Is the Sanxingdui site related to aliens?

Directions: There are parking signs on the road, and parking is free. The road surface is not very even, tips: 1. The entrance to the museum is at the end of the parking lot, try to park further inside. 2. Hire a reliable guide, who will not gossip like a typical tour guide, nor will he introduce each relic one by one like a typical interpreter. Instead, he emphasizes cultural integration, linking several Chinese civilizations together. He uses logic and relevant academic articles and viewpoints to prove the credibility of his interpretations. Q1: Why do some masks have flat tops? Pictures two to six all show different hairstyles or hat styles. It is speculated that there was something supporting on top of the flat head, but it has either been lost or carbonized over the years. For example, the carbonization of the wooden part of the gold staff, leaving only the gold staff or flat head. Like the hollow clenched fist of the priest, it is possible that the ivory inside has carbonized. Q2: Why are there so many damaged artifacts? Picture seven Historian Xu Zhuoyun's interpretation in 'Jingwei Huaxia' is: a ritual for dealing with the 'society of a fallen nation'. This 'absolute connection to heaven' method was used to sever the connection between humans and deities, thereby ending the divine power of the former dynasty, preventing the already fallen group from challenging or overturning the new rulers. Another explanation is that a severe earthquake once occurred at Sanxingdui, damaging the artifacts at the epicenter, which were then buried together. This is also historically verifiable. Q3: Is the gold mask outside the bronze mask an exotic style? Pictures eight to ten tell of the integration of Sanxingdui culture and Northwestern culture. The same gold masks are also found in artifacts from Tibet, Xinjiang, and other places. Q4: Do those exaggerated shapes (after picture twelve) or the steering wheel creativity from different eras come from aliens? We can find many similarities between the Baodun culture, Sanxingdui culture, and Jinsha culture, which are all located on the Chengdu Plain, as well as with the Liangzhu culture (carbonized rice), Erlitou culture, and archaeological artifacts from Jiangxi, Hunan, and other places. Perhaps these shapes originated from nature worshipped by the people of Sanxingdui, such as eyes, elephants, the sun, etc. Finally, let's look at the cover shape related to Shu, which is related to silkworms. Shu embroidery has been found many times in the artifacts, and the last picture is an antique bronze lamp decoration at the entrance of the museum. Only one two-thousandth of Sanxingdui has been excavated, and without written records, there are many possible interpretations. Hopefully, with the help of technology and the use of logic, we will be able to explain more of the unsolved mysteries.