先鎖定觀賽位置，與全球球迷一同見證這場網球界的年度巔峰對決！

Mark your calendars, folks, because Siec 2025 is gearing up to be the event of the decade! Hosted in the City of Lights, this prestigious gathering will take place at the Paris Expo Porte de Versailles, nestled in the heart of Île-de-France, France. From June 11th to 12th, 2025, industry leaders, innovators, and professionals will converge upon this iconic venue to exchange ideas, forge connections, and shape the future. With its state-of-the-art facilities, the Paris Expo Porte de Versailles provides the perfect backdrop for Siec 2025. Attendees can expect a seamless experience, replete with cutting-edge discussions, insightful keynote speeches, and ample opportunities for networking. Whether you're looking to stay ahead of the curve or simply soak in the atmosphere of this bustling metropolis, Siec 2025 promises to deliver an event that's not to be missed. So, pencil it in, clear those schedules, and prepare for an unforgettable experience in the dazzling city of Paris.

Beyoncé Paris is set to be an unforgettable event, taking place at the renowned Stade de France in Paris on June 21, 2025, at 19:00. This highly anticipated concert promises to deliver an electrifying performance by the global superstar, Beyoncé. Fans can expect a night filled with spectacular choreography, stunning visuals, and powerful vocals that have become synonymous with her name. The venue, Stade de France, offers an iconic backdrop, enhancing the grandeur of the evening. With tickets priced at 465 USD, this event is poised to attract attendees from around the world, eager to witness Beyoncé's unparalleled artistry in the City of Light. This concert is not just an event but a cultural moment, celebrating music, performance, and the vibrant spirit of Paris.

Guillaume Bottazzi a réalisé un tableau fruité en face du parc Montsouris. Il est visible de l’extérieur, au 34-36 avenue Reille, à Paris dans le 14ème arrondissement. Ce tableau apporte l’art ou on ne l’attend pas forcément et accompagne le quotidien des habitants.Cette huile sur toile de lin mesure 0,90m de haut par 1,80m de large. Elle a été conçue pour habiller l’entrée d’un bâtiment et dialogue avec les éléments qui l’entourent. L’artiste a déjà créé plus de 65 œuvres dans des espaces publics, comme un polyptique de 100m² à Paris La Défense, à Hong-Kong ou au Japon où il est l'auteur de la plus grande peinture du Pays, commandée par le Musée International d'Art Miyanomori. Ses œuvres font partie de collections muséales, notamment en Asie et aux Etats-Unis. Site internet de Guillaume Bottazzi : https://www.guillaume.bottazzi.org

Guillaume Bottazzi a réalisé un tableau fruité en face du parc Montsouris. Il est visible de l’extérieur, au 34-36 avenue Reille, à Paris dans le 14ème arrondissement. Ce tableau apporte l’art ou on ne l’attend pas forcément et accompagne le quotidien des habitants.Cette huile sur toile de lin mesure 0,90m de haut par 1,80m de large. Elle a été conçue pour habiller l’entrée d’un bâtiment et dialogue avec les éléments qui l’entourent. L’artiste a déjà créé plus de 65 œuvres dans des espaces publics, comme un polyptique de 100m² à Paris La Défense, à Hong-Kong ou au Japon où il est l'auteur de la plus grande peinture du Pays, commandée par le Musée International d'Art Miyanomori. Ses œuvres font partie de collections muséales, notamment en Asie et aux Etats-Unis. Site internet de Guillaume Bottazzi : https://www.guillaume.bottazzi.org

The Louvre’s Department of Near Eastern Antiquities is hosting ten major works from New York’s Metropolitan Museum of Art, whose Department of Ancient Near Eastern Art is currently closed for renovation. The Louvre and The Met have created a unique dialogue between these two collections, which is displayed in the Louvre’s permanent galleries. These ‘special guest’ artworks from The Met, dating from between the late 4th millennium BC and the 5th century AD, show some remarkable connections with the Louvre’s collection. In some cases, a pair of objects has been reunited for the first time, while in others, pieces complement each other by virtue of specific historical features of their respective collections. Representing Central Asia, Syria, Iran and Mesopotamia, this dialogue between collections is (re)introducing visitors to these extraordinary, age-old works of art and the stories they tell.

The Musée national Picasso-Paris collection is the fruit of an extraordinary history, made possible by the dation procedure - today it is the largest public collection of works by Picasso, the "Picassos of Picasso". Coming from the artist's studios, this collection gives us a better grasp of the aesthetic explorations of a Picasso who was by turns disconcerting, plural, contradictory, reflexive, gestural and conceptual, an aesthete and a committed activist, a tinkerer and a poet. Is he symbolist, cubist, classical, surrealist or simply figurative and political?

The Musée national Picasso-Paris collection is the fruit of an extraordinary history, made possible by the dation procedure - today it is the largest public collection of works by Picasso, the "Picassos of Picasso". Coming from the artist's studios, this collection gives us a better grasp of the aesthetic explorations of a Picasso who was by turns disconcerting, plural, contradictory, reflexive, gestural and conceptual, an aesthete and a committed activist, a tinkerer and a poet. Is he symbolist, cubist, classical, surrealist or simply figurative and political?

The Musée national Picasso-Paris collection is the fruit of an extraordinary history, made possible by the dation procedure - today it is the largest public collection of works by Picasso, the "Picassos of Picasso". Coming from the artist's studios, this collection gives us a better grasp of the aesthetic explorations of a Picasso who was by turns disconcerting, plural, contradictory, reflexive, gestural and conceptual, an aesthete and a committed activist, a tinkerer and a poet. Is he symbolist, cubist, classical, surrealist or simply figurative and political?

At the invitation of the Musée national Picasso-Paris, Argentine artist Guillermo Kuitca (b. 1961) has created a site-specific work in the chapel of the Hôtel Salé. Since his intervention at the Venice Biennale in 2007, Kuitca has developed a new language, echoing the architecture, which the artist calls ‘cubistoid painting’, in which a set of intersecting lines, like so many folds in the plane, is deployed directly on the walls, forming a new pictorial space.

At the invitation of the Musée national Picasso-Paris, Argentine artist Guillermo Kuitca (b. 1961) has created a site-specific work in the chapel of the Hôtel Salé. Since his intervention at the Venice Biennale in 2007, Kuitca has developed a new language, echoing the architecture, which the artist calls ‘cubistoid painting’, in which a set of intersecting lines, like so many folds in the plane, is deployed directly on the walls, forming a new pictorial space.

At the invitation of the Musée national Picasso-Paris, Argentine artist Guillermo Kuitca (b. 1961) has created a site-specific work in the chapel of the Hôtel Salé. Since his intervention at the Venice Biennale in 2007, Kuitca has developed a new language, echoing the architecture, which the artist calls ‘cubistoid painting’, in which a set of intersecting lines, like so many folds in the plane, is deployed directly on the walls, forming a new pictorial space.

Paris Fashion Week (Semaine de la mode de Paris) is a fashion week held every six months in Paris, France. It is divided into two seasons, spring and summer and autumn and winter, and is hosted by the French Federation of Haute Couture and Fashion (FHCM). Paris Fashion Week is recognized as one of the four major fashion weeks and is the last stop of each season in chronological order (New York → London → Milan → Paris). In addition to the women's ready-to-wear exhibition, it also holds a men's ready-to-wear exhibition and a Haute Couture exhibition. It is also the only one of the four major fashion weeks that has a special "Haute Couture Fashion Week". These three types of fashion exhibitions are held in different weeks.

The exhibition "Golden Thread. The art of dressing from north Africa to the far east", on show at the Musée du Quai Branly - Jacques Chirac until 6 July 2025, focuses on gold in the textile arts from Antiquity to the present day. This plunge into the history of this fascinating and precious metal takes visitors on a journey around the globe, from North Africa to the Middle East, via Japan, China and India. The exhibition also highlights the richness, technicality, inventiveness and expertise of the weavers, embroiderers and craftsmen who have been sublimating fabrics and silks since the dawn of time. This is a unique opportunity to admire a selection of traditional and ceremonial outfits, festive and wedding dresses from North Africa and the Orient, drapes and sparkling costumes from Asia and India, kimonos from the Edo period... and many other textile treasures. Modern creations by Chinese fashion designer Guo Pei are also on show.

The exhibition "Golden Thread. The art of dressing from north Africa to the far east", on show at the Musée du Quai Branly - Jacques Chirac until 6 July 2025, focuses on gold in the textile arts from Antiquity to the present day. This plunge into the history of this fascinating and precious metal takes visitors on a journey around the globe, from North Africa to the Middle East, via Japan, China and India. The exhibition also highlights the richness, technicality, inventiveness and expertise of the weavers, embroiderers and craftsmen who have been sublimating fabrics and silks since the dawn of time. This is a unique opportunity to admire a selection of traditional and ceremonial outfits, festive and wedding dresses from North Africa and the Orient, drapes and sparkling costumes from Asia and India, kimonos from the Edo period... and many other textile treasures. Modern creations by Chinese fashion designer Guo Pei are also on show.

The exhibition "Golden Thread. The art of dressing from north Africa to the far east", on show at the Musée du Quai Branly - Jacques Chirac until 6 July 2025, focuses on gold in the textile arts from Antiquity to the present day. This plunge into the history of this fascinating and precious metal takes visitors on a journey around the globe, from North Africa to the Middle East, via Japan, China and India. The exhibition also highlights the richness, technicality, inventiveness and expertise of the weavers, embroiderers and craftsmen who have been sublimating fabrics and silks since the dawn of time. This is a unique opportunity to admire a selection of traditional and ceremonial outfits, festive and wedding dresses from North Africa and the Orient, drapes and sparkling costumes from Asia and India, kimonos from the Edo period... and many other textile treasures. Modern creations by Chinese fashion designer Guo Pei are also on show.

The exhibition "Golden Thread. The art of dressing from north Africa to the far east", on show at the Musée du Quai Branly - Jacques Chirac until 6 July 2025, focuses on gold in the textile arts from Antiquity to the present day. This plunge into the history of this fascinating and precious metal takes visitors on a journey around the globe, from North Africa to the Middle East, via Japan, China and India. The exhibition also highlights the richness, technicality, inventiveness and expertise of the weavers, embroiderers and craftsmen who have been sublimating fabrics and silks since the dawn of time. This is a unique opportunity to admire a selection of traditional and ceremonial outfits, festive and wedding dresses from North Africa and the Orient, drapes and sparkling costumes from Asia and India, kimonos from the Edo period... and many other textile treasures. Modern creations by Chinese fashion designer Guo Pei are also on show.

The latest creation of the Atelier des Lumières takes you on the first steps of naive art in France. Spontaneous, dreamlike, sometimes childish, this new approach to painting is embodied in the works of Henri Rousseau. At the end of the 19th century, this self-taught painter and pioneer of naive art drew his inspiration from observing in detail the vegetation and animals from elsewhere, from the greenhouses and menagerie of the Jardin des Plantes in Paris. Mocked by his contemporaries, but admired by avant-gardists such as Delaunay, Apollinaire, Picasso and Kandinsky, his idealistic painting with bright colors and clumsy perspectives would later allow him to free himself from the academic standards of the time by opening the way to modernity in painting. Henri Rousseau makes you rediscover the Paris of the industrial era, populated by frozen characters who observe us under a sky where zeppelins and hot air balloons float. Without ever having left France, he also weaves the colorful story in the heart of a dense plant kingdom where the eyes of tigers pierce the foliage and the landscapes transport us to imaginary lands. In this parallel universe where the reality of everyday life is invaded by a profusion of dreamlike details, the one who was nicknamed "Customs Officer" because of his job at the Paris grant, invites us to escape by dreaming with our eyes wide open, from France to a jungle with the scent of Eden.

L'Atelier des Lumières takes us into the rich and iconic world of Pablo Picasso, the essential artist of the 20th century. From February 14 to June 29, 2025, don't miss the exhibition Picasso, Art in Motion. Considered one of the fathers of modern art, he revolutionized the art world of the 20th century. Loved and hated alike, Pablo Picasso and his works leave no one indifferent. L'Atelier des Lumières is devoting a major exhibition to the Spanish painter and sculptor, from February 14 to June 29, 2025.Breaking all the codes and stylistic rules of the time, Picasso wanted to reinvent his way of seeing reality, representing it and magnifying it. Particularly renowned for his work on cubism, the artist left an indelible mark on the art world. The Picasso, Art in Motion exhibition plunges us into the many works of this painter, who was also a sculptor, engraver, ceramist and theater designer...

This new exhibition offers visitors a powerful journey through art and history, showcasing how artists and intellectuals in exile during World War II used their creativity to champion a ‘certain French spirit’ and the values of freedom.

Housed in the classic rotunda structure of the Paris Stock Exchange, the Pinault Museum presents Corps et âmes, a selection of about a hundred works from the Pinault Collection, exploring the representation of the body in contemporary art as a response to the huge panorama of paintings that surround the building's glass dome. The exhibition explores the meaning of the body in contemporary thought through works by about forty artists from the Pinault Collection. Freed from all constraints of mimesis, the body - whether photographed, sculpted, painted, photographed or drawn - constantly reinvents itself, thus giving art an essential organic quality that allows it to feel the pulse of the body and the soul, like an umbilical cord.

This monographic exhibition is dedicated to Austrian architect Hans Hollein (1934-2014), most commonly associated with the postmodernist movement following his participation in the inaugural Venice Architecture Biennale in 1980 and his colonnaded façade proposal for the Strada Novissima project. Bringing together the most emblematic pieces from an œuvre spanning over fifty years, the exhibition offers a fresh perspective on the coherence of his artistic and critical approach, viewed through the lens of his engagement with various movements that shaped the post-avant-garde from the 1960s to the 1980s—from informal art to conceptual art, including radical architecture.

This monographic exhibition is dedicated to Austrian architect Hans Hollein (1934-2014), most commonly associated with the postmodernist movement following his participation in the inaugural Venice Architecture Biennale in 1980 and his colonnaded façade proposal for the Strada Novissima project. Bringing together the most emblematic pieces from an œuvre spanning over fifty years, the exhibition offers a fresh perspective on the coherence of his artistic and critical approach, viewed through the lens of his engagement with various movements that shaped the post-avant-garde from the 1960s to the 1980s—from informal art to conceptual art, including radical architecture.

This monographic exhibition is dedicated to Austrian architect Hans Hollein (1934-2014), most commonly associated with the postmodernist movement following his participation in the inaugural Venice Architecture Biennale in 1980 and his colonnaded façade proposal for the Strada Novissima project. Bringing together the most emblematic pieces from an œuvre spanning over fifty years, the exhibition offers a fresh perspective on the coherence of his artistic and critical approach, viewed through the lens of his engagement with various movements that shaped the post-avant-garde from the 1960s to the 1980s—from informal art to conceptual art, including radical architecture.

Since the 1990s, he has been developing a body of work centred on the passage of time, largely consisting of videos and related drawings, studies, storyboards and dissertations on various projects. Claerbout invites the viewer to explore the plurality of the experience of duration through perception of often miniscule changes. His film Boom (1996), for example, is a slow, attentive observation of a magnificent tree in the countryside. Only the air flowing through its leaves tells us that the image is in motion, prompting us to view it with a demanding yet contemplative eye. The image, simple and beautiful, exerts an unaccustomed fascination by depicting the self-evidence of the tree’s existence in the world.