Chun Gallery

The current exhibition of contemporary artists and professor of the Central Academy of Fine Arts Mr. Meng Xuding's latest personal exhibition "Yuan Color". In the course of nearly 40 years of art, from "Yuan state" and "Yuan speed" to "Yuan color", Meng Xuding has continuously refreshed the experience and understanding of "Yuan". Maybe it is too abstract, although this exhibition is atmospheric, but the whole is still a little understandable, I don't know the cloud, practice is not enough.

The Spring Art Museum's "Wind Lin Fire Mountain" double exhibition, the artist used their respective art to try to answer this question: artist Zhou Yangming has been practicing martial arts since about 2000, more than 20 years, is called Li Xianting "rosary beads and brush strokes" The representative characters in the art phenomenon, each brush stroke condensed the present, unobstructed confession of the artist's true, between the uncommon willpower and unlimited delivery to the limit, explore the naked truth; In the creation of the artist Mr. Jiang Zhenggen, he emerged from the classical Chinese landscape and built a place of return to the world outside the world. He took the "moss"-like brush stroke as a clue, so that the distraction of the process of immersing in the brush stroke, and infiltrated, diffused, and grew a utopian of Anqi Mind - "long time in the cage, return to nature". The guide words are really good, But the turtle did not see it and did not realize it. It must be that the realm has not arrived. Fortunately, the turtle is not there, otherwise she will have to release the word.

The first time I came to the Spring Art Museum, the pure white pavilion was still comfortable, that is, there were many rooms, and there would be omissions if I was not careful. Four artists have been exhibiting, Wang Muyu has been committed to the context conversion of traditional Chinese painting; Zhao Fangfang's work starts from the picture, constantly absorbing the nutrition of murals and rock colors; Chen Zifeng tried to create more possibilities for ink; Shan Dingkai has always shown people in black and white ink, but the internal structure of the work is deep and particular.

Passing by Fuzhou Road to visit the Spring Art Museum, the artwork and paintings are quite sensational

Walking on Fuzhou Road, occasionally under the Huangpu District Library, I saw the Spring Art Museum, the stairs on both sides were closed, and the middle was hanging long and long. It felt a little rejected. I asked the security guard and walked into the house. I really enjoyed a private venue. Here is the exhibition of "screenshot" artists invitation exhibition, the introduction said that art is constantly growing, art history is constantly advancing. In this process, there are sometimes flashing moments into the eyes, and they are suspended and saved by "screenshot". As objects, the viewer can watch and scrutinize the end repeatedly. Gu Hou Zhanqian, each has a sense. Please forgive the art of fog for being too shallow, not understanding, but also big words, these exhibits are boring people "for the new word strong to say sad" works.