Wanfo Hole

The 15th cave of Yungang Grottoes, the square single cave room, the cave is nearly ten meters high, the four walls in the cave are covered with neatly arranged thousands of Buddhas, these symbols of the Shijia split of the ten-sided Buddhas, arranged in an orderly manner, and the composition is rigorous. There are more than 10,000 statues that are preserved, so it is also called the Wanfo Cave.

The Wanfo Cave is a world cultural heritage-Datong Yungang Grottoes in the core caves, usually refers to the ninth to thirteenth caves, which were carved in the late fifth century AD, and have various beautifully carved Buddha statues, different sizes and different appearances.

Wanfo Cave is the 15th cave in Yungang Grottoes. There are more than 10,000 statues of the small Buddha sitting here, all of which are different in shape. Wanfo Cave was carved in the Northern Wei Dynasty. The number of Buddha Caves can reach tens of thousands, so it is Wanfo Cave. Look carefully, savor the carving technology at the time, and see the Buddha statues with different facial expressions.

Wanfo Cave, nicknamed the 15th Grottoe of Yungang Grottoes, is a typical cave with the theme of thousands of Buddhas in the grottoes. The square single cave room, the late cave opened after the emperor Xiaowen moved to Luoyang. The four walls of the cave are full of sitting Buddha small, arranged in a neat arrangement, and there are more than 8900 Zun. It is the cave where the most Buddha statues are preserved in Yungang Grottoes, so it is also known as "Wanfo Cave". Many sitting Buddhas symbolize the ten-sided Buddhas separated by Sakyamuni. They are arranged in an orderly manner, with strict composition and dignified appearance.

The cave is a square single cave room, mainly showing the theme of the thousand Buddhas, the old name is "the thousand Buddha cave". The cave has more than 10,000 statues, so it is also known as the "the thousand Buddha cave". These symbols of the Shijia split of the ten-fang Buddha, arranged in an orderly manner, and the composition is rigorous. The west wall wedge-shaped curtain-jiboshan stove on both sides, carving fish and birds algae, showing the natural scenery of the sand flying and the fish leaping in the deep. The bottom of the shikile flies, the sky is smart, the shiny, the flight situation and the water grass above the fluctuation, the rhythm is harmonious.

Sure enough, this trip is worthwhile. Although there are more people, it can't stand the beauty, and the whole process is pleasantly surprised. It is worthy of such a high evaluation, it can be regarded as a real name, I will recommend it to friends around me.